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Author: Robert Young
Publisher: Psychology Press
ISBN: 9780415311809
Category : Historiography
Languages : en
Pages : 312
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Book Description
This has become one of the most important critical works in post-colonial theory of the last two decades. It has created debate and inspired many critical responses. This second edition returns to the issues to offer new developments and insights.In 1990, Robert Young's White Mythologies set out to question the very concepts of history and the West. Is it possible, he asked, to write history that avoids the trap of Eurocentrism? Is history simply a Western myth? His reflections on these topics provided some of the most important new directions in postcolonial studies and continue to exert a huge influence on the field. This new edition reprints what has quickly become a classic text, along with a substantial new essay reflecting on changes in the field and in the author's own position since publication.An essential read for all those working in postcolonial theory, literature and history, this book cemented Young's reputation as one of the country's most influential scholars and, as a new preface by Homi Bhabha comments, made an original and invaluable intervention in the field, leading even the most established figures to rethink their own positions. Provoking further re-evaluation with the new introductory essay, this second edition will like its predecessor be a key text for every academic and student in the field.
Author: Robert Young
Publisher: Psychology Press
ISBN: 9780415311809
Category : Historiography
Languages : en
Pages : 312
Get Book Here
Book Description
This has become one of the most important critical works in post-colonial theory of the last two decades. It has created debate and inspired many critical responses. This second edition returns to the issues to offer new developments and insights.In 1990, Robert Young's White Mythologies set out to question the very concepts of history and the West. Is it possible, he asked, to write history that avoids the trap of Eurocentrism? Is history simply a Western myth? His reflections on these topics provided some of the most important new directions in postcolonial studies and continue to exert a huge influence on the field. This new edition reprints what has quickly become a classic text, along with a substantial new essay reflecting on changes in the field and in the author's own position since publication.An essential read for all those working in postcolonial theory, literature and history, this book cemented Young's reputation as one of the country's most influential scholars and, as a new preface by Homi Bhabha comments, made an original and invaluable intervention in the field, leading even the most established figures to rethink their own positions. Provoking further re-evaluation with the new introductory essay, this second edition will like its predecessor be a key text for every academic and student in the field.
Author: Robert Young
Publisher: Psychology Press
ISBN: 0415311810
Category : Historiography
Languages : en
Pages : 304
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Book Description
Over a decade has passed since the author wrote this critical work. In the second edition Robert Young returns to the issues raised in the first but with a new perspective on how the Western world-view has overshadowed all others to the detriment of the truth and post-colonial theory.
Author: Edmund Mendelssohn
Publisher: Stanford University Press
ISBN: 150363664X
Category : Philosophy
Languages : en
Pages : 366
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Book Description
In a narrative that extends from fin de siècle Paris to the 1960s, Edmund Mendelssohn examines modernist thinkers and composers who engaged with non-European and pre-modern cultures as they developed new conceptions of "pure sound." Pairing Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida, White Musical Mythologies offers an ambitious critical history of the ontology of sound, suggesting that the avant-garde ideal of "pure sound" was always an expression of western ethnocentrism. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. These modernist artists believed that the presence effects of sound in their moment were more real and powerful than the outmoded norms of the European musical past. By examining musicians who strove to produce sonic presence, specifically by re-thinking the concept of musical writing (écriture), the book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound.
Author: Robert Graves
Publisher: Farrar, Straus and Giroux
ISBN: 9780374504939
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.
Author: Roland Barthes
Publisher: Macmillan
ISBN: 0809071940
Category : Literary Collections
Languages : en
Pages : 296
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Book Description
"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--
Author: Richard T. Hughes
Publisher: University of Illinois Press
ISBN: 0252050800
Category : Social Science
Languages : en
Pages : 374
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Book Description
Six myths lie at the heart of the American experience. Taken as aspirational, four of those myths remind us of our noblest ideals, challenging us to realize our nation's promise while galvanizing the sense of hope and unity we need to reach our goals. Misused, these myths allow for illusions of innocence that fly in the face of white supremacy, the primal American myth that stands at the heart of all the others.
Author: Sujata Iyengar
Publisher: University of Pennsylvania Press
ISBN: 0812202333
Category : History
Languages : en
Pages : 322
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Book Description
Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.
Author: Carol Mavor
Publisher:
ISBN: 9781789140507
Category : Blue
Languages : en
Pages : 0
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Book Description
The sea, the sky, the veins of your hands, the earth when photographed from space--blue sometimes seems to overwhelm all the other shades of our world in its all-encompassing presence. The blues of Blue Mythologies include those present in the world's religions, eggs, science, slavery, gender, sex, art, the literary past, and contemporary film. Carol Mavor's engaging and elegiac readings in this beautifully illustrated book take the reader from the blue of a newborn baby's eyes to Giotto's frescoes at Padua, and from the films of Derek Jarman and Krzysztof Ki slowski to the islands of Venice and Aran. In each example Mavor unpicks meaning both above and below the surface of culture. In an echo of Roland Barthes's essays in Mythologies, blue is unleashed as our most familiar and most paradoxical color. At once historical, sociological, literary, and visual, Blue Mythologies gives us a fresh and contemplative look into the traditions, tales, and connotations of those somethings blue.
Author: Michael Witzel
Publisher: Oxford University Press, USA
ISBN: 0199812853
Category : Religion
Languages : en
Pages : 688
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Book Description
Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia').
Author: Heyoka Merrifield
Publisher: Simon and Schuster
ISBN: 1416562370
Category : Self-Help
Languages : en
Pages : 134
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Book Description
In this first volume of The White Buffalo Woman Trilogy, author Heyoka Merrifield celebrates the sacredness of nature and the return of a culture hidden by time. Eyes of Wisdom offers a deeply moving narration of life and ceremony on the plains that is richly interwoven with Native American and other mythic traditions. The author draws inspiration from the legend of White Buffalo Woman, his vision quests, and experiences in the Sun Dance lodge.
