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Author: Alice Fox
Publisher: Batsford Books
ISBN: 1849948321
Category : Design
Languages : en
Pages : 249
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Book Description
A guide to harnessing the world of nature to create sustainable textile art. Textile artist Alice Fox shows how to work with found, foraged, gathered and grown materials to create fabulous textile pieces that are inspired by, and made from, nature. She encourages crafters to be open minded and experimental, using local (and sometimes) unconventional materials, working with the seasons and learning what materials are available at different times of year to ground artists in natural cycles and integrate creative activity with a strong sense of place and character. Alongside advice on growing your own plants (such as flax or nettles) for creative work, the book is packed with practical ideas for foraging – from weeds, dandelions and other plants useful for making cordage, or leaves that can be stitched, quilted and shaped into vessels, to grass, wool, plastics and mud that can be gathered and delightfully repurposed by the textile artist. Other ideas for found materials include stones, shells and wood that can be wrapped or woven into, as well as a multitude of urban treasures that find a new life in creative hands.
Author: Alice Fox
Publisher: Batsford Books
ISBN: 1849948321
Category : Design
Languages : en
Pages : 249
Get Book Here
Book Description
A guide to harnessing the world of nature to create sustainable textile art. Textile artist Alice Fox shows how to work with found, foraged, gathered and grown materials to create fabulous textile pieces that are inspired by, and made from, nature. She encourages crafters to be open minded and experimental, using local (and sometimes) unconventional materials, working with the seasons and learning what materials are available at different times of year to ground artists in natural cycles and integrate creative activity with a strong sense of place and character. Alongside advice on growing your own plants (such as flax or nettles) for creative work, the book is packed with practical ideas for foraging – from weeds, dandelions and other plants useful for making cordage, or leaves that can be stitched, quilted and shaped into vessels, to grass, wool, plastics and mud that can be gathered and delightfully repurposed by the textile artist. Other ideas for found materials include stones, shells and wood that can be wrapped or woven into, as well as a multitude of urban treasures that find a new life in creative hands.
Author: John Peter Wild
Publisher: Shire Publications
ISBN:
Category : Design
Languages : en
Pages : 76
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Book Description
Growing enthusiasm for handspinning and weaving as studio crafts and increasing awareness of the value of organic materials have led to wider interest in archaeological textiles. Although textiles are not common finds, textile implements are, and this book shows how both contribute to our appreciation of a universal ancient craft. Geographically this book is concerned with Britain and Europe and in time ranges from the neolithic to the medieval period. The processes of spinning and weaving are explained and illustrated and the reader is taken through early textile manufacture. Unusual textile terms are explained and illustrated in a glossary.
Author: E. J.W. Barber
Publisher: Princeton University Press
ISBN: 0691201412
Category : Social Science
Languages : en
Pages : 508
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Book Description
This pioneering work revises our notions of the origins and early development of textiles in Europe and the Near East. Using innovative linguistic techniques, along with methods from palaeobiology and other fields, it shows that spinning and pattern weaving began far earlier than has been supposed. Prehistoric Textiles made an unsurpassed leap in the social and cultural understanding of textiles in humankind's early history. Cloth making was an industry that consumed more time and effort, and was more culturally significant to prehistoric cultures, than anyone assumed before the book's publication. The textile industry is in fact older than pottery--and perhaps even older than agriculture and stockbreeding. It probably consumed far more hours of labor per year, in temperate climates, than did pottery and food production put together. And this work was done primarily by women. Up until the Industrial Revolution, and into this century in many peasant societies, women spent every available moment spinning, weaving, and sewing. The author, Elizabeth Wayland Barber, demonstrates command of an almost unbelievably disparate array of disciplines--from historical linguistics to archaeology and paleobiology, from art history to the practical art of weaving. Her passionate interest in the subject matter leaps out on every page. Barber, a professor of linguistics and archaeology, developed expert sewing and weaving skills as a small girl under her mother's tutelage. One could say she had been born and raised to write this book. Because modern textiles are almost entirely made by machines, we have difficulty appreciating how time-consuming and important the premodern textile industry was. This book opens our eyes to this crucial area of prehistoric human culture.
Author: Virginia Hencken Elsasser
Publisher: Bloomsbury Publishing USA
ISBN: 1501366513
Category : Design
Languages : en
Pages : 234
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Book Description
Textiles: Concepts and Principles, Fourth Edition provides a thorough approach to the fundamentals of textiles in a readable, nontechnical style, focusing on the interrelationship of textile components to help students understand and predict textile properties and performance to ultimately choose the best textile for their final product. With new co-author Julia Ridgway Sharp, Virginia Hencken Elsasser covers the global textile industry and components of textile products, summarizes laws and regulations affecting the textile industry, and looks into career possibilities, properties, care instructions, end uses of natural and manufactured fibers, yarns, fabrics, coloration and finishes, and the overall impact of textiles on the environment. New to this Edition -Updated information on sustainability, laws and regulations, and technological advancements - New Did you know? feature in each chapter provides thoughtful insights into new developments in the textile industry -Inclusion of imperial and metric measurements for a more global scope STUDIO Features Include -Study smarter with self-quizzes featuring scored results and personalized study tips -Review concepts with flashcards of essential vocabulary -Download additional exercises to practice your skills Instructor Resources -Instructor's Guide with Test Bank provides suggestions for planning the course and using the text in the classroom, supplemental assignments, and lecture notes -Test Bank includes sample test questions for each chapter -PowerPoint® presentations include images from the book and provide a framework for lecture and discussion
Author: Fiona McDonald
Publisher: Casemate Publishers
ISBN: 1781599521
Category : Design
Languages : en
Pages : 336
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Book Description
A fascinating and accessible history of textiles, including the key personalities and inventions which revolutionized the industry, together with the East End workshops and the creation of artificial materials such as rayon. Textile expert, Fiona McDonald, includes tips on the care and repair of materials and advice on whats worth collecting and the best materials to wear, as well as safe cleaning, tips on collecting.In addition to a handy glossary of textile terms, there is an A-Z of different textiles, full of interesting facts did you know that velvet was originally made from silk and its name derives from the Latin word, vellus, meaning fleece, or that cabbage was the term used in the rag trade to refer to the extra outfits clever cutters created and sold off the books by careful placement of the pattern. A fascinating and often surprising subject area explored at an accessible but informative level.Did you know? Peau de Soie is a heavy satin which was used for wedding dresses at the turn of the last century. The word satin is derived from Zaytoun, an area of China where it was first made We have lost many evocative names for colors over the years, including bouffon (darker than eau de nil) cendre de rose (gray with pink nuances), dust of Paris (ecru), esterhazy (silver-gray), flys wing (graphite) and terre dEgypt (rust)
Author: Faegheh Shirazi
Publisher: Bloomsbury Publishing
ISBN: 1350291250
Category : Design
Languages : en
Pages : 209
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Book Description
Textiles and clothing are interwoven with Islamic culture. In Islamicate Textiles, readers are taken on a journey from Central Asia to Tanzania to uncover the central roles that textiles play within Muslim-majority communities. This thematically arranged book sheds light on the traditions, rituals and religious practices of these regions, and the ways in which each one incorporates materials and clothing. Drawing on examples including Iranian lion carpets and Arabic keffiyeh, Faegheh Shirazi frames these textiles and totemic items as important cultural signifiers that, together, form a dynamic and fascinating material culture. Like a developing language, this culture expands, bends and develops to suit the needs of new generations and groups across the world. The political significance of Islamicate textiles is also explored: Faegheh Shirazi's writing reveals the fraught relationship between the East – with its sought-after materials and much-valued textiles – and the European countries that purchased and repurposed these goods, and lays bare the historical and contemporary connections between textiles, colonialism, immigration and economics. Dr Shirazi also discusses gender and how textiles and clothing are intimately linked with sexuality and gender identity.
Author: India Flint
Publisher: Penguin
ISBN: 1596683309
Category : Crafts & Hobbies
Languages : en
Pages : 241
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Book Description
The essence of plants bursts forth in magnificent hues and surprising palettes. Using dyes of the leaves, roots, and flowers to color your cloth and yarn can be an amazing journey into botanical alchemy. In Eco Colour, artistic dyer and colorist India Flint teaches you how to cull and use this gentle and ecologically sustainable alternative to synthetic dyes. India explores the fascinating and infinitely variable world of plant color using a wide variety of techniques and recipes. From whole-dyed cloth and applied color to prints and layered dye techniques, India describes only ecologically sustainable plant-dye methods. She uses renewable resources and shows how to do the least possible harm to the dyer, the end user of the object, and the environment. Recipes include a number of entirely new processes developed by India, as well as guidelines for plant collection, directions for the distillation of nontoxic mordants, and methodologies for applying plant dyes. Eco Colour inspires both the home dyer and textile professional seeking to extend their skills using India's successful methods.
Author: Regina Hofmann-de Keijzer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111388670
Category : Art
Languages : en
Pages : 486
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Book Description
MPER XXXIV, 2 presents knowledge of textile dyeing in Late Antique Egypt (ca. 300–800 CE) based on interdisciplinary research on 30 Late Antique textiles from the Papyrus Collection of the Austrian National Library, combining scientific analyses with the study of ancient and scholarly literature. The general part deals with the dyeing materials and techniques that were available in Late Antique Egypt to create a wide variety of colours. The catalogue part contains the scientific analyses of 85 samples of 30 Late Antique textiles from this collection. The results of dye, fibre and mordant analyses are documented with UHPLC chromatograms, UV/VIS absorption spectra, SEM-EDX spectra, microscopic images and tables. Textiles in which specific dyeing materials have been identified are listed in the appendices including textiles from the Papyrus Collection of the Austrian National Library as well as archaeological textiles from numerous international projects. A detailed bibliography completes this volume. MPER XXXIV, 1 – the first comprehensive compilation of Late Antique textiles from the Papyrus collection of the Austrian Library – provides an overall study of these 30 textiles and 208 more including iconography and the analyses of the weaving techniques. MPER XXXIV, 1 and 2 can also be purchased as a set.
Author: Kate Fletcher
Publisher: Routledge
ISBN: 1317935217
Category : Architecture
Languages : en
Pages : 288
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Book Description
Praise for the previous edition: "[A] fascinating book." John Thackara, Doors of Perception "Provides the foundations for a radical new perspective." Ethical Pulse "At last a book that dispels the idea that fashion is only interested in trend-driven fluff: not only does it have a brain, but it could be a sustainable one." Lucy Siegle, Crafts Magazine Fully revised and updated, the second edition of Sustainable Fashion and Textiles: Design Journeys continues to define the field of design in fashion and textiles. Arranged in two sections, the first four chapters represent key stages of the lifecycle: material cultivation/extraction, production, use and disposal. The remaining four chapters explore design approaches for altering the scale and nature of consumption, including service design, localism, speed and user involvement. While each chapter is complete in and of itself, their real value comes from what they represent together: innovative ways of thinking about textiles and garments based on sustainability values and an interconnected approach to design. Including a new preface, updated content and a new conclusion reflecting and critiquing developments in the field, as well as discussing future developments, the second edition promises to provide further impetus for future change, sealing Sustainable Fashion and Textiles: Design Journeys as the must-buy book for fashion and textiles professionals and students interested in sustainability.
Author: Margarita Gleba
Publisher: Oxbow Books
ISBN: 1842179004
Category : Social Science
Languages : en
Pages : 257
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Book Description
Textile production is an economic necessity that has confronted all societies in the past. While most textiles were manufactured at a household level, valued textiles were traded over long distances and these trade networks were influenced by raw material supply, labour skills, costs, as well as by regional traditions. This was true in the Mediterranean regions and Making Textiles in pre-Roman and Roman times explores the abundant archaeological and written evidence to understand the typological and geographical diversity of textile commodities. Beginning in the Iron Age, the volume examines the foundations of the textile trade in Italy and the emergence of specialist textile production in Austria, the impact of new Roman markets on regional traditions and the role that gender played in the production of textiles. Trade networks from far beyond the frontiers of the Empire are traced, whilst the role of specialized merchants dealing in particular types of garment and the influence of Roman collegia on how textiles were produced and distributed are explored. Of these collegia, that of the fullers appears to have been particularly influential at a local level and how cloth was cleaned and treated is examined in detail, using archaeological evidence from Pompeii and provincial contexts to understand the processes behind this area of the textile trade.
