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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 303
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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 303
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 734
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 692
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Book Description
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307422631
Category : Fiction
Languages : en
Pages : 529
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Book Description
The Poems Shakespeare’s greatest achievement in nondramatic verse was his collection of 154 magnificent sonnets that portray a tumultuous world of love, rivalry, and conflict among a poet, an aristocratic young man, a rival poet, and a mysterious “dark lady.” More profound than other Elizabethan sonnet sequences and never surpassed as archetypes of the form, these poems explore almost every imaginable emotional complexity related to love and friendship. Some poems are dark, bitter, and self-hating, others express idealism with unmatchable eloquence–and all are of quintessential beauty, part of the world’s great literary heritage. In addition to his sonnets, Shakespeare published two long poems early in his career: Venus and Adonis and The Rape of Lucrece. Immediately popular in Shakespeare’s time, they display a richness that can also reward us with insights into the powerful imagery of his plays. Rounding out this volume are two minor poems, “A Lover’s Complaint” and “The Phoenix and Turtle,” thought to be part of Shakespeare’s early writings.
Author: Benjamin Boysen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311069185X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch’s notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare’s works. Petrarch and Shakespeare poetically show how identity is alien and decentred – yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
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Author: Jeannette Leonard Gilder
Publisher:
ISBN:
Category :
Languages : en
Pages : 604
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Author: Patrick Gill
Publisher: Taylor & Francis
ISBN: 1000775089
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
An Introduction to Poetic Forms offers specimen discussions of poems through the lens of form. While each of its chapters does provide a standard definition of the form in question in its opening paragraphs, their main objective is to provide readings of specific examples to illustrate how individual poets have deviated from or subverted those expectations usually associated with the form under discussion. While providing the most vital information on the most widely taught forms of poetry, then, this collection will very quickly demonstrate that counting syllables and naming rhyme schemes is not the be-all and end-all of poetic form. Instead, each chapter will contain cross-references to other literary forms and periods as well as make clear the importance of the respective form to the culture at large: be it the democratising communicative power of the ballad or the objectifying male gaze of the blazon and resistance to same in the contreblazon – the efficacy of form is explored in the fullness of its cultural dimensions. In using standard definitions only as a starting point and instead focusing on lively debates around the cultural impact of poetic form, the textbook helps students and instructors to see poetic forms not as a static and lifeless affair but as living, breathing testament to the ongoing evolution of cultural debates. In the final analysis, the book is interested in showing the complexities and contradictions inherent in the very nature of literary form itself: how each concrete example deviates from the standard template while at the same time employing it as a foil to generate meaning.
