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Author: William Henry Fox Talbot
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
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Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: William Henry Fox Talbot
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 66
Get Book Here
Book Description
DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Mirjam Brusius
Publisher: Studies in British Art
ISBN: 9780300179347
Category : Photography
Languages : en
Pages : 0
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Book Description
William Henry Fox Talbot (1800-1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age--a time that saw many political, social, intellectual, technical, and industrial changes. His manuscripts, now in the archive of the British Library, reveal the connections and contrasts between his photographic innovations and his investigations into optics, mathematics, botany, archaeology, and classical studies. Drawing on Talbot's fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 9780892366606
Category : J. Paul Getty Museum
Languages : en
Pages : 148
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Book Description
Schaaf, an independent photohistorian and research professor at the University of Glasgow and the director of the Correspondence of William Henry Fox Talbot Project, discusses approximately fifty of Talbot's images in the collection of the Getty Museum."--BOOK JACKET.
Author: Dan Leers
Publisher: Thames & Hudson
ISBN: 9780880390606
Category : Photography, Artistic
Languages : en
Pages : 95
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Book Description
This publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot?s 'photogenic drawings' (photograms), calotypes and salted paper prints are some of the first-ever examples of images captured on paper.0This book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer's early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot's fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.00Exhibition: Carnegie Museum of Art, Pittsburgh, United States (18.11.2017 - 11.02.2018).
Author: Vered Maimon
Publisher: U of Minnesota Press
ISBN: 1452944210
Category : Photography
Languages : en
Pages : 258
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Book Description
Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today’s prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot’s accounts on the removal of the “artist’s hand” in favor of “the pencil of nature” did not mark a shift from manual to “mechanical” and more accurate or “objective” systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Author: Larry John Schaaf
Publisher: Princeton Univ Department of Art &
ISBN: 0691050007
Category : Photography
Languages : en
Pages : 264
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Book Description
"This book brings together for the first time high-quality reproductions representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs but also the evidence of the first steps in shaping a totally new type of vision. Talbot became the first artist to be trained by the very art that he had invented." "Drawn from public and private collections throughout the world, the one hundred color plates are reproduced in the actual size of the originals and in all the subtle hues that comprised Talbot's early work. While a number of Talbot's most famous images are included, many of the photographs are little known and are reproduced in this volume for the first time. They range from Talbot's Lilliputian pre-1839 negatives (made in "mouse trap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research the author has conducted in preparation for a catalogue raisonne of Talbot's life's work in photography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Larry John Schaaf
Publisher:
ISBN: 9780300057058
Category : Photography
Languages : en
Pages : 188
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Book Description
This book chronicles for the first time in a detailed fashion the critical days of the invention and development of photography. In particular it explores the relationship between two Englishmen who played a key role in photography's early years; the preeminent scientist Sir John Herschel and William Henry Fox Talbot, the artist and scientist who had invented his own photographic process years before Louis Daguerre announced his discovery in Paris in 1839. Drawing on hundreds of Herschel's and Talbot's letters, notebooks, and diaries, Larry J. Schaaf tells the story of the evolution of photography as expressed through their words, and in the process he sheds light on some questions over which others have puzzled. Given that the camera and the necessary chemistry had coexisted for years, why rather than how was photography invented? Why did Talbot keep his own photographic process secret until Daguerre's announcement? Why did Herschel make such fundamental contributions to the process of photography, yet take very few pictures himself? Who or what provided the visual training that allowed Talbot to grow into the first photographic artist? Schaaf skillfully describes the complexities of the events, the personalities and interests of the participants, the often vital role played by trivial circumstances, and the chaotic nature of the progress of photography. He narrates the rivalry between Talbot and Daguerre, showing how it mirrored the differences between France and Great Britain in their support of science and art. Enhanced by more than 100 reproductions in color and in duotone of some of the earliest photographs ever made, this book vividly re-creates both the invention of an art and the art of invention.
Author: John Hannavy
Publisher: Shire Publications
ISBN: 9780747803515
Category : Biography & Autobiography
Languages : en
Pages : 48
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Book Description
A monograph on Fox Talbot, universally recognised as the father of modern photography.
Author: Helen Rappaport
Publisher: Macmillan
ISBN: 1743510020
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Capturing the Light starts with a tiny scrap of purple-tinged paper, 176 years old and about the size of a postage stamp. On it you can just make out a tiny, ghostly image of a gothic window, an image so small and perfect that it 'might be supposed to be the work of some Lilliputian artist': the world's first photographic negative. This captivating book traces the lives of two very different men in the 1830s, both racing to be the first to solve one of the world's oldest problems: how to capture an image and keep it for ever. On the one hand there is Henry Fox Talbot: a quiet, solitary gentleman-amateur tinkering away on his farm in the English countryside. On the other Louis Daguerre, a flamboyant, charismatic French showman in search of fame and fortune. Only one question remains: who will get there first?
Author: Russell Roberts
Publisher: Rizzoli International Publications
ISBN: 1785510533
Category : Photography
Languages : en
Pages : 0
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Book Description
Contains much material that is either currently unavailable in print, or previously unpublished, and explores new angles of interpretation, in particular the influences of Talbot's closest circle of friends, and whether photography ever achieved the ambitions that he set out for it. Published to accompany an exhibition at the Science Museum, London, in spring 2016, this catalogue features 100 high-quality reproductions of Talbot's work. Through two introductory essays, the book examines how Talbot's invention of photography in the 1830s, evolved to establish the artistic, scientific and industrial possibilities for photography. As a radically new way of seeing, Talbot set out how the medium of photography had the ability to open up the visual world to a different kind of scrutiny, as well as to reaffirm what was considered to be 'real'. Such experiments make Talbot's practice and thinking all the more complex and lasting but also provocative as he sits between ambitions of art and science through photography, and economic gain. The book furthermore discusses the relationships between a network of photographers who gravitated towards Talbot's process but each of whom took photography into different territory. Assessing their artistic contribution and social legacy, it reflects on how enthusiasm for photography was initially limited to a small close-knit, elite group of people. William Henry Fox Talbot is a testament to Talbot's magical and industrial visions for his invention, that range from the delicate capture of natural specimens to more staged and functional ambitions for photography as means of mass production. It will be of interest to the art enthusiast and general historian of nineteenth-century innovation, as well as to all those curious to learn more about this pioneer of photography.
