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Author: Vivi Lachs
Publisher: Wayne State University Press
ISBN: 0814343562
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
New perspectives on Anglo-Jewish history via the poetry and song of Yiddish-speaking immigrants in London from 1884 to 1914. Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular texts came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores how themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution; and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noiseoffers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.
Author: Vivi Lachs
Publisher: Wayne State University Press
ISBN: 0814343562
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
New perspectives on Anglo-Jewish history via the poetry and song of Yiddish-speaking immigrants in London from 1884 to 1914. Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular texts came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores how themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution; and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noiseoffers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.
Author: Faith Hillis
Publisher: Oxford University Press
ISBN: 0190066350
Category : History
Languages : en
Pages : 352
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Book Description
In April 1917, Lenin arrived at Petrograd's Finland Station and set foot on Russian soil for the first time in over a decade. For most of the past seventeen years, the Bolshevik leader had lived in exile, moving between Europe's many "Russian colonies"--large and politically active communities of émigrés in London, Paris, and Geneva, among other cities. Thousands of fellow exiles who followed Lenin on his eastward trek in 1917 were in a similar predicament. The returnees plunged themselves into politics, competing to shape the future of a vast country recently liberated from tsarist rule. Yet these activists had been absent from their homeland for so long that their ideas reflected the Russia imagined by residents of the faraway colonies as much as they did events on the ground. The 1917 revolution marked the dawn of a new day in Russian politics, but it also represented the continuation of decades-long conversations that had begun in emigration and were exported back to Russia. Faith Hillis examines how émigré communities evolved into revolutionary social experiments in the heart of bourgeois cities. Feminists, nationalist activists, and Jewish intellectuals seeking to liberate and uplift populations oppressed by the tsarist regime treated the colonies as utopian communities, creating new networks, institutions, and cultural practices that reflected their values and realized the ideal world of the future in the present. The colonies also influenced their European host societies, informing international debates about the meaning of freedom on both the left and the right. Émigrés' efforts to transform the world played crucial roles in the articulation of socialism, liberalism, anarchism, and Zionism across borders. But they also produced unexpected--and explosive--discontents that defined the course of twentieth-century history. This groundbreaking transnational work demonstrates the indelible marks the Russian colonies left on European politics, legal cultures, and social practices, while underscoring their role during a pivotal period of Russian history.
Author: Paige Towers
Publisher: U of Nebraska Press
ISBN: 1496235894
Category : Biography & Autobiography
Languages : en
Pages : 222
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Book Description
A memoir in essays, The Sound of Undoing deconstructs the way sound has overwhelmingly shaped Paige Towers's life. Each essay focuses on a different sound, some perceptible--like the sound of a loon call or gunshot--and others abstract--like the sound of awakening. Given a hypersensitivity to noise from which she has both suffered and benefited since childhood, Towers uses these sounds as a starting point for making sense of past events. She reflects on the estrangement of a beloved sister, sexual abuse and assault, and the link between mental illness and noise in her family, as well as nature, religion, violence, and other themes. Experimental in form and provocative in content, The Sound of Undoing also makes use of research on silence, nature and noise pollution, listening, sound art, autonomous sensory meridian response, and the acoustic environment in general. By exploring memories and feelings triggered by certain noises, this lyrical meditation untangles a life infused with meaning through sound.
Author: Stephen Graham
Publisher: University of Michigan Press
ISBN: 0472902377
Category : Music
Languages : en
Pages : 305
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Book Description
In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.
Author: Makoto Sangū
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 258
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Book Description
Author: Great Britain: Parliament: Select Committee on the Crossrail Bill
Publisher: The Stationery Office
ISBN: 9780215037190
Category : Political Science
Languages : en
Pages : 508
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Book Description
Incorporating HC 837-xlviii to lxiii, session 2005-06. The Crossrail Bill was originally published as HCB 2, session 2006-07 (ISBN 9780215707871) and was carried over into session 2007-08 as HCB 5 (ISBN 9780215709202). The first volume of the report is available separately as HC 235-I, session 2006-07 (ISBN 9780215036810), as is Vol. 2 (ISBN 9780215037169), Vol. 3 (ISBN 9780215037176) and Vol. 4 (ISBN 9780215037183)
Author: Vincent B. Sherry
Publisher: Cambridge University Press
ISBN: 1107079322
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
This volume explores the idea of decadence through readings of major modernist writers such as Ezra Pound and T. S. Eliot.
Author: Mark Ford
Publisher: Harvard University Press
ISBN: 0674065689
Category : History
Languages : en
Pages : 779
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Book Description
Collection of poems about London, organized chronologically from John Gower (14th century) to Ahren Warner (1986-)
Author: Richard Aldington
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 266
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Book Description
Author: Niall Martin
Publisher: Bloomsbury Publishing
ISBN: 1472574850
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.
