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Author: William Alexander Gerhardie
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
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Book Description
Author: William Alexander Gerhardie
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
Get Book Here
Book Description
Author: William Alexander Gerhardie
Publisher: Overlook Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 368
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Book Description
Author: William Alexander Gerhardie
Publisher: New Directions Publishing
ISBN: 9780811211765
Category : Fiction
Languages : en
Pages : 214
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Book Description
Futility is an astounding, funny, and enchanting novel which mixes eccentric Russian sensibilities with eccentric British brains, both richly possessed by its author William Gerhardie (1895-1977). The novel's narrator, Andrei Andreiech, an Englishman of Russian upbringing, recounts his entanglements with the Bursanov family and his love for Nina, the second of three beautiful sisters. The Revolution destroys the family fortunes, but Nina's father still pins his hopes on his Northern goldmines, gathering dependents who trail him even to Siberia. Andrei also waits, hoping his love for Nina will bring happiness. It is Gerhardie's vivacity and lightness of tone in conducting these meaningful yet ludicrous tragedies of disappointment that marks Futility as one of the great neglected novels of the twentieth century.
Author: Dido Davies
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
This fascinating biography traces the life of William Gerhardie, a brilliant writer of the 1920s, who by 1940 had mysteriously ceased to publish becoming for the rest of his life an eccentric recluse. Drawing on the full range of Gerhardie's extensive archives--letters, diaries, and manuscripts--Davies offers a wildly funny and extremely moving account of the man and his age.
Author: William Alexander Gerhardie
Publisher:
ISBN:
Category :
Languages : en
Pages : 361
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Book Description
Author: William Alexander Gerhardie
Publisher:
ISBN:
Category : Devil
Languages : en
Pages : 390
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Book Description
Author: Herbert Clyde Lewis
Publisher: Boiler House Press
ISBN: 1913861244
Category : Fiction
Languages : en
Pages : 101
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Book Description
Out of print for over seventy years, Gentleman Overboard by Herbert Clyde Lewis is being rescued for today's readers to launch Boiler House Press's new series, Recovered Books. Halfway between Honolulu and Panama, a man slips and falls from a ship. For crucial hours, as he patiently treads water in hope of rescue, no one on board notices his absence. By the time the ship's captain is notified, it may be too late to save him... Rediscovered in 2009 by Brad Bigelow as part of tireless research for his popular Neglected Books website, Gentleman Overboard has since achieved the status of a cult classic and even become something of an international phenomenon, having seen translations into Spanish, Hebrew, and Dutch. The newspaper Ha'aretz has called it 'A miniature masterpiece that emerged from oblivion'; the Spanish magazine El Cultural dubbed it 'una perlita': 'a little pearl'. A masterful piece of narrative tension, and way ahead of its time, Gentleman Overboard sets the question of existence in its most basic terms. The story speaks fiercely to the contemporary moment and for all who share a sense of loneliness through having found themselves isolated by politics, disease, economics -or indeed just sheer accident and bad luck. The fate of the novel's hero even has ironic parallels with that of the author, Herbert Clyde Lewis, who died forgotten and alone in 1950, a victim of Hollywood's black list, and who has since slipped beneath the waves of fashion and time, but now hopefully is to be recovered from the murky depths for the readership he posthumously deserves.
Author: Beci Carver
Publisher:
ISBN: 0198709927
Category : Literary Collections
Languages : en
Pages : 209
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Book Description
Granular Modernism understands the way that some modernist texts put themselves together as a way of pulling themselves apart. In this volume, Beci Carver offers a new way of reading Modernist texts, by drawing attention to the anomalies that make them difficult to summarise or simplify. Carver proposes that rather than trying to find the shapes of narrative or argument in their writing, the 'Granular Modernists'- - namely, Joseph Conrad, William Gerhardie, Evelyn Waugh, Henry Green, T.S. Eliot, W.H. Auden, and Samuel Beckett -- experiment in certain of their works in finding the shapelessness of a moment in history that increasingly confidently called itself 'modern', which was to call itself shapeless. The project of modernism in the late nineteenth and the first half of the twentieth century, was to find a story to tell about an era full of beginnings. The project of 'Granular Modernism' was to find a way of turning the inchoateness of the modern moment into art. Granular Modernism takes from the Naturalist movements of the nineteenth and early twentieth century its attentiveness to the process of mundane experiences like eating or waiting. But where Naturalism sets out to offer a complete picture of a way of life, Granular Modernism's eating and waiting fail to amount to anything more; to paraphrase Evelyn Waugh: 'The most they can hope for is a cumulative futility.' Frank Norris once described one of Stephen Crane's narrators as: 'a locust in a grain elevator attempting to empty the silo by carrying off one grain at a time.' Norris is being dismissive. But his image of pointless, meticulous, indefinite manoeuvre potentially defines the ambition of the Granular Modernists.
Author: Nancy K. Gish
Publisher: Springer
ISBN: 1349054801
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
Author: William Gerhardie
Publisher: Faber & Faber
ISBN: 9780571248926
Category :
Languages : en
Pages : 362
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Book Description
William Gerhardie himself described Resurrection as 'an autobiographical novel recording a true experience out of the body, followed that night by a London ball at which, against a background of social comedy, the theme is taken up and developed into a passionate argument for the immortality of the soul, illustrated by the spontaneous recollection of a year rich in travel and having the power to evoke a vanished lifetime in a day.' Some consider this to be Gerhardie's masterpiece. Hugh Kingsmill said 'Tristram Shandy is accepted as a permanent masterpiece, and Resurrection is worth ten of it'. Edwin Muir considered the book 'easily the best' of Gerhardie's work 'and also, I think, one of the most remarkable that have appeared in our time. Michael Holroyd has the same high opinion of it as did Philip Toynbee who wrote, 'an astonishing Proustian masterpiece ... which embraces more of Gerhardie, more of his attitudes, personality and literary achievement than any other'.
