Author: Margaret Sartor
Publisher: UNC Press Books
ISBN: 1469648326
Category : Photography
Languages : en
Pages : 185
Book Description
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
Where We Find Ourselves
Author: Margaret Sartor
Publisher: UNC Press Books
ISBN: 1469648326
Category : Photography
Languages : en
Pages : 185
Book Description
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
Publisher: UNC Press Books
ISBN: 1469648326
Category : Photography
Languages : en
Pages : 185
Book Description
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
Where We Find Ourselves
Author: Miriam Ben-Yoseph
Publisher: SUNY Press
ISBN: 9781438425221
Category : Social Science
Languages : en
Pages : 290
Book Description
Explores the universal longing for home, illuminated through the essays, poetry, and fiction of forty Jewish women writers from around the world.
Publisher: SUNY Press
ISBN: 9781438425221
Category : Social Science
Languages : en
Pages : 290
Book Description
Explores the universal longing for home, illuminated through the essays, poetry, and fiction of forty Jewish women writers from around the world.
Where We Find Ourselves
Author: Justin Kimball
Publisher:
ISBN: 9781930066465
Category : Outdoor photography
Languages : en
Pages : 0
Book Description
Clambering down slippery rocks to a swimming hole. Ducking the plume of smoke from a barbecue grill. Wishing for a breeze in a too-small dome tent. Scanning the sky for rain from a postage-stamp backyard. It is in these small moments of action—and inaction—that Justin Kimball captures our everyday attempts to relax. Indeed, one might argue that the events depicted are everyday life. Kimball’s compelling photographs depict ordinary people—parents and teens, grandparents and kids—in landscapes of leisure. These are not the exclusive resorts and white sand beaches of the affluent; rather, they are the parks, campgrounds, and fishing piers where most Americans vacation. They are natural landscapes—inviting, green, and sometimes beautiful—but at the same time they are imperfect—muddy, crowded, and partially paved. There is nothing idyllic about these vacation spots; indeed, Kimball’s photographs make clear that daily life can never be fully left behind. The people in his pictures, though momentarily transformed by cascading water or the shade of towering trees, remain enmeshed in ties of family and obligation, shadowed by thoughts of home. It is Kimball’s particular genius to isolate these moments between duty and pleasure. Where We Find Ourselves enables viewers to identify with—and participate in—this bittersweet aspect of American leisure and the ambiguous contemporary relationship between people and nature.
Publisher:
ISBN: 9781930066465
Category : Outdoor photography
Languages : en
Pages : 0
Book Description
Clambering down slippery rocks to a swimming hole. Ducking the plume of smoke from a barbecue grill. Wishing for a breeze in a too-small dome tent. Scanning the sky for rain from a postage-stamp backyard. It is in these small moments of action—and inaction—that Justin Kimball captures our everyday attempts to relax. Indeed, one might argue that the events depicted are everyday life. Kimball’s compelling photographs depict ordinary people—parents and teens, grandparents and kids—in landscapes of leisure. These are not the exclusive resorts and white sand beaches of the affluent; rather, they are the parks, campgrounds, and fishing piers where most Americans vacation. They are natural landscapes—inviting, green, and sometimes beautiful—but at the same time they are imperfect—muddy, crowded, and partially paved. There is nothing idyllic about these vacation spots; indeed, Kimball’s photographs make clear that daily life can never be fully left behind. The people in his pictures, though momentarily transformed by cascading water or the shade of towering trees, remain enmeshed in ties of family and obligation, shadowed by thoughts of home. It is Kimball’s particular genius to isolate these moments between duty and pleasure. Where We Find Ourselves enables viewers to identify with—and participate in—this bittersweet aspect of American leisure and the ambiguous contemporary relationship between people and nature.
The Examined Life: How We Lose and Find Ourselves
Author: Stephen Grosz
Publisher: W. W. Norton & Company
ISBN: 0393349322
Category : Medical
Languages : en
Pages : 240
Book Description
An easy to understand overview of the process of psychoanalysis with illustrative examples.
Publisher: W. W. Norton & Company
ISBN: 0393349322
Category : Medical
Languages : en
Pages : 240
Book Description
An easy to understand overview of the process of psychoanalysis with illustrative examples.
The Story We Find Ourselves In
Author: Brian D. McLaren
Publisher: Fortress Press
ISBN: 1506454666
Category : Religion
Languages : en
Pages : 347
Book Description
Book Two in The New Kind of Christian Trilogy The Story We Find Ourselves In is the sequel to Brian D. McLaren's award-winning book A New Kind of Christian. His witty and wise characters take on difficult, faith-busting themes--from evolution and evangelism to death and the meaning of life--and reveal that the answers to life's pressing spiritual questions often come from the most unlikely sources. Dan and Neo (and some new characters as well) invite reflection on the story we find ourselves in--that is, the narrative of God's presence and meaning in the world now and in the future.
Publisher: Fortress Press
ISBN: 1506454666
Category : Religion
Languages : en
Pages : 347
Book Description
Book Two in The New Kind of Christian Trilogy The Story We Find Ourselves In is the sequel to Brian D. McLaren's award-winning book A New Kind of Christian. His witty and wise characters take on difficult, faith-busting themes--from evolution and evangelism to death and the meaning of life--and reveal that the answers to life's pressing spiritual questions often come from the most unlikely sources. Dan and Neo (and some new characters as well) invite reflection on the story we find ourselves in--that is, the narrative of God's presence and meaning in the world now and in the future.
Finding Ourselves at the Movies
Author: Paul W. Kahn
Publisher: Columbia University Press
ISBN: 023153602X
Category : Philosophy
Languages : en
Pages : 254
Book Description
Academic philosophy may have lost its audience, but the traditional subjects of philosophy—love, death, justice, knowledge, and faith—remain as compelling as ever. To reach a new generation, Paul W. Kahn argues that philosophy must take up these fundamental concerns as we find them in contemporary culture. He demonstrates how this can be achieved through a turn to popular film. Discussing such well-known movies as Forrest Gump (1994), The American President (1995), The Matrix (1999), Memento (2000), The History of Violence (2005), Gran Torino (2008), The Dark Knight (2008), The Road (2009), and Avatar (2009), Kahn explores powerful archetypes and their hold on us. His inquiry proceeds in two parts. First, he uses film to explore the nature of action and interpretation, arguing that narrative is the critical concept for understanding both. Second, he explores the narratives of politics, family, and faith as they appear in popular films. Engaging with genres as diverse as romantic comedy, slasher film, and pornography, Kahn explores the social imaginary through which we create and maintain a meaningful world. He finds in popular films a new setting for a philosophical inquiry into the timeless themes of sacrifice, innocence, rebirth, law, and love.
Publisher: Columbia University Press
ISBN: 023153602X
Category : Philosophy
Languages : en
Pages : 254
Book Description
Academic philosophy may have lost its audience, but the traditional subjects of philosophy—love, death, justice, knowledge, and faith—remain as compelling as ever. To reach a new generation, Paul W. Kahn argues that philosophy must take up these fundamental concerns as we find them in contemporary culture. He demonstrates how this can be achieved through a turn to popular film. Discussing such well-known movies as Forrest Gump (1994), The American President (1995), The Matrix (1999), Memento (2000), The History of Violence (2005), Gran Torino (2008), The Dark Knight (2008), The Road (2009), and Avatar (2009), Kahn explores powerful archetypes and their hold on us. His inquiry proceeds in two parts. First, he uses film to explore the nature of action and interpretation, arguing that narrative is the critical concept for understanding both. Second, he explores the narratives of politics, family, and faith as they appear in popular films. Engaging with genres as diverse as romantic comedy, slasher film, and pornography, Kahn explores the social imaginary through which we create and maintain a meaningful world. He finds in popular films a new setting for a philosophical inquiry into the timeless themes of sacrifice, innocence, rebirth, law, and love.
We Play Ourselves
Author: Jen Silverman
Publisher: Random House
ISBN: 0399591532
Category : Fiction
Languages : en
Pages : 337
Book Description
After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects. FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic. As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
Publisher: Random House
ISBN: 0399591532
Category : Fiction
Languages : en
Pages : 337
Book Description
After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects. FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic. As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
We Find Ourselves in Other People’s Stories
Author: Amy E. Robillard
Publisher: Routledge
ISBN: 0429649339
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
We Find Ourselves in Other People’s Stories: On Narrative Collapse and a Lifetime Search for Story is a collection of five essays that dissolves the boundary between personal writing and academic writing, a longstanding binary construct in the discipline of composition and writing studies, in order to examine the rhetorical effects of narrative collapse on the stories we tell about ourselves and others. Taken together, the essays theorize the relationships between language and violence, between narrative and dementia, between genre and certainty, and between writing and life.
Publisher: Routledge
ISBN: 0429649339
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
We Find Ourselves in Other People’s Stories: On Narrative Collapse and a Lifetime Search for Story is a collection of five essays that dissolves the boundary between personal writing and academic writing, a longstanding binary construct in the discipline of composition and writing studies, in order to examine the rhetorical effects of narrative collapse on the stories we tell about ourselves and others. Taken together, the essays theorize the relationships between language and violence, between narrative and dementia, between genre and certainty, and between writing and life.
Where We Find Ourselves
Author: SUMPTON
Publisher:
ISBN: 9781913665449
Category :
Languages : en
Pages : 134
Book Description
Stories and poems from over 30 UK based writers of the Global Majority, from African, Asian, Middle Eastern, Carribean, South American, Chinese and Malay communities write about maps and mapping. Stories and poems of finding oneself and getting lost, colonialism and diaspora, childhood exploration and adult homecoming. Stories and Poems by: Alexander Williams, Alireza Abiz, Amanda Addison, Ambrose Musiyiwa, Anita Goveas, Be Manzini, Benson Egwuonwu, Catherine Okoronkwo, Crystal Koo, Dean Atta, Des Mannay, Désirée Reynolds, Dipika Mummery, Emily Abdeni-Holman, Farhana Khalique, Gita Ralleigh, Kavita A Jindal, L Kiew, Lesley Kerr, Lorraine Dixon, Lorraine Mighty, Malka Al-Haddad, Mallika Khan, Marina Sànchez, Marka Rifat, Meng Qiu, Mimi Yusuf, Nasim Rebecca Asl, Ngoma Bishop, Nikita Aashi Chadha, Oluwaseun Olayiwola, P.A.Bitez, Rachael Li Ming Chong, Rhiya Pau, Rick Dove, Sami Ibrahim, Sandra Nimako-Boatey, Yvie Holder, Z.R. Ghani
Publisher:
ISBN: 9781913665449
Category :
Languages : en
Pages : 134
Book Description
Stories and poems from over 30 UK based writers of the Global Majority, from African, Asian, Middle Eastern, Carribean, South American, Chinese and Malay communities write about maps and mapping. Stories and poems of finding oneself and getting lost, colonialism and diaspora, childhood exploration and adult homecoming. Stories and Poems by: Alexander Williams, Alireza Abiz, Amanda Addison, Ambrose Musiyiwa, Anita Goveas, Be Manzini, Benson Egwuonwu, Catherine Okoronkwo, Crystal Koo, Dean Atta, Des Mannay, Désirée Reynolds, Dipika Mummery, Emily Abdeni-Holman, Farhana Khalique, Gita Ralleigh, Kavita A Jindal, L Kiew, Lesley Kerr, Lorraine Dixon, Lorraine Mighty, Malka Al-Haddad, Mallika Khan, Marina Sànchez, Marka Rifat, Meng Qiu, Mimi Yusuf, Nasim Rebecca Asl, Ngoma Bishop, Nikita Aashi Chadha, Oluwaseun Olayiwola, P.A.Bitez, Rachael Li Ming Chong, Rhiya Pau, Rick Dove, Sami Ibrahim, Sandra Nimako-Boatey, Yvie Holder, Z.R. Ghani
Examined Life
Author: Robert Nozick
Publisher: Simon and Schuster
ISBN: 0671725017
Category : Philosophy
Languages : en
Pages : 326
Book Description
An exploration of topics of everyday importance in the Socratic tradition.
Publisher: Simon and Schuster
ISBN: 0671725017
Category : Philosophy
Languages : en
Pages : 326
Book Description
An exploration of topics of everyday importance in the Socratic tradition.