The Theory of Musical Composition PDF Download
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Author: Gottfried Weber
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 504
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Book Description
Author: Gottfried Weber
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 504
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Book Description
Author:
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 558
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Book Description
Author: Frank Hartson Shepard
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 236
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Book Description
Author: Jon McKenzie
Publisher: Routledge
ISBN: 1134538618
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
'Performance' has become one of the key terms for the new century. But what do we mean by 'performance'? In today's world it can refer to experimental art; productivity in the workplace; and the functionality of technological systems. Do these disparate fields bear any relation to each other? In Perform or Else Jon McKenzie asserts that there is a relationship cultural, organisational, and technological performance. In this theoretical tour de force McKenzie demonstrates that all three paradigms operate together to create powerful and contradictory pressures to 'perform...or else'. This is an urgent and important intervention in contemporary critical thinking. It will profoundly shape our understanding of twenty-first century structures of power and knowledge.
Author: Sir John Goss
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
Author: Michael Kennedy
Publisher: OUP Oxford
ISBN: 0198608845
Category : Music
Languages : en
Pages : 829
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Book Description
"The Concise Oxford Dictionary of Music is the most authoritative and up-to-date dictionary of music available in paperback. Coverage includes musical terms from allegro to zingaro, and musical works from Aida to Zauberflote, as well as composers, librettists, musicians, singers, and orchestras. It provides a mine of information for all lovers of music." "The book includes musical instruments and their history; and covers living composers and performers, with over 150 added for this edition."--BOOK JACKET.
Author: Pete Swann
Publisher: Lulu.com
ISBN: 1105437272
Category : Education
Languages : en
Pages : 82
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Book Description
As I read through this book, it started as an "I knew that, I knew that..." experience. But as the pages turned, even the most knowledgeable musician would start to say, "well I knew that too, but I wasn't aware of where that came from" or "now I've never thought of it that way before". Soon I was saying, "now I never knew that" and "there's an inversion I've never encountered" and "so that's how that works!" Note by note, scale by scale, mode by mode and chord by chord Pete Swann uncovers, demystifies and unclouds the reasons why music works the way it does. Its laid out in a clear and logical manner. Believe me, there's enough knowledge between the covers of this book to keep you busy for the rest of this lifetime and halfway through the next one. - Wendell Fergusson, multiple Juno and multiple CCMA Guitar Player of the year winner
Author: James M. Tracy
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 144
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Book Description
Author: Joseph Davis
Publisher: Gatekeeper Press
ISBN: 164237816X
Category : Music
Languages : en
Pages : 294
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Book Description
Finally—an intuitive, single-source standardization for naming guitar chords in the 21st century! A honing of guitar theory as a subcategory of music theory. Commonsense approach to all things guitar chord, including how to label alternate chord voicings. New concepts, including natural harmonics chords, unison chords, and octaval chords. A massive Instructional Glossary with clear and precise definitions, benefiting both guitarists and music theorists alike. Appendices containing 747 graphical guitar chord boxes and definitions for several guitar tunings: • Standard • Open Major A/E • Open Major G/D • Drop D • Double Drop D • Bruce Palmer Modal “Band of Witches” sample song sheet. Procedures for registering a copyright with the U.S. Copyright Office. Introduction to U.S. copyright law’s fair use doctrine, including a comparison of mechanical and sync licenses. Presented in an easy-to-read, connect-the-dots manner. An absolute must-read for the guitarist wanting to transcribe new sound-creations into guitar chords. The only textbook needed for a Progressive Guitar Theory 105 course. Though geared toward the needs of a seasoned guitarist, this book contains a wealth of information that will benefit anyone, from the casual campfire-strumming enthusiast to avid music theorists looking for a greater understanding of the challenges facing non-sight-reading guitar players. Book Review: "A soup-to-nuts guide for guitarists looking for a comprehensive way to name and notate chords. Music theory and practicality are sometimes at odds. For example, theory dictates that a chord must have three or more notes, but as debut author Davis explains in his introduction, guitarists play two-note formations frequently, which they must then label as chords when transcribing. As one gets deeper into theory, the conflicts can get more complicated in terms of where a “root” note might lay in a chord sequence, or how a chord might fit in a particular scale. Davis seeks to solve that quandary with a practical standard for working guitarists. It’s a complicated task, and this book provides a lot of context for readers to consider, explaining pitch, tuning, scales, and intervals, and even providing information on copyrighting musical works. Along the way, he takes a lot of advanced ideas into account, such as unaltered nonextended chords, unaltered extended chords, suspended nonextended chords, and the like. Chances are that any guitarist who’s attracted by the title of this book already knows enough to follow these theoretical aspects. The author offers a process to make these concepts clearer, [to Gatekeeper: my rewrite attends to the rest of the sentence & the next one] but it’s not a basic, numbered list of steps. Readers with no education in theory may have to read passages several times to put the level of detail into proper perspective [to Gatekeeper: this ends the portion of the Review I "fixed."]. A weekend warrior who’s happy banging out basic G-C-D or E-A-D progressions, for instance, won’t find much use for the theory, but those looking to move forward will find value in the first, basic chapters and the massive appendices, which feature definitions of everything from Travis picking to truss rods. For guitarists who write, the most useful aspect of this book may be the chord guide, which includes voicings for both standard and alternate tunings. A complex manual for guitar players who want to keep learning new things." -- Kirkus Reviews
Author: Matt Smith
Publisher: Alfred Music Publishing
ISBN: 9780882848938
Category : Music
Languages : en
Pages : 100
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Book Description
This book is great for the musician who knows the basics of blues guitar and is ready to take the next step. After a quick review of the fundamentals, the topics include blues fills and phrasing techniques, non-scale tones, chord extensions and substitutions, R&B, funk blues and more. The final section is devoted to licks in the styles of master blues guitarists. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.
