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Author: Janet Nichols Lynch
Publisher: iUniverse
ISBN: 059533721X
Category : Fiction
Languages : en
Pages : 170
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Book Description
The fourteen stories in Where Words Leave Off Music Begins dramatize ways in which music seizes peoples' lives and never lets go. In "Perfect Match" twice-divorced Bernadine seeks passion in piano playing. In "Recapitulation", while fleeing a peaceful anti-Nuke rally turned violent, Amelia reflects on her early years as a piano prodigy and contemplates what might have been. Chloe, in "Why I'm Calling 911", has put off her music career to raise her son Matthew but yearns for the work she has postponed. Nine-year-old Michael, "The Prodigy" is raised by working class, elderly parents who can't fathom his musical world. After two mental breakdowns and twenty years of retirement from the concert stage, Phyllis returns to the piano in quest of the quintessential "Tone". In seeking musical excellence, these characters experience frustration and disappointment, but also ebullient joy.
Author: Janet Nichols Lynch
Publisher: iUniverse
ISBN: 059533721X
Category : Fiction
Languages : en
Pages : 170
Get Book Here
Book Description
The fourteen stories in Where Words Leave Off Music Begins dramatize ways in which music seizes peoples' lives and never lets go. In "Perfect Match" twice-divorced Bernadine seeks passion in piano playing. In "Recapitulation", while fleeing a peaceful anti-Nuke rally turned violent, Amelia reflects on her early years as a piano prodigy and contemplates what might have been. Chloe, in "Why I'm Calling 911", has put off her music career to raise her son Matthew but yearns for the work she has postponed. Nine-year-old Michael, "The Prodigy" is raised by working class, elderly parents who can't fathom his musical world. After two mental breakdowns and twenty years of retirement from the concert stage, Phyllis returns to the piano in quest of the quintessential "Tone". In seeking musical excellence, these characters experience frustration and disappointment, but also ebullient joy.
Author: Nat Shapiro
Publisher: Springer Science & Business Media
ISBN: 1461596270
Category : Music
Languages : en
Pages : 428
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Book Description
Writing about music-about what it is and what it means-is akin to describing the act of love. Somehow, the reduction of the experience to an unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im agery that is banal, vulgar, inane, obscure, pretentious, and almost always insufferably romantic. To achieve good and accurate writing about music is as rare an accomplishment as expert wine-tasting, lion-taming, diamond-cut ting, truffie-finding and (if one just happens to be an unconverted Mohican brave) deer-tracking. Only the intuitive, the pure, the sensual, and the intrepid need apply. Professional musicians often evidence a fixed tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the particular vanity of a conductor, or the wage scales for overtime recording sessions are judged worthy only of contempt or-at the most-patronizing tolerance. "Music means itself," insists one of the contributors to the collection that follows, and many practitioners of the art of organ ized sound would prefer to leave it at that.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 626
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Book Description
Author: Timothy D. Knepper
Publisher: Springer
ISBN: 3319641654
Category : Philosophy
Languages : en
Pages : 295
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Book Description
This collection of essays is an exercise in comparative philosophy of religion that explores the different ways in which humans express the inexpressible. It brings together scholars of over a dozen religious, literary, and artistic traditions, as part of The Comparison Project's 2013-15 lecture and dialogue series on "religion beyond words." Specialist scholars first detailed the grammars of ineffability in nine different religious traditions as well as the adjacent fields of literature, poetry, music, and art. The Comparison Project's directors then compared this diverse set of phenomena, offering explanations for their patterning, and raising philosophical questions of truth and value about religious ineffability in comparative perspective. This book is the inaugural publication of The Comparison Project, an innovative new approach to the philosophy of religion housed at Drake University (Des Moines, Iowa, USA). The Comparison Project organizes a biennial series of scholar lectures, practitioner dialogues, and comparative panels about core, cross-cultural topics in the philosophy of religion. Specialist scholars of religion first explore this topic in their religions of expertise; comparativist philosophers of religion then raise questions of meaning, truth, and value about this topic in comparative perspective. The Comparison Project stands apart from traditional approaches to the philosophy of religion in its commitment to religious inclusivity. It is the future of the philosophy of religion in a diverse, global world.
Author: John Stephen Sharpley
Publisher: World Scientific
ISBN: 9811249083
Category : Music
Languages : en
Pages : 432
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Book Description
What is music?Modern society has come to view music largely as entertainment and commodity. In response, We Are Music: An Existential Journey Toward Infinity provides the reader with a holistic starting point. Music has unlimited potential to transform and enlighten, and is only impeded when bound by materialism, physicalism, and reductionism. We Are Music is an attempt to bring music back to the core of humanity as an agent of positive empowerment, self-actualization, and beyond.Embracing interconnectivity, music is more deeply experienced alongside the arts, science, social sciences, math, philosophy, history, and, above all, spirituality. An endless spiral, self-perception and identity can be vastly expanded, if not questioned and transcended.Music is an infinite field and any attempt to define and describe it is problematically finite and consequently limited. Herein lies the impossibility of the book which both excites and disturbs; the paradox of being and not being.A roadmap for music lovers toward self-realization, We Are Music is for those who desire to delve deeper into the power and illusion of self through music.
Author: Gail Miller Mahaffey
Publisher: Covenant Books, Inc.
ISBN: 163630320X
Category : Fiction
Languages : en
Pages : 197
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Book Description
Music of the Soul by Gail Miller Mahaffey __________________________________
Author: Barbara L. Wheeler
Publisher: Guilford Publications
ISBN: 1462518222
Category : Psychology
Languages : en
Pages : 695
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Book Description
Rich with case material, this groundbreaking volume provides a comprehensive overview of music therapy, from basic concepts to emerging clinical approaches. Experts review psychodynamic, humanistic, cognitive-behavioral, and developmental foundations and describe major techniques, including the Nordoff-Robbins model and the Bonny Method of Guided Imagery and Music. An expansive section on clinical applications examines music therapy with children and adults, as well as its recognized role in medical settings. Topics include autism spectrum disorder, school interventions, brain injury, and trauma. An authoritative resource for music therapists, the book also shows how music can be used by other mental health and medical professionals. The companion website features audio downloads illustrative of the Nordoff-Robbins model.
Author: Maeve Louise Heaney
Publisher: Bloomsbury Publishing
ISBN: 0567695638
Category : Religion
Languages : en
Pages : 455
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Book Description
Heaney traces the hidden history of music's presence in Christian thought, including its often unrecognized influence on key figures such as von Balthasar, Barth and Bonhoeffer. She uses Lonergan's theological framework to explore musical composition as a theological act, showing why, when and how music is a useful symbolic form. The book introduces eleven ground-breaking theologians, and each chapter offers an entry point into the thought of the theologian being presented through an original piece of music, which can be found on the companion website: https://bloomsbury.pub/suspended-god. Heaney argues that music is a universally important means of making sense of life with which theology needs to engage as a means of expression and of development. Musical composition is presented as an appropriate and even necessary form of doing theology in its quest to engage with the past, mediate truth to the present and tradition it into the future.
Author: Ludwig Van Beethoven
Publisher: BoD - Books on Demand
ISBN: 9175696991
Category : Music
Languages : en
Pages : 38
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Book Description
Ludwig Van Beethoven for Classical Guitar - Sheet Music Arranged for Guitar by John Trie. 12 classical piano pieces by Ludwig van Beethoven, arranged for guitar.
Author: da Sousa Correa Delia da Sousa Correa
Publisher: Edinburgh University Press
ISBN: 0748693149
Category : Literary Criticism
Languages : en
Pages : 801
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Book Description
Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.
