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Author: Steve Dorff
Publisher: Hal Leonard Corporation
ISBN: 1540005011
Category : Biography & Autobiography
Languages : en
Pages : 307
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Book Description
(Book). One of the most successful songwriters and composers of the last 25 years, Steve Dorff has penned over 20 Top 10 hits for pop and country artists around the world, including Barbra Streisand, Celine Dion, Blake Shelton, Smokey Robinson, Kenny Rogers, Ray Charles, Anne Murray, Whitney Houston, George Strait, Dolly Parton, Judy Collins, Cher, Dusty Springfield, Ringo Starr, and Garth Brooks. He has scored for television shows, including Growing Pains , Major Dad , Murder She Wrote , Reba , and several films, including Any Which Way but Loose for which he penned the titular song, and more recently, he has embarked on Broadway (forthcoming musical Josephine ). Chronicling his four decades behind the music, Steve Dorff gives anecdotes, advice, and insights into his journey. The book follows Steve from his childhood in Queens to Manhattan to Nashville and to his eventual arrival in Los Angeles, California. Oftentimes, songs are attributed to the singers who perform them, but it is the songwriter who really knows the story behind the story from conception to execution. Full of heartfelt stories, hard-earned wisdom, and delightful wit, I Wrote That One, Too . . . is a great read for musicians, music fans, and whoever has chased their dreams and survived the surprising but often serendipitous turns in the road.
Author: Steve Dorff
Publisher: Hal Leonard Corporation
ISBN: 1540005011
Category : Biography & Autobiography
Languages : en
Pages : 307
Get Book Here
Book Description
(Book). One of the most successful songwriters and composers of the last 25 years, Steve Dorff has penned over 20 Top 10 hits for pop and country artists around the world, including Barbra Streisand, Celine Dion, Blake Shelton, Smokey Robinson, Kenny Rogers, Ray Charles, Anne Murray, Whitney Houston, George Strait, Dolly Parton, Judy Collins, Cher, Dusty Springfield, Ringo Starr, and Garth Brooks. He has scored for television shows, including Growing Pains , Major Dad , Murder She Wrote , Reba , and several films, including Any Which Way but Loose for which he penned the titular song, and more recently, he has embarked on Broadway (forthcoming musical Josephine ). Chronicling his four decades behind the music, Steve Dorff gives anecdotes, advice, and insights into his journey. The book follows Steve from his childhood in Queens to Manhattan to Nashville and to his eventual arrival in Los Angeles, California. Oftentimes, songs are attributed to the singers who perform them, but it is the songwriter who really knows the story behind the story from conception to execution. Full of heartfelt stories, hard-earned wisdom, and delightful wit, I Wrote That One, Too . . . is a great read for musicians, music fans, and whoever has chased their dreams and survived the surprising but often serendipitous turns in the road.
Author: Lily E. Kay
Publisher: Stanford University Press
ISBN: 9780804734172
Category : Science
Languages : en
Pages : 476
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Book Description
This is a detailed history of one of the most important and dramatic episodes in modern science, recounted from the novel vantage point of the dawn of the information age and its impact on representations of nature, heredity, and society. Drawing on archives, published sources, and interviews, the author situates work on the genetic code (1953-70) within the history of life science, the rise of communication technosciences (cybernetics, information theory, and computers), the intersection of molecular biology with cryptanalysis and linguistics, and the social history of postwar Europe and the United States. Kay draws out the historical specificity in the process by which the central biological problem of DNA-based protein synthesis came to be metaphorically represented as an information code and a writing technologyand consequently as a book of life. This molecular writing and reading is part of the cultural production of the Nuclear Age, its power amplified by the centuries-old theistic resonance of the book of life metaphor. Yet, as the author points out, these are just metaphors: analogies, not ontologies. Necessary and productive as they have been, they have their epistemological limitations. Deploying analyses of language, cryptology, and information theory, the author persuasively argues that, technically speaking, the genetic code is not a code, DNA is not a language, and the genome is not an information system (objections voiced by experts as early as the 1950s). Thus her historical reconstruction and analyses also serve as a critique of the new genomic biopower. Genomic textuality has become a fact of life, a metaphor literalized, she claims, as human genome projects promise new levels of control over life through the meta-level of information: control of the word (the DNA sequences) and its editing and rewriting. But the author shows how the humbling limits of these scriptural metaphors also pose a challenge to the textual and material mastery of the genomic book of life.
Author: Donald Ostrowski
Publisher: Cornell University Press
ISBN: 1501749722
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Who Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.
Author: Naomi S. Baron
Publisher: Stanford University Press
ISBN: 1503637905
Category : Language Arts & Disciplines
Languages : en
Pages : 438
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Book Description
Would you read this book if a computer wrote it? Would you even know? And why would it matter? Today's eerily impressive artificial intelligence writing tools present us with a crucial challenge: As writers, do we unthinkingly adopt AI's time-saving advantages or do we stop to weigh what we gain and lose when heeding its siren call? To understand how AI is redefining what it means to write and think, linguist and educator Naomi S. Baron leads us on a journey connecting the dots between human literacy and today's technology. From nineteenth-century lessons in composition, to mathematician Alan Turing's work creating a machine for deciphering war-time messages, to contemporary engines like ChatGPT, Baron gives readers a spirited overview of the emergence of both literacy and AI, and a glimpse of their possible future. As the technology becomes increasingly sophisticated and fluent, it's tempting to take the easy way out and let AI do the work for us. Baron cautions that such efficiency isn't always in our interest. As AI plies us with suggestions or full-blown text, we risk losing not just our technical skills but the power of writing as a springboard for personal reflection and unique expression. Funny, informed, and conversational, Who Wrote This? urges us as individuals and as communities to make conscious choices about the extent to which we collaborate with AI. The technology is here to stay. Baron shows us how to work with AI and how to spot where it risks diminishing the valuable cognitive and social benefits of being literate.
Author: Chris Wehner
Publisher: iUniverse
ISBN: 0595292690
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
Before the director or actors can work their magic onscreen a writer, often working alone, faces the blank page and must be the first to create the magic. Yet the writer is usually ignored by critics eager to give credit to the director or sometimes an actor. Not only that, the original vision of the screenwriter rarely makes it to the screen intact-Imagine if your favorite movie could have even been better had that image-conscious actress not demanded changes to the script? The screenplays and movies discussed include: A Beautiful Mind Adaptation Almost Famous Ararat Black Hawk Down Blade 2 Cast Away Catch Me if You Can City by the Sea The Cell Dancer in the Dark Far From Heaven Frailty The Gift Gladiator John Q. Insomnia In the Bedroom Memento MIB2 Minority Report Monster's Ball Ocean's Eleven Panic Room Pay it Forward Pearl Harbor Proof of Life Road to Perdition Signs Spy Game We Were Soldiers Windtalkers Traffic Unbreakable
Author: Lee Siegel
Publisher: University of Chicago Press
ISBN: 0226757013
Category : Fiction
Languages : en
Pages : 249
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Book Description
Who Wrote the Book of Love? is acclaimed novelist Lee Siegel's comedic chronicle of the sexual life of an American boy in Southern California in the 1950s. Starting at the beginning of the decade, in the year that Stalin announced that the Soviet Union had developed an atomic bomb, the book opens with a child's first memory of himself. Closing at the end of the decade, when Pat Boone's guide to dating, 'Twixt Twelve and Twenty, topped the bestseller list, the book culminates just moments before the boy experiences for the first time what he had learned from a book read to him by his mother was called "coitus or sexual intercourse or sometimes, less formally, just making love." Between the initial overwhelmingly erotic recollection and the final climactic moment, all is sex—beguiling and intractable, naughty and sweet. Who Wrote the Book of Love? is about the subversive sexual imaginations of children. And, as such, it is about the origins of love. Vignettes from the author's childhood provide the material for the construction of what is at once comic fiction, imaginative historical reportage, and an ironically nostalgic confession. The book evokes the tone and tempo of a decade during which America was blatantly happy, wholesome, and confident, and yet, at the same time, deeply fearful of communism and nuclear holocaust. Siegel recounts both the cheer and the paranoia of the period and the ways in which those sentiments informed wondering about sex and falling in love. "Part of my plan," Mark Twain wrote in The Adventures of Tom Sawyer, "has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked." With the same motive, Lee Siegel has written what Twain might have composed had he been Jewish, raised in Beverly Hills in the 1950s, and joyously obsessed with sex and love.
Author: Richard Friedman
Publisher: Simon and Schuster
ISBN: 198212900X
Category : Religion
Languages : en
Pages : 304
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Book Description
A much anticipated reissue of Who Wrote the Bible?—the contemporary classic the New York Times Book Review called “a thought-provoking [and] perceptive guide” that identifies the individual writers of the Pentateuch and explains what they can teach us about the origins of the Bible. For thousands of years, the prophet Moses was regarded as the sole author of the first five books of the Bible, known as the Pentateuch. According to tradition, Moses was divinely directed to write down foundational events in the history of the world: the creation of humans, the worldwide flood, the laws as they were handed down at Mt. Sinai, and the cycle of Israel’s enslavement and liberation from Egypt. However, these stories—and their frequent discrepancies—provoke questions: why does the first chapter in Genesis say that man and woman were made in God’s image, while the second says that woman was made from man’s rib? Why does one account of the flood say it lasted forty days, while another records no less than one hundred? And why do some stories reflect the history of southern Judah, while others seem sourced from northern Israel? Originally published in 1987, Richard Friedman’s Who Wrote the Bible? joins a host of modern scholars who show that the Pentateuch was written by at least four distinct voices—separated by borders, political alliances, and particular moments in history—then connected by brilliant editors. Rather than cast doubt onto the legitimacy of the Bible, Friedman uses these divergent accounts to illuminate a text that was written by real people. Friedman’s seminal and bestselling text is a comprehensive and authoritative answer to the question: just who exactly wrote the Bible?
Author: Hal Dresner
Publisher: Open Road Media
ISBN: 1497605768
Category : Fiction
Languages : en
Pages : 202
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Book Description
An author of racy novels heads to picturesque Vermont to finish his manuscript—but finds his retreat less than peaceful—in this “bright, slapstick comedy” (The New York Times). Told through a sequence of exchanged letters, this comic novel introduces softcore pornographer “Guy LaDouche” as he heads to the wilderness in the hope of solitude and concentration to write his next book under a looming deadline. Instead of peace, he finds harassment and distraction—from his publisher, his old girlfriend, and an angry father convinced that LaDouche’s last novel, featuring a genuine nymphomaniac, was based on the man’s daughter. Soon, the author also finds his quiet getaway plan beset by a lawsuit and investigation by the FBI and local sheriff. Clever, satirical, and at times over-the-top absurd, The Man Who Wrote Dirty Books has been delighting readers since its first publication in 1964. “A very funny tale. . . . It would not be quite true to report that The Man Who Wrote Dirty Books contains no word capable of bringing the blush of shame to the cheek of modesty, but it is perfectly true that the thing is neither a dirty book nor about them.” —The Atlantic
Author: C. Jack Trickler
Publisher: Cork Hill Press
ISBN: 1594085129
Category : Religion
Languages : en
Pages : 368
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Book Description
"Bible" as used in the title of this book refers to the Bibles used by mainstream American Jews, Roman Catholics and Protestants. This book deals with the books of the Bible, from Genesis to Revelation, including those of the Apocrypha.This is a study of the people who wrote the books of the Bible and of the historical, political and social settings in which they wrote and of the factors that caused the authors to write. The search for the authors and what motivated them to write takes the readers into the origins of the stories that make up a large part of the Bible.While many popular and scholarly books have been written about the authorship of specific books of the Bible, this is the only book that deals with all of the books of the Bbile is a single, concise volume. It is in laymen's language with footnotes suggesting where readers can find further information for expanded study.Where scholars have offered differing views of biblical matters that affect the determination of authorship, this book presents the various views - in laymen's language. Read, learn and enjoy!
Author: Richard Crouse
Publisher: Doubleday Canada
ISBN: 0385674422
Category : Music
Languages : en
Pages : 315
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Book Description
¸ The words to Little Richard's "Tutti Frutti" were initially so risqué they had to be completely rewritten - in the hallway of the studio, as time was running out - before the song could be recorded. (He wrote the original version while working as a dishwasher in a bus station in Georgia.) ¸ Paul Simon's 1972 hit "Mother and Child Reunion" takes its name from an elaborate chicken and egg dish served at Say Eng Look Restaurant in New York City. ¸ Nirvana's huge hit "Smells Like Teen Spirit," interpreted by music critics and fans alike as an angst-ridden cry of teen rebellion, actually sprang from a bit of graffiti accusing Kurt Cobain of smelling like an antiperspirant for young women.
