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Author: Keith Davies
Publisher: Taylor & Francis
ISBN: 1000913368
Category : History
Languages : en
Pages : 208
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Book Description
The history and philosophy of scientific ideas and the role poiēsis and imagination play in our understanding of science and progress are widely explored in this book. By examining the views of William Blake and other poets in the context of twentieth-century philosophers Hannah Arendt, Jacob Bronowski, Martin Heidegger, Bruno Latour and Karl Popper, amongst others, the book takes an eclectic approach drawing on examples from biology, history, literature, philosophy and economics, arguing for the reestablishment of imagination as a central attribute of science that may help to resolve some of our most pressing ecological problems as seen in the context of science and technology studies and what is loosely developing into the discipline of environmental humanities. Today, influential scientists looking at consciousness dismiss imagination regarding it at best as a mere epiphenomenon, a ghost in the machine, or at worst non-existent and to be denied. In this book, Keith G. Davies, who sees C. P. Snow’s debate on the separation of the arts and sciences as alive and well, traces the schism back to Plato but more importantly to the seventeenth century and David Hume’s removal of imagination in the conjunction between our observation of causes and their effects. Through extensive research and use of poetry, this book offers an alternate understanding of science with imagination and its continued significance in today’s world. This book is an excellent reference book for postgraduate students, professional researchers, William Blake scholars and the pejoratively labelled interested laymen with concerns in ecology and environmental humanities through offering a new perspective on the history of science and the role of imagination within this field.
Author: Keith Davies
Publisher: Taylor & Francis
ISBN: 1000913368
Category : History
Languages : en
Pages : 208
Get Book Here
Book Description
The history and philosophy of scientific ideas and the role poiēsis and imagination play in our understanding of science and progress are widely explored in this book. By examining the views of William Blake and other poets in the context of twentieth-century philosophers Hannah Arendt, Jacob Bronowski, Martin Heidegger, Bruno Latour and Karl Popper, amongst others, the book takes an eclectic approach drawing on examples from biology, history, literature, philosophy and economics, arguing for the reestablishment of imagination as a central attribute of science that may help to resolve some of our most pressing ecological problems as seen in the context of science and technology studies and what is loosely developing into the discipline of environmental humanities. Today, influential scientists looking at consciousness dismiss imagination regarding it at best as a mere epiphenomenon, a ghost in the machine, or at worst non-existent and to be denied. In this book, Keith G. Davies, who sees C. P. Snow’s debate on the separation of the arts and sciences as alive and well, traces the schism back to Plato but more importantly to the seventeenth century and David Hume’s removal of imagination in the conjunction between our observation of causes and their effects. Through extensive research and use of poetry, this book offers an alternate understanding of science with imagination and its continued significance in today’s world. This book is an excellent reference book for postgraduate students, professional researchers, William Blake scholars and the pejoratively labelled interested laymen with concerns in ecology and environmental humanities through offering a new perspective on the history of science and the role of imagination within this field.
Author: William Blake
Publisher: Heinemann
ISBN: 9780435150822
Category :
Languages : en
Pages : 180
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Book Description
The books in this A Level poetry series contain a glossary and notes on each page. The approach encourages students to develop their own responses to the poems, and an A Level Chief Examiner offers exam tips. This text contains selected poems of William Blake.
Author: John Higgs
Publisher: Simon and Schuster
ISBN: 1639361545
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
A wild and unexpected journey through culture, science, philosophy and religion to better understand the mercurial genius of William Blake. Poet, artist, and visionary, William Blake is an archetypal misunderstood genius. His life passed without recognition and he worked without reward, often mocked, dismissed and misinterpreted. Yet from his ignoble end in a pauper's grave, Blake now occupies a unique position as an artist who unites and attracts people from all corners of society—a rare inclusive symbol of human identity. Blake famously experienced visions, and it is these that shaped his attitude to politics, sex, religion, society, and art. Thanks to the work of neuroscientists and psychologists, we are now in a better position to understand what was happening inside that remarkable mind and gain a deeper appreciation of his brilliance. His timeless work, we will find, has never been more relevant. In William Blake vs the World we return to a world of riots, revolutions, and radicals; discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s; and explore the latest discoveries in neurobiology, quantum physics, and comparative religion. Taking the reader on a wild adventure into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into fascinating context. And although the journey begins with us trying to understand him, we will ultimately discover that it is Blake who helps us to understand ourselves.
Author: T. Connolly
Publisher: Springer
ISBN: 0230597017
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
William Blake and the Body re-evaluates Blake's central image: the human form. In Blake's designs, transparent-skinned bodies passionately contort; in his verse, metamorphic bodies burst from each other in gory, gender-bending births. The culmination is an ideal body uniting form and freedom. Connolly explores romantic-era contexts like anatomical art, embryology, miscarriage and twentieth-century theorists like those of Kristeva, Douglas, Girard to provide an innovative new analysis of Blake's transformations of body and identity.
Author: William Blake
Publisher: Oxford University Press
ISBN: 0192526650
Category : Literary Collections
Languages : en
Pages : 336
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Book Description
'To see a World in a Grain of Sand 'And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour' William Blake wrote some of the most moving and memorable verse in the English language. Deeply committed to visionary and imaginative experience, yet also fiercely engaged with the turbulent politics of his era, he is now recognised as a major contributor to the Romantic Movement. This edition presents Blake's poems in their literary categories and genres to which they belong: his much-loved lyrics, ballads, comic and satirical verse, descriptive and discursive poems, verse epistles, and, finally, his remarkable 'prophetic' poems, including the whole of his two diffuse epics, Milton and Jerusalem. Blake's poetry is intellectually challenging as well as formally inventive, and this edition has a substantial critical introduction which places his ideas in the contemporary context of the Enlightenment and the artistic reaction against its key assumptions.
Author: Minna Doskow
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838630907
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Jerusalem represents the culmination of Blake's artistic endeavor in poetry and picture. The author approaches Blake's masterpiece from within rather that without, in an attempt to find a clue to the poem's structure in the poetry itself.
Author: William Blake
Publisher: Anchor
ISBN: 0385152132
Category : Poetry
Languages : en
Pages : 1022
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Book Description
Since its first publication in 1965, this edition has been widely hailed as the best available text of Blake's poetry and prose. Now revised, if includes up-to-date work on variants, chronology of poems and critical commentary by Harold Bloom. An "Approved Edition" of the Center for Scholarly Editions of the Modern Language Association.
Author: Sangharakshita
Publisher: Windhorse Publications
ISBN: 1911407678
Category : Religion
Languages : en
Pages : 729
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Book Description
A compilation of Sangharakshita’s teachings on meditation. Whether dipped into, consulted on a specific subject, or read from cover to cover, this collection offers practical, inspiring and encouraging advice for new and experienced meditators alike. It is deeply imbued with the Buddhist vision of the role of meditation in the quest for Enlightenment.
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 9780802068651
Category : Religion
Languages : en
Pages : 224
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Book Description
The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented.
Author: Sheila A. Spector
Publisher: Routledge
ISBN: 1351108417
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of foundational principles, and organized in terms of the resulting symbolic form. The primary impediment to interpreting Blake has been the failure to recognize that he and much of his audience have thought in terms of two radically different myths. In The Evolution of Blake’s Myth, Sheila A. Spector establishes the dimensions of the myth that structures Blake’s thought. In the first of three parts, she uses Jerusalem, Blake’s most complete book, as the basis for extrapolating the components of the consolidated myth. She then traces the chronological development of the myth from its origin in the late 1780s through its crystallization in Milton. Finally, she demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well.
