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Author: Vivi Lachs
Publisher: Wayne State University Press
ISBN: 0814343562
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution, and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noise offers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.
Author: Vivi Lachs
Publisher: Wayne State University Press
ISBN: 0814343562
Category : Literary Criticism
Languages : en
Pages : 220
Get Book
Book Description
Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution, and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noise offers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.
Author: Jeffrey Kastner
Publisher: MIT Press
ISBN: 9780262517669
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
This anthology considers how the rise of transdisciplinary practices in the post-war era allowed for new kinds of artistic engagement with nature. It provides an overview of the eclectic scientific and philosophical sources that inform contemporary art's investigations of nature.
Author: Dick Kirby
Publisher: Wharncliffe
ISBN: 1783831790
Category : True Crime
Languages : en
Pages : 298
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Book Description
The story of Fred Wensley, a Somerset gardener who joined the Metropolitan Police in 1888 and retired, forty-one years later as Chief Constable of the CID, is an extraordinary one.??After an abortive attempt to catch 'Jack the Ripper' by nailing strips of bicycle tyres to the soles of his boots, Wensley got stuck into arresting the ne'er-do-wells of Whitechapel, where he would spend twenty-five years of his service.??Within months of joining the CID, Wensley, while off duty, arrested a double murderer. He smashed the murderous Bessarabian and Odessa gangs, brought the Vendetta gang to book when, brandishing revolvers they tried to storm a police court, played a decisive part in the Siege of Sidney Street and created the Flying Squad.??Wensley's career was dogged with controversy; when Stinie Morrison was convicted of murder, was he, as he claimed, framed by Wensley? And was Edith Thompson, hanged for the murder of her husband, as Wensley stated, 'a cold-blooded murderess' or, as her defence counsel claimed, 'a fanciful dreamer'? ??The first King's Police Medal was awarded to Wensley; he was appointed OBE and commended on many of occasions.??Retired Flying Squad officer, turned author, Dick Kirby has dug deep to paint a fascinating portrait of the man dubbed, 'The Greatest Detective of all Time'.
Author: Jamie Sutcliffe
Publisher: MIT Press
ISBN: 0262543036
Category : Art
Languages : en
Pages : 241
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Book Description
The first accessible reader on magic’s generative relationship with contemporary art practice. From the hexing of presidents to a renewed interest in herbalism and atavistic forms of self-care, magic has furnished the contemporary imagination with mysterious and often disorienting bodies of arcane thought and practice. This volume brings together writings by artists, magicians, historians, and theorists that illuminate the vibrant correspondences animating contemporary art’s varied encounters with magical culture, inspiring a reconsideration of the relationship between the symbolic and the pragmatic. Dispensing with simple narratives of reenchantment, Magic illustrates the intricate ways in which we have to some extent always been captivated by the allure of the numinous. It demonstrates how magical culture’s tendencies toward secrecy, occlusion, and encryption might provide contemporary artists with strategies of remedial communality, a renewed faith in the invocational power of personal testimony, and a poetics of practice that could boldly question our political circumstances, from the crisis of climate collapse to the strictures of socially sanctioned techniques of medical and psychiatric care. Tracing its various emergences through the shadows of modernity, the circuitries of ritual media, and declarations of psychic self-defence, Magic deciphers the evolution of a “magical-critical” thinking that productively complicates, contradicts and expands the boundaries of our increasingly weird present.
Author: Myvillages
Publisher: National Geographic Books
ISBN: 0262537168
Category : Art
Languages : en
Pages : 0
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Book Description
An investigation through texts, interviews, and documentation of the complex relationship between the urban, the rural, and contemporary cultural production. What, and where, is “the Rural”? From the rocks that break a farmer's plough on a field in Japan to digital infrastructures that organize geographically dispersed interests and ambitions, vast parts of our lives are still connected and dependent on resources, production, and infrastructures located within rural geographies, and the rural remains a shared cultural space. This anthology offers an urgent and diverse cross-section of rural art, thinking, and practice, with writings that consider ways in which artists respond to the socioeconomic divides between the rural and the urban—from reimagined farming practices and food systems to architecture, community projects, and transnational local networks. Edited by three artists who have been working within rural situations and communities for the last twenty years, this anthology is formed as a document, tool, and navigation device for future artistic practice in which “the rural” is filtered through a lens sharpened by an audience-based model of art that practices from within the culture it addresses. Artists surveyed include Lara Almarcegui, Lina Bo Bardi, Ruth Ewan, Forensic Architecture, Amy Franceschini, Fernando García-Dory, Grizedale Arts, Sigrid Holmwood, Huit Façettes, Brian Jungen, M12, Renzo Martens, Lala Meredith-Vula, Grace Ndiritu, OHO Group, Robert Smithson, Rirkrit Tiravanja, Andrea Zittel, Stephen Willats, Bedwyr Williams, Franciska Zólyom Writers include Homi K. Bhabha, Okwui Enwezor, Hal Foster, Freeyad Ibrahim, Julia Kristeva, Henri Lefebvre, Marco Marcon, Georgy Nikich, Hans Ulrich Obrist, Paul O'Neill, Mike Pearson, Doina Petrescu, Tomasz Rakowski, Natalie Robertson, Marco Scotini, Vandana Shiva, Monika Szewczyk, David Teh, Colin Ward, Grit Weber, Stephen Wright
Author: Paul Stickler
Publisher: Grub Street Publishers
ISBN: 1526733862
Category : True Crime
Languages : en
Pages : 265
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Book Description
A real-life murder mystery in turn-of-the-century London, and Scotland Yard’s “greatest detective of all time” who was determined to discover whodunit. By 1919, Det. Chief Inspector Fred Wensley was already a legend, having investigated the Jack the Ripper slayings, busted crime syndicates, and risked his life at the notorious Siege of Sidney Street. But the brutal murder of kindly fifty-four-year-old widow and shopkeeper Elizabeth Ridgley was an unexpected challenge in a storied career. Elizabeth and her dog were both found dead in her blood-spattered shop in Hitchin. But even in the early days of forensics, Wensley was stunned by the inept conclusion of local Hertfordshire police: it was a freak, tragic accident that had somehow felled Elizabeth and her Irish terrier. At Wensley’s urging, Scotland Yard proceeded with a second investigation. It led to the arrest of an Irish war veteran. The only real evidence: a blood-stained shirt. But the Ridgley case was far from over. Drawing on primary sources and newly-discovered material, Paul Stickler exposes the frailties of county policing in the years after WWI, reveals how Ridgley’s murder led to fundamental changes in methods of investigation, and attempts to solve a seemingly unsolvable crime.
Author: Suzannah Rowntree
Publisher: Bocfodder Press
ISBN:
Category : Fiction
Languages : en
Pages : 245
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Book Description
Murder, monsters…and a disreputable Victorian lady’s maid. A killer stalks the grimy streets of Whitechapel—but Scotland Yard seems determined to turn a blind eye. With one look at her best friend's corpse, Liz Sharp already knows the truth: the killer is a werewolf. No one important will hold a werewolf accountable—after all, the monsters rule Europe. Certainly, no one will believe a werewolf victim like Liz: the very scars that make her determined to investigate Sal’s death also condemn her as the sort of female who’d sell her blood for easy money. As it happens, Liz’s best hope for justice might well lie with her emotionally repressed employer, Princess May. Though the princess has connections with werewolf royalty, there’s no one else Liz can turn to. Certainly, she can’t risk trusting the irritatingly personable Inspector Short, who dogs her steps from the slums of Whitechapel to the palaces of St James. But as corpses mount up, Liz discovers that no one is precisely who she thought: not Sal, not herself, and certainly not the werewolf. Luckily, she has a few tricks hidden in the pockets of her trusty bloomers… The first novel of Miss Sharp’s Monsters is a witty historical fantasy adventure, perfect for fans of The Parasol Protectorate or Pride and Prejudice and Zombies! Pick up The Werewolf of Whitechapel and join Miss Sharp on the uncanny streets of Victorian London…
Author: S.M. Peters
Publisher: Penguin
ISBN: 9780451461933
Category : Fiction
Languages : en
Pages : 388
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Book Description
A thrilling new Steampunk fantasy from a talented debut author TWO GODS-ONE CHANCE FOR MANKIND In Victorian London, the Whitechapel section is a mechanized, steam-driven hell, cut off and ruled by two mysterious, mechanical gods-Mama Engine and Grandfather Clock. Some years have passed since the Great Uprising, when humans rose up to fight against the machines, but a few brave veterans of the Uprising have formed their own Resistance-and are gathering for another attack. For now they have a secret weapon that may finally free them-or kill them all...
Author: Bryan Lightbody
Publisher: AuthorHouse
ISBN: 1467015016
Category : True Crime
Languages : en
Pages : 498
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Book Description
In 1888 a series of notorious murders were perpetrated by an enigmatic killer known only as Jack the Ripper who terrified the Whitechapel district of East London. Six women were murdered in a four month period with the killings ending as suddenly as they began with an unknown motive. Whitechapel tells the story of these killings through the eyes of Robert Ford a young uniform constable working in the district during the reign of the horrific crimes. The fictional story of his involvement with the investigation presents a plausible explanation of how and why the killings were perpetrated; how and why Jack the Ripper was never caught and how members of the British establishment perverted the course of justice for their own selfish ends. It is also a story of love, duty, romance, tragedy and ultimately revenge that spans the late 19th Century in America, London and Paris through to the early 20th Century returning to St Louis, Missouri. Not only does it present a compelling read as a thriller but also serves as a history lesson about the Jack the Ripper murders and about social deprivation in London during the late Victorian era. Although in reality the mystery of the killers identity remains, Whitechapel draws a conclusion on why and who committed these ghastly crimes.
Author: Maria Lind
Publisher: MIT Press
ISBN: 0262518368
Category : Art
Languages : en
Pages : 0
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Book Description
An examination of contemporary art's engagement with three modes of abstraction. This anthology reconsiders crucial aspects of abstraction's resurgence in contemporary art, exploring three equally significant strategies explored in current practice: formal abstraction, economic abstraction, and social abstraction. In the 1960s, movements as diverse as Latin American neo-concretism, op art and “eccentric abstraction” disrupted the homogeneity, universality, and rationality associated with abstraction. These modes of abstraction opened up new forms of engagement with the phenomenal world as well as the possibility of diverse readings of the same forms, ranging from formalist and transcendental to socio-economic and conceptual. In the 1980s, the writings of Peter Halley, Fredric Jameson, and others considered an increasingly abstracted world in terms of its economic, social, and political conditions—all of which were increasingly manifested through abstract codes or sites of style. Such economic abstraction is primarily addressed in art through subject or theme, but Deleuze and Guattari's notion of art as abstract machine opens up possibilities for art's role in the construction of a new kind of social reality. In more recent art, a third strand of abstraction emerges: a form of social abstraction centered on the strategy of withdrawal. Social abstraction implies stepping aside, a movement away from the mainstream, suggesting the possibilities for art to maneuver within self-organized, withdrawn initiatives in the field of cultural production. Artists surveyed include: Lee Bontecou, Louise Bourgeois, Amilcar de Castro, Paul Cézanne, Lygia Clark, Kajsa Dahlberg, Stephan Dillemuth, Marcel Duchamp, Gardar Eide Einarsson, Günther Förg, Liam Gillick, Ferreira Gullar, Jean Hélion, Eva Hesse, Jakob Jakobsen, Jasper Johns, Donald Judd, Wassily Kandinsky, Sol LeWitt, Piet Mondrian, Bruce Nauman, Hélio Oiticica, Blinky Palermo, Lygia Pape, Mai-Thu Perret, Jackson Pollock, Tobias Rehberger, Bridget Riley, Emily Roysden, Lucas Samaras, Julian Stanczak, Frank Stella, Hito Steyerl, Theo van Doesburg Writers include: Alfred H. Barr Jr., Ina Blom, Lynne Cooke, Anthony Davies, Judi Freeman, Peter Halley, Brian Holmes, Joe Houston, Fredric Jameson, Lucy R. Lippard, Sven Lütticken, Nina Möntmann, Gabriel Perez-Barreiro, Catherine Quéloz, Gerald Raunig, Irit Rogoff, Meyer Schapiro, Kirk Varnedoe, Stephan Zepke
