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Author: Grzegorz Zinkiewicz
Publisher: Cambridge Scholars Publishing
ISBN: 1443873713
Category : History
Languages : en
Pages : 260
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Book Description
This volume re-evaluates the position of William Morris regarding contemporary perspectives on his artistic and political endeavours. Special emphasis is placed on the concepts and territories that lie in-between, both literally and metaphorically. This “in-between-ess” is the most remarkable quality of Morris, and secures him a unique position among his contemporaries, as well as inspiring new generations of scholars. Paradoxically, however, this aspect also contributes to a certain marginalization of Morris in studies devoted to “Eminent Victorians”. Instead of speaking of ruptures, gaps or lacunas, the point of view adopted here explores the undefined terrenes situated between art and politics, viewing them as vantage points and departure planes which cement Morris’s universe. At the same time, the book also argues that this universe has always existed in its specific shape and form, while the “poetic upholster”, as Morris was ironically labelled, only discovered and explored different points on the map of a space that could have no limits and boundaries. The book offers new insights and avenues to supplement existing scholarship on Morris, including spatiotemporal aspects of his work and the relationship between art and politics.
Author: Grzegorz Zinkiewicz
Publisher: Cambridge Scholars Publishing
ISBN: 1443873713
Category : History
Languages : en
Pages : 260
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Book Description
This volume re-evaluates the position of William Morris regarding contemporary perspectives on his artistic and political endeavours. Special emphasis is placed on the concepts and territories that lie in-between, both literally and metaphorically. This “in-between-ess” is the most remarkable quality of Morris, and secures him a unique position among his contemporaries, as well as inspiring new generations of scholars. Paradoxically, however, this aspect also contributes to a certain marginalization of Morris in studies devoted to “Eminent Victorians”. Instead of speaking of ruptures, gaps or lacunas, the point of view adopted here explores the undefined terrenes situated between art and politics, viewing them as vantage points and departure planes which cement Morris’s universe. At the same time, the book also argues that this universe has always existed in its specific shape and form, while the “poetic upholster”, as Morris was ironically labelled, only discovered and explored different points on the map of a space that could have no limits and boundaries. The book offers new insights and avenues to supplement existing scholarship on Morris, including spatiotemporal aspects of his work and the relationship between art and politics.
Author: Bradley J. Macdonald
Publisher: Rowman & Littlefield
ISBN: 1666976059
Category : Political Science
Languages : en
Pages : 231
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Book Description
While William Morris (1834-1896) is generally considered one of the most important cultural and political figures of late Victorian England, there is avid disagreement on the way in which we can understand the interconnections between his aesthetic commitments (as a celebrated poet and decorative artist influenced by Pre-Raphaelitism and Aestheticism) and his later revolutionary socialist advocacy. As opposed to dominant interpretations within Morris scholarship, Bradley J. Macdonald argues for the importance of understanding the role a “critical notion of beauty” had in moving Morris toward a theory of socialism that took seriously the way in which desire, pleasure, and “beauty” (as applied to all externals of human life, not just art works) could be regenerated only through radical transformations in socioeconomic life. Consequently , William Morris's development represents an interesting example of cultural politics. Given this genealogy, Macdonald clarifies, Morris’s mature political theory incorporated a very important commitment to not just economic justice, but also, among other distinctive applications ; ecological sustainability, making him one of the first eco-socialist theorists within the Western tradition, and also an early proponent of what is today known as “degrowth communism.”
Author: Martin Ellis
Publisher:
ISBN: 9781885444479
Category :
Languages : en
Pages : 280
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Book Description
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Author: William Morris
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 34
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Book Description
Dive into the 27-page classic "Art Under Plutocracy" by William Morris, a thought-provoking exploration of art's role and challenges in a society dominated by wealth. Written in the 1890s, Morris delves into the intersection of art, society, and economics. His insights and critiques remain relevant, making this a must-read for art enthusiasts and historians alike.
Author: Allison Lee Palmer
Publisher: Rowman & Littlefield
ISBN: 1538122960
Category : Art
Languages : en
Pages : 416
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Book Description
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.
Author: William Morris
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 32
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Book Description
Author: Andrew Hemingway
Publisher: Pluto Press
ISBN: 9780745323299
Category : Art
Languages : en
Pages : 0
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Book Description
This unique book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels’s thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.
Author: Edward Palmer Thompson
Publisher:
ISBN: 9780804715096
Category : Literary Criticism
Languages : en
Pages : 829
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Book Description
Author: Marcus Waithe
Publisher: Cambridge University Press
ISBN: 1108944698
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
In his short life, William Morris (1834-96) combined the roles of poet, author, painter, designer, translator, lecturer, political activist, journalist, weaver, bookmaker, and businessman. This volume draws together influential voices from different disciplines who have participated in the recent critical, political, and curatorial revival of his work, with essays exploring the contemporary resonance of his exceptional legacy. As a critic of capitalism, his thinking has thrived in these years of financial crisis; as a theorist of work and craftsmanship, his legacy interacts with a more recent ethics of making that questions the values of 'off-shored' production; and as a protector of landscape and buildings Morris's concern with what is precious strikes a chord in our age of environmental crisis. At the same time, a careful and scholarly approach observes the particularity of Morris's context, in a way that confounds the 'false friends' of hasty historical reception and reveals unexpected connections.
Author: Owen Holland
Publisher: Springer
ISBN: 3319596020
Category : History
Languages : en
Pages : 343
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Book Description
This book offers a new interpretation of William Morris’s utopianism as a strategic extension of his political writing. Morris’s utopian writing, alongside his journalism and public lectures, constituted part of a sustained counter-hegemonic project that intervened both into the life-world of the fin de siècle socialist movement, as well as the dominant literary cultures of his day. Owen Holland demonstrates this by placing Morris in conversation with writers of first-wave feminism, nineteenth-century pastoralists, as well as the romance revivalists and imperialists of the 1880s. In doing so, he revises E.P. Thompson’s and Miguel Abensour’s argument that Morris’s utopian writing should be conceived as anti-political and heuristic, concerned with the pedagogic education of desire, rather than with the more mundane work of propaganda. He shows how Morris’s utopianism emerged against the grain of the now-here, embroiled in instrumental, propagandistic polemic, complicating Thompson’s and Abensour’s view of its anti-political character.
