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Author: Cather Studies
Publisher: U of Nebraska Press
ISBN: 1496200667
Category : Modernism (Literature)
Languages : en
Pages : 381
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Book Description
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Introduction: Willa Cather at the Modernist Crux -- Prologue: Gifts from the Museum: Catherian Epiphanies in Context -- Part 1. Beginnings -- 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning -- 2. Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier -- 3. Ántonia and Hiawatha: Spectacles of the Nation -- Part 2. Presences -- 4. Willa Cather, Howard Pyle, and "The Precious Message of Romance"--5. "Then a Great Man in American Art": Willa Cather's Frederic Remington -- 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow"--7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise -- 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady -- 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor's House -- 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop -- Part 3. Articulation: The Song of the Lark -- 11. Elements of Modernism in The Song of the Lark -- 12. "The Earliest Sources of Gladness": Reading the Deep Map of Cather's Southwest -- 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark -- 14. Women and Vessels in The Song of the Lark and Shadows on the Rock -- Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather -- Contributors -- Index
Author: Cather Studies
Publisher: U of Nebraska Press
ISBN: 1496200667
Category : Modernism (Literature)
Languages : en
Pages : 381
Get Book Here
Book Description
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Introduction: Willa Cather at the Modernist Crux -- Prologue: Gifts from the Museum: Catherian Epiphanies in Context -- Part 1. Beginnings -- 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning -- 2. Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier -- 3. Ántonia and Hiawatha: Spectacles of the Nation -- Part 2. Presences -- 4. Willa Cather, Howard Pyle, and "The Precious Message of Romance"--5. "Then a Great Man in American Art": Willa Cather's Frederic Remington -- 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow"--7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise -- 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady -- 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor's House -- 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop -- Part 3. Articulation: The Song of the Lark -- 11. Elements of Modernism in The Song of the Lark -- 12. "The Earliest Sources of Gladness": Reading the Deep Map of Cather's Southwest -- 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark -- 14. Women and Vessels in The Song of the Lark and Shadows on the Rock -- Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather -- Contributors -- Index
Author: Ann Moseley
Publisher:
ISBN: 9781496200655
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Author: Janis P. Stout
Publisher: University Alabama Press
ISBN: 0817320148
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
A masterful study by a preeminent scholar that situates Cather as a visionary practitioner of literary modernism Willa Cather is often pegged as a regionalist, a feminine and domestic writer, or a social realist. In Cather Among the Moderns, Janis P. Stout firmly situates Cather as a visionary practitioner of literary modernism, something other scholars have hinted at but rarely affirmed. Stout presents Cather on a large, dramatic stage among a sizable cast of characters and against a brightly lit social and historical backdrop, invoking numerous figures and instances from the broad movement in the arts and culture that we call modernism. Early on, Stout addresses the matter of gender. The term “cross-dresser” has often been applied to Cather, but Stout sees Cather’s identity as fractured or ambiguous, a reading that links her firmly to early twentieth-century modernity. Later chapters take up topics of significance both to Cather and to twentieth-century American modernists, including shifting gender roles, World War I’s devastation of social and artistic norms, and strains in racial relations. She explores Cather’s links to a small group of modernists who, after the war, embraced life in New Mexico, a destination of choice for many artists, and which led to two of Cather’s most fully realized modernist novels, The Professor’s House and Death Comes for the Archbishop. The last chapter addresses Cather’s place within modernism. Stout first places her in relation to Ezra Pound and T. S. Eliot with their shared ties to tradition even while making, sometimes startling, innovations in literary form, then showing parallels with William Faulkner with respect to economic disparity and social injustice.
Author: Cather Studies
Publisher: U of Nebraska Press
ISBN: 0803296991
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Introduction: Willa Cather at the Modernist Crux -- Prologue: Gifts from the Museum: Catherian Epiphanies in Context -- Part 1. Beginnings -- 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning -- 2. Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier -- 3. Ántonia and Hiawatha: Spectacles of the Nation -- Part 2. Presences -- 4. Willa Cather, Howard Pyle, and "The Precious Message of Romance"--5. "Then a Great Man in American Art": Willa Cather's Frederic Remington -- 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow" -- 7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise -- 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady -- 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor's House -- 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop -- Part 3. Articulation: The Song of the Lark -- 11. Elements of Modernism in The Song of the Lark -- 12. "The Earliest Sources of Gladness": Reading the Deep Map of Cather's Southwest -- 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark -- 14. Women and Vessels in The Song of the Lark and Shadows on the Rock -- Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather -- Contributors -- Index
Author: Julie Olin-Ammentorp
Publisher: U of Nebraska Press
ISBN: 1496216903
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect. The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States.
Author: Willa Cather
Publisher: U of Nebraska Press
ISBN: 0803276877
Category : Fiction
Languages : en
Pages : 569
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Book Description
"The story of the eponymous Lucy Gayheart, a spirited young girl from Haverford, Nebraska, who leaves home to pursue a career in music"--
Author: Willa Cather
Publisher: Penguin
ISBN: 0143137700
Category : Fiction
Languages : en
Pages : 257
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Book Description
For the 150th anniversary of Willa Cather's birth, and for the first time in Penguin Classics, her quietly beautiful novel of one man's life as he encounters the harsh landscape of the New Mexico desert and the people who inhabit it, with an introduction by National Book Award finalist Kali Fajardo-Anstine A Penguin Vitae Edition • One of The Atlantic’s Great American Novels of the Past 100 Years In 1848, following the US's recent acquisition of the American Southwest from Mexico, the young bishop Father Jean Marie Latour receives instruction from the Vatican to oversee a newly created diocese in New Mexico. With his good friend Father Joseph Vaillant in tow, the pair travel through the unforgiving and seemingly-endless desert on mules in attempt to reclaim the region from corrupt priests who have taken mistresses, exhibited greed, and inflicted abuse and genocide on the Mexican and Indigenous residents. But as Father Latour spends more time in New Mexico with the people who have inhabited and influenced it for centuries, he begins to realize that the task he was sent to do is more complicated than anticipated. Rather than leave, though, Father Latour decides to stay and uphold his commitment to the Church and his faith, and gains an eye-opening perspective along the way. Written in 1927 at a time when Cather herself was expanding her own ideas of race, religion, and gender, Death Comes for the Archbishop remains a moving account of one man's physical and spiritual journey of understanding in naturalistic prose as sparse as the desert plains.
Author: Cather Studies
Publisher: U of Nebraska Press
ISBN: 1496224612
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
"Cather Studies, Volume 13 explores the myriad ways that Willa Cather's writing career was shaped during the crucial years in Pittsburgh and the artistic, professional, and personal connections she made there"--
Author: Cather Studies
Publisher: U of Nebraska Press
ISBN: 1496219244
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather’s correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather’s use of “racialized vernacular” in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather’s fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather’s use of ancient philosophy in The Professor’s House. Together the essays reassess Cather’s lifelong encounter with, and interpretation and reimagining of, the arts.
Author: Miro Roman
Publisher: Birkhäuser
ISBN: 3035624054
Category : Architecture
Languages : en
Pages : 528
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Book Description
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
