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Author: Maria Stavrinaki
Publisher: Stanford University Press
ISBN: 080479815X
Category : Art
Languages : en
Pages : 120
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Book Description
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Author: Maria Stavrinaki
Publisher: Stanford University Press
ISBN: 080479815X
Category : Art
Languages : en
Pages : 120
Get Book Here
Book Description
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Author: Naomi Sawelson-Gorse
Publisher: MIT Press
ISBN: 9780262692601
Category : Architecture
Languages : en
Pages : 720
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Book Description
his book is the first to make the case that women's changing role in European and American society was critical to Dada.
Author: Catherine Craft
Publisher: University of Chicago Press
ISBN: 0226116808
Category : Art
Languages : en
Pages : 326
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Book Description
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Author: Emily Hage
Publisher: Bloomsbury Publishing USA
ISBN: 1501342673
Category : Art
Languages : en
Pages : 356
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Book Description
Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This first volume entirely devoted to Dada periodicals retells the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I. The book includes magazines from well-known Dada cities like New York and Paris as well as Zagreb and Bucharest, and reveals that Dada continued to inspire art journals into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists-Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others-compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines-and 1970s “Dadazines” inspired by them-Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.
Author: Leah Dickerman
Publisher: National Gallery of Art, Washington/D.A.P.
ISBN:
Category : Art
Languages : en
Pages : 542
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Book Description
Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.
Author: Elizabeth Benjamin
Publisher: Springer
ISBN: 1137563680
Category : Philosophy
Languages : en
Pages : 237
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Book Description
Offering new critical approaches to Dada as quintessential part of the Avant-Garde, Dada and Existentialism: the Authenticity of Ambiguity reassesses the movement as a form of (proto-) Existentialist philosophy. Dada is often dismissed as an anti-art movement with a merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Moreover, neither was nonsensical or meaningless; both reveal a rich individualist ethics aimed at the amelioration of the individual and society. The first major comparative study of Dada and Existentialism, this text contributes new perspectives on Dada as movement, historical legacy, and field of study. Analysing Dada works through Existentialist literature across the themes of choice, alienation, responsibility, freedom and truth, the text posits that Dada and Existentialism both advocate the creation of a self that aims for authenticity through ambiguity.
Author: Dietmar Elger
Publisher: Taschen
ISBN: 9783822829462
Category : Art
Languages : en
Pages : 106
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Book Description
In 1916 a meeting of artists, writers, émigrés and opposition figures took place in the Cabaret Voltaire in Zurich. Under the shadow of the First World War, this was the starting point for the dissemination of the artistic and literary style known as Dadaism.
Author: Man Ray
Publisher: Coach House Books
ISBN: 9781552450871
Category : Photography
Languages : en
Pages : 63
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Book Description
In 1921, an up-and-coming artist named Man Ray convinced his patron, Ferdinand Howald, to pay his fare from New York to Paris and to support him there for a year. He quickly fell in with the Dadaists, and his art changed. He pioneered a new art form, a cameraless photograph he called the 'Rayograph'. Champs délicieux documents that year in Paris by reproducing the correspondence between Man Ray and Howald and by publishing Howald's personal copy of Ray's album (also Champs délicieux) from that year - the first significant body of Ray's work. By placing these images in the context of the letters, Champs délicieux recreates an important turning point in Ray's career and a definitive moment in art history. This collection, exhibited in the fall of 2000 by co-publisher University of Toronto Art Centre, was edited by Steven Manford, who is currently assembling, with Timothy Baum, a catalogue raisonné of the Rayographs.
Author: Mel Gordon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
One of the most controversial and ironic of twentieth-century modernisms, Dada swept through the arts after the shock of World War I, when poets, painters, filmmakers, and performers joined forces to challenge conventions of society and art. The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.
Author: Theo van Doesburg
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 100
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Book Description
This volume collects together the Dada writings of Theo van Doesburg, the celebrated De Stijl architect. Apart from the title lecture these texts appeared under the pseudonym of I.K. Bonset and were generally published in Van Doesburg's magazine Mecano (four issues 1922-23). Also included is his novel The Other Sight.Michael White's introduction describes the Dada tour of Holland undertaken by Van Doesburg and his friends at the beginning of 1923."
