Author: William Nelson Copley
Publisher: Hatje Cantz Pub
ISBN: 9783775706971
Category : Art
Languages : en
Pages : 127
Book Description
This first publication after William N. Copley's death in 1996 gives a comprehensive survey of the so far scarcely known complete work that is however important for the tradition of Dada and surrealism in America as well as for pop art painting. For a short time owner of a gallery for surrealistic art in Los Angeles, Copley began to paint at the end of the forties. 1951 the American by birth went to Paris together with Man Ray where he lived about 13 years within the circle of the surrealists. Subsequently he worked in New York. In his work he is focusing on trivial motifs, induced by sex and eros, pin-ups or comic-like portrayals of American everyday's myths. To treat the symbols of state, such as flage, with irony is one of his subjects as well as the subtle persiflage of standard masterpieces of art.
William N. Copley - True Confessions
Author: William Nelson Copley
Publisher: Hatje Cantz Pub
ISBN: 9783775706971
Category : Art
Languages : en
Pages : 127
Book Description
This first publication after William N. Copley's death in 1996 gives a comprehensive survey of the so far scarcely known complete work that is however important for the tradition of Dada and surrealism in America as well as for pop art painting. For a short time owner of a gallery for surrealistic art in Los Angeles, Copley began to paint at the end of the forties. 1951 the American by birth went to Paris together with Man Ray where he lived about 13 years within the circle of the surrealists. Subsequently he worked in New York. In his work he is focusing on trivial motifs, induced by sex and eros, pin-ups or comic-like portrayals of American everyday's myths. To treat the symbols of state, such as flage, with irony is one of his subjects as well as the subtle persiflage of standard masterpieces of art.
Publisher: Hatje Cantz Pub
ISBN: 9783775706971
Category : Art
Languages : en
Pages : 127
Book Description
This first publication after William N. Copley's death in 1996 gives a comprehensive survey of the so far scarcely known complete work that is however important for the tradition of Dada and surrealism in America as well as for pop art painting. For a short time owner of a gallery for surrealistic art in Los Angeles, Copley began to paint at the end of the forties. 1951 the American by birth went to Paris together with Man Ray where he lived about 13 years within the circle of the surrealists. Subsequently he worked in New York. In his work he is focusing on trivial motifs, induced by sex and eros, pin-ups or comic-like portrayals of American everyday's myths. To treat the symbols of state, such as flage, with irony is one of his subjects as well as the subtle persiflage of standard masterpieces of art.
William N. Copley
Author: Stephanie Seidel
Publisher:
ISBN: 9780996690683
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780996690683
Category :
Languages : en
Pages :
Book Description
X-rated
Author: William Nelson Copley
Publisher:
ISBN: 9780982943311
Category : Sex in art
Languages : en
Pages : 0
Book Description
Published on the occasion of the exhibition William N. Copley X-Rated, November 6-December 11, 2010
Publisher:
ISBN: 9780982943311
Category : Sex in art
Languages : en
Pages : 0
Book Description
Published on the occasion of the exhibition William N. Copley X-Rated, November 6-December 11, 2010
Reflection on a Past Life
Author: William Nelson Copley
Publisher: Walther Konig
ISBN: 9783863354589
Category : Biography & Autobiography
Languages : en
Pages : 61
Book Description
There can hardly be a better introduction to modern art than this humorous yet insightful book by a contemporary personally admitted info this fascinating, occasionally bizarre world through his encounters with key figures such as Man Ray, Max Ernst, Marcel Duchamp, and René Magritte. William Copley inherited a fortune as a young man and used his wealth to open a gallery in Beverly Hills shortly after World War II. Financially, the business was a flop, but Copley’s attempt to bring culture to the natives of Hollywood won him a place in the annals of art history. Copley himself was apainter and could well understand the work and thought processes of his heroes and coevals. This essay, written in 1976 for the exhibition ‘Paris-New York’, frankly and engagingly depicts episodes in the lives of Surrealist artists from the perspective of a younger colleague in a portrayal that is at once revealing and intimate. 0.
Publisher: Walther Konig
ISBN: 9783863354589
Category : Biography & Autobiography
Languages : en
Pages : 61
Book Description
There can hardly be a better introduction to modern art than this humorous yet insightful book by a contemporary personally admitted info this fascinating, occasionally bizarre world through his encounters with key figures such as Man Ray, Max Ernst, Marcel Duchamp, and René Magritte. William Copley inherited a fortune as a young man and used his wealth to open a gallery in Beverly Hills shortly after World War II. Financially, the business was a flop, but Copley’s attempt to bring culture to the natives of Hollywood won him a place in the annals of art history. Copley himself was apainter and could well understand the work and thought processes of his heroes and coevals. This essay, written in 1976 for the exhibition ‘Paris-New York’, frankly and engagingly depicts episodes in the lives of Surrealist artists from the perspective of a younger colleague in a portrayal that is at once revealing and intimate. 0.
William N. Copley: Selected Writings
Author: William N. Copley
Publisher: Walther Konig Verlag
ISBN: 9783960987765
Category :
Languages : en
Pages : 270
Book Description
Essays and conversations from the unclassifiable American advocate for surrealism and predecessor of pop art, William N. Copley For readers interested in the extraordinary life, work, and artistic milieu of the great American surrealist and proto-pop painter William Nelson Copley (1919-96), this volume will come as a thrilling revelation and a long-awaited peek into the mind of one of 20th-century art's most influential yet least recognized protagonists. Though best known for his radical work as a painter--which he pursued under the name CPLY--Copley was also a talented writer and the texts gathered here present his most significant essays, articles and conversations. Among Copley's reflections on art and artists is "Portrait of the Artist as a Young Dealer," a vividly humorous account of his brief tenure as a dealer in surrealist art in 1940s Los Angeles. Also included are key interviews and correspondence illuminating Copley's own practice and a selection of his newspaper articles, originally published in the 1950s and reprinted now for the first time.
Publisher: Walther Konig Verlag
ISBN: 9783960987765
Category :
Languages : en
Pages : 270
Book Description
Essays and conversations from the unclassifiable American advocate for surrealism and predecessor of pop art, William N. Copley For readers interested in the extraordinary life, work, and artistic milieu of the great American surrealist and proto-pop painter William Nelson Copley (1919-96), this volume will come as a thrilling revelation and a long-awaited peek into the mind of one of 20th-century art's most influential yet least recognized protagonists. Though best known for his radical work as a painter--which he pursued under the name CPLY--Copley was also a talented writer and the texts gathered here present his most significant essays, articles and conversations. Among Copley's reflections on art and artists is "Portrait of the Artist as a Young Dealer," a vividly humorous account of his brief tenure as a dealer in surrealist art in 1940s Los Angeles. Also included are key interviews and correspondence illuminating Copley's own practice and a selection of his newspaper articles, originally published in the 1950s and reprinted now for the first time.
Artists' Magazines
Author: Gwen Allen
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Jan-Ole Schiemann
Author: Nino Mier
Publisher:
ISBN: 9783735606693
Category : Painting, German
Languages : en
Pages : 0
Book Description
Jan-Ole Schiemann (*1983) belongs to a young artist generation, subjecting painting to a critical actualisation. On the fringes of figuration and abstraction, he extracts fragments of advertisement, comics, architecture from their original context. Almost transparently, he interweaves and layers structures, logos, topographies, graffiti, and everyday textures. This complex surface mesh, always full frontal, yet equally deep, dissolves the fabric of reality as a flashing, constantly renewed and self-generating hyper-text, into which one can actively immerse oneself or trace the origins of individual elements. Exhibition: Nino Mier Gallery, Los Angeles, USA (15.02.-13.03.2020).
Publisher:
ISBN: 9783735606693
Category : Painting, German
Languages : en
Pages : 0
Book Description
Jan-Ole Schiemann (*1983) belongs to a young artist generation, subjecting painting to a critical actualisation. On the fringes of figuration and abstraction, he extracts fragments of advertisement, comics, architecture from their original context. Almost transparently, he interweaves and layers structures, logos, topographies, graffiti, and everyday textures. This complex surface mesh, always full frontal, yet equally deep, dissolves the fabric of reality as a flashing, constantly renewed and self-generating hyper-text, into which one can actively immerse oneself or trace the origins of individual elements. Exhibition: Nino Mier Gallery, Los Angeles, USA (15.02.-13.03.2020).
Claude & François-Xavier Lalanne
Author: Claude Lalanne
Publisher: Reed Krakoff/Paul Kasmin/Ben Brown
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 122
Book Description
Foreword by Adrian Dannatt. Text by Pierre Berge, Peter Marino, Reed Krakoff.
Publisher: Reed Krakoff/Paul Kasmin/Ben Brown
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 122
Book Description
Foreword by Adrian Dannatt. Text by Pierre Berge, Peter Marino, Reed Krakoff.
Impasse Ronsin
Author: Roland Wetzel
Publisher:
ISBN: 9783969000182
Category : Artists
Languages : en
Pages : 251
Book Description
From around 1864 until 1971 the Impasse Ronsin in Paris was home to a warren of studios used by wide variety of artists. This curious cul-de-sac hidden away in Montparnasse served as home and atelier to some 220 artists, from academic sculptor Alfred Boucher to Argentine performance artist Marta Minujin. If Constantin Brancusi was its most famous resident, its most infamous was Madame Steinheil, mistress and maybe murderer of the French President whose artist-husband also met a brutal end, turning the Impasse Ronsin into one of the most notorious crime scenes of the early 20th century.
Publisher:
ISBN: 9783969000182
Category : Artists
Languages : en
Pages : 251
Book Description
From around 1864 until 1971 the Impasse Ronsin in Paris was home to a warren of studios used by wide variety of artists. This curious cul-de-sac hidden away in Montparnasse served as home and atelier to some 220 artists, from academic sculptor Alfred Boucher to Argentine performance artist Marta Minujin. If Constantin Brancusi was its most famous resident, its most infamous was Madame Steinheil, mistress and maybe murderer of the French President whose artist-husband also met a brutal end, turning the Impasse Ronsin into one of the most notorious crime scenes of the early 20th century.
Dada, Surrealism and Their Heritage
Author: William Stanley Rubin
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 252
Book Description