Author: Peter Stanfield
Publisher: Rutgers University Press
ISBN: 0813599059
Category : Art
Languages : en
Pages : 215
Book Description
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
Hoodlum Movies
Author: Peter Stanfield
Publisher: Rutgers University Press
ISBN: 0813599059
Category : Art
Languages : en
Pages : 215
Book Description
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
Publisher: Rutgers University Press
ISBN: 0813599059
Category : Art
Languages : en
Pages : 215
Book Description
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
Grindhouse
Author: Austin Fisher
Publisher: Bloomsbury Publishing USA
ISBN: 1628927496
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Examines, with historically informed nuance, the myriad routes of cultural influence that converged in the American ‘grindhouse’ phenomenon and its aftermath.
Publisher: Bloomsbury Publishing USA
ISBN: 1628927496
Category : Performing Arts
Languages : en
Pages : 281
Book Description
Examines, with historically informed nuance, the myriad routes of cultural influence that converged in the American ‘grindhouse’ phenomenon and its aftermath.
Nicholson
Author: Marc Eliot
Publisher: Crown
ISBN: 030788838X
Category : Biography & Autobiography
Languages : en
Pages : 386
Book Description
The definitive biography of a man with one of the most iconic and fascinating careers—and lives—in Hollywood. For six decades, Jack Nicholson has been part of film history. With three Oscar wins and twelve nominations to his credit and legendary roles in films like Easy Rider, Five Easy Pieces, Terms of Endearment, The Shining, and One Flew Over the Cuckoo’s Nest, Nicholson created original, memorable characters like no other actor of his generation. And his offscreen life has been no less of an adventure—Nicholson has always been at the center of the Hollywood elite and has courted some of the most famous and beautiful women in the world. Relying on years of extensive research and interviews with insiders who know Nicholson best, acclaimed biographer Marc Eliot sheds light on Nicholson’s life on and off the screen. From Nicholson’s working class childhood in New Jersey, where family secrets threatened to tear his family apart, to raucous nights on the town with Warren Beatty and tumultuous relationships with starlets like Michelle Phillips, Anjelica Huston, and Lara Flynn Boyle, to movie sets working with such legendary directors and costars as Dennis Hopper, Stanley Kubrick, and Meryl Streep, Eliot paints a sweeping picture of the breadth of Nicholson’s decades-long career in film and an intimate portrait of the real man. Both a comprehensive tribute to a film legend and an entertaining look at a truly remarkable life, Nicholson is a compulsively readable biography of an iconic Hollywood star.
Publisher: Crown
ISBN: 030788838X
Category : Biography & Autobiography
Languages : en
Pages : 386
Book Description
The definitive biography of a man with one of the most iconic and fascinating careers—and lives—in Hollywood. For six decades, Jack Nicholson has been part of film history. With three Oscar wins and twelve nominations to his credit and legendary roles in films like Easy Rider, Five Easy Pieces, Terms of Endearment, The Shining, and One Flew Over the Cuckoo’s Nest, Nicholson created original, memorable characters like no other actor of his generation. And his offscreen life has been no less of an adventure—Nicholson has always been at the center of the Hollywood elite and has courted some of the most famous and beautiful women in the world. Relying on years of extensive research and interviews with insiders who know Nicholson best, acclaimed biographer Marc Eliot sheds light on Nicholson’s life on and off the screen. From Nicholson’s working class childhood in New Jersey, where family secrets threatened to tear his family apart, to raucous nights on the town with Warren Beatty and tumultuous relationships with starlets like Michelle Phillips, Anjelica Huston, and Lara Flynn Boyle, to movie sets working with such legendary directors and costars as Dennis Hopper, Stanley Kubrick, and Meryl Streep, Eliot paints a sweeping picture of the breadth of Nicholson’s decades-long career in film and an intimate portrait of the real man. Both a comprehensive tribute to a film legend and an entertaining look at a truly remarkable life, Nicholson is a compulsively readable biography of an iconic Hollywood star.
Underground U.S.A.
Author: Xavier Mendik
Publisher: Columbia University Press
ISBN: 0231850026
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
Publisher: Columbia University Press
ISBN: 0231850026
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
Roger Corman
Author: Constantine Nasr
Publisher: Univ. Press of Mississippi
ISBN: 1617031674
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Roger Corman (b. 1926) is known by many names-craftsman, artist, maverick, schlockmeister, mini-mogul, mentor, cheapskate, and King of the B's. Yet his commitment to filmmaking remains inspired. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. And the list of directors and producers who learned under his tutelage--Francis Ford Coppola, Martin Scorsese, James Cameron, Jonathan Demme, and many more—is astonishing. Collected here are many of the most honest and revealing interviews of his epic career, several of which have never been seen in print. Roger Corman: Interviews brings into focus a life committed to the entertaining art of motion pictures. Corman's rare talent combined artistic drive with business savvy, ensuring a successful career that was constantly in motion. At a remarkable pace more akin to silent movies than modern Hollywood, he directed over fifty films in less than fifteen years, some entertaining (Not of This Earth), trendsetting (The Wild Angels), daring (The Intruder), workmanlike (Apache Woman), stylized (The Masque of the Red Death) and even profound (X: The Man with the X-Ray Eyes). In a single year, Corman famously shot a cult classic in two and a half days (The Little Shop of Horrors), reinvigorated the American horror film with a dash of Poe and Price (House of Usher)--and still turned out a few more films shot across the globe. Recently awarded an honorary Oscar for his lifetime contribution to cinema, the self-made Corman has created a legacy as a defining filmmaker.
Publisher: Univ. Press of Mississippi
ISBN: 1617031674
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Roger Corman (b. 1926) is known by many names-craftsman, artist, maverick, schlockmeister, mini-mogul, mentor, cheapskate, and King of the B's. Yet his commitment to filmmaking remains inspired. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. And the list of directors and producers who learned under his tutelage--Francis Ford Coppola, Martin Scorsese, James Cameron, Jonathan Demme, and many more—is astonishing. Collected here are many of the most honest and revealing interviews of his epic career, several of which have never been seen in print. Roger Corman: Interviews brings into focus a life committed to the entertaining art of motion pictures. Corman's rare talent combined artistic drive with business savvy, ensuring a successful career that was constantly in motion. At a remarkable pace more akin to silent movies than modern Hollywood, he directed over fifty films in less than fifteen years, some entertaining (Not of This Earth), trendsetting (The Wild Angels), daring (The Intruder), workmanlike (Apache Woman), stylized (The Masque of the Red Death) and even profound (X: The Man with the X-Ray Eyes). In a single year, Corman famously shot a cult classic in two and a half days (The Little Shop of Horrors), reinvigorated the American horror film with a dash of Poe and Price (House of Usher)--and still turned out a few more films shot across the globe. Recently awarded an honorary Oscar for his lifetime contribution to cinema, the self-made Corman has created a legacy as a defining filmmaker.
The Road Story and the Rebel
Author:
Publisher: SIU Press
ISBN: 9780809388172
Category : Road films
Languages : en
Pages : 292
Book Description
This cultural history reveals the unique qualities of road stories and follows the evolution from the Beats' postwar literary adventures to today's postmodern reality television shows. Tracing the road story as it moves to both LeRoi Jones's critique of the Beats' romanticization of blacks as well as to the mainstream in the 1960s with CBS's Route 66, Mills also documents the rebel subcultures of novelist Ken Kesey and the Merry Pranksters, who used film and LSD as inspiration on a cross-country bus trip, and she examines the sexualization of male mobility and biker mythology in the films Scorpio Rising, The Wild Angels, and Easy Rider. Mills addresses how the filmmakers of the 1970s - Coppola, Scorsese, and Bogdanovich - flourished in New Hollywood with road films that reflected mainstream audiences and how feminists Joan Didion and Betty Friedan subsequently critiqued them. A new generation of women and minority storytellers gain clout and bring genre remapping to the national consciousness, Mills explains, as the road story evolves from such novels as Song of Solomon to films like Thelma and Louise and television's Road Rules 2.
Publisher: SIU Press
ISBN: 9780809388172
Category : Road films
Languages : en
Pages : 292
Book Description
This cultural history reveals the unique qualities of road stories and follows the evolution from the Beats' postwar literary adventures to today's postmodern reality television shows. Tracing the road story as it moves to both LeRoi Jones's critique of the Beats' romanticization of blacks as well as to the mainstream in the 1960s with CBS's Route 66, Mills also documents the rebel subcultures of novelist Ken Kesey and the Merry Pranksters, who used film and LSD as inspiration on a cross-country bus trip, and she examines the sexualization of male mobility and biker mythology in the films Scorpio Rising, The Wild Angels, and Easy Rider. Mills addresses how the filmmakers of the 1970s - Coppola, Scorsese, and Bogdanovich - flourished in New Hollywood with road films that reflected mainstream audiences and how feminists Joan Didion and Betty Friedan subsequently critiqued them. A new generation of women and minority storytellers gain clout and bring genre remapping to the national consciousness, Mills explains, as the road story evolves from such novels as Song of Solomon to films like Thelma and Louise and television's Road Rules 2.
One Percenter
Author: Dave Nichols
Publisher: Motorbooks International
ISBN: 9780760338292
Category : Transportation
Languages : en
Pages : 294
Book Description
One Percenter: The Legend of the Outlaw Biker illuminates the origins of the rebel mentality in America, from the annals of human history all the way to today's motorcycle clubs.
Publisher: Motorbooks International
ISBN: 9780760338292
Category : Transportation
Languages : en
Pages : 294
Book Description
One Percenter: The Legend of the Outlaw Biker illuminates the origins of the rebel mentality in America, from the annals of human history all the way to today's motorcycle clubs.
Rockabilly
Author: Billy Poore
Publisher: Hal Leonard Corporation
ISBN: 0793591422
Category : Music
Languages : en
Pages : 306
Book Description
...a great reference guide, detailing artists, chart activity, career milestones, tours and recent activity.
Publisher: Hal Leonard Corporation
ISBN: 0793591422
Category : Music
Languages : en
Pages : 306
Book Description
...a great reference guide, detailing artists, chart activity, career milestones, tours and recent activity.
High on the Hogs
Author: David Stidworthy
Publisher: McFarland
ISBN: 1476611319
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Bikers are typically portrayed on film as dangerous, rebellious outlaws. But, to be fair, they have also been portrayed as cool, philosophical thinkers and confused, sensitive hunks. American-International handled the earliest portrayals in Motorcycle Gang and Dragstrip Riot in the fifties, and then satirized them in Eric Von Ripper and his gang in the beach movies that were popular in the sixties. From then on, biker films were known for their shock value, and when they lost their shock value, they ran out of road. This filmography covers 58 biker films, and provides a synopsis, an analysis by the author, and cast and production credits for each film. Included are such films as Angel Unchained, The Angry Breed, The Born Losers, C.C. and Company, Chrome and Hot Leather, The Dirt Gang, Easy Rider, Five the Hard Way, The Hard Ride, Hell's Angels on Wheels, Hell's Chosen Few, The Limit, The Loners, The Miniskirt Mob, Motor Psycho, Outlaw Riders, Rebel Rousers, The Savage Seven, The Takers, The Wild Angels, The Wild Rebels, and Wild Riders.
Publisher: McFarland
ISBN: 1476611319
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Bikers are typically portrayed on film as dangerous, rebellious outlaws. But, to be fair, they have also been portrayed as cool, philosophical thinkers and confused, sensitive hunks. American-International handled the earliest portrayals in Motorcycle Gang and Dragstrip Riot in the fifties, and then satirized them in Eric Von Ripper and his gang in the beach movies that were popular in the sixties. From then on, biker films were known for their shock value, and when they lost their shock value, they ran out of road. This filmography covers 58 biker films, and provides a synopsis, an analysis by the author, and cast and production credits for each film. Included are such films as Angel Unchained, The Angry Breed, The Born Losers, C.C. and Company, Chrome and Hot Leather, The Dirt Gang, Easy Rider, Five the Hard Way, The Hard Ride, Hell's Angels on Wheels, Hell's Chosen Few, The Limit, The Loners, The Miniskirt Mob, Motor Psycho, Outlaw Riders, Rebel Rousers, The Savage Seven, The Takers, The Wild Angels, The Wild Rebels, and Wild Riders.
Driving Visions
Author: David Laderman
Publisher: University of Texas Press
ISBN: 0292777906
Category : Performing Arts
Languages : en
Pages : 335
Book Description
From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.
Publisher: University of Texas Press
ISBN: 0292777906
Category : Performing Arts
Languages : en
Pages : 335
Book Description
From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.