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Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804762309
Category : Philosophy
Languages : en
Pages : 76
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Book Description
What is an apparatus? was originally published in Italian in 2006 under the title: Che cos'è un dispositivo?; The friend was originally published in Italian in 2007 under the title: L'amico; and, What is the contemporary? was originally published in Italian in 2008 under the title: Che cos'è il contemporaneo
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804762309
Category : Philosophy
Languages : en
Pages : 76
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Book Description
What is an apparatus? was originally published in Italian in 2006 under the title: Che cos'è un dispositivo?; The friend was originally published in Italian in 2007 under the title: L'amico; and, What is the contemporary? was originally published in Italian in 2008 under the title: Che cos'è il contemporaneo
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 1503600041
Category : Philosophy
Languages : en
Pages : 76
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Book Description
The three essays collected in this book offer a succinct introduction to Agamben's recent work through an investigation of Foucault's notion of the apparatus, a meditation on the intimate link of philosophy to friendship, and a reflection on contemporariness, or the singular relation one may have to one's own time. "Apparatus" (dispositif in French) is at once a most ubiquitous and nebulous concept in Foucault's later thought. In a text bearing the same name ("What is a dispositif?") Deleuze managed to contribute its mystification, but Agamben's leading essay illuminates the notion: "I will call an apparatus," he writes, "literally anything that has in some way the capacity to capture, orient, determine, intercept, model, control, or secure the gestures, behaviors, opinions, or discourses of living beings." Seen from this perspective, Agamben's work, like Foucault's, may be described as the identification and investigation of apparatuses, together with incessant attempts to find new ways to dismantle them. Though philosophy contains the notion of philos, or friend, in its very name, philosophers tend to be very skeptical about friendship. In his second essay, Agamben tries to dispel this skepticism by showing that at the heart of friendship and philosophy, but also at the core of politics, lies the same experience: the shared sensation of being. Guided by the question, "What does it mean to be contemporary?" Agamben begins the third essay with a reading of Nietzsche's philosophy and Mandelstam's poetry, proceeding from these to an exploration of such diverse fields as fashion, neurophysiology, messianism and astrophysics.
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804732787
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
This volume constitutes the largest collection of writings by the Italian philosopher Giorgio Agamben hitherto published in any language. The essays consider several figures in the history of philosophy; the relation of linguistic and metaphysical categories; messianism in Islamic, Jewish, and Christian theology; and the state and future of contemporary politics.
Author: Timothy C. Campbell
Publisher: U of Minnesota Press
ISBN: 1452932786
Category : Philosophy
Languages : en
Pages : 205
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Book Description
How biopolitics can get beyond its obsession with death
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804730229
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking--nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante. The author presents "literature" as a set of formal or linguistic genres that discuss or develop theological issues at a certain distance from the discourse of theology. This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide. The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise. Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).
Author: Louis Althusser
Publisher: Verso Books
ISBN: 178873176X
Category : Political Science
Languages : en
Pages : 246
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Book Description
No figure among the western Marxist theoreticians has loomed larger in the postwar period than Louis Althusser. A rebel against the Catholic tradition in which he was raised, Althusser studied philosophy and later joined both the faculty of the Ecole normal superieure and the French Communist Party in 1948. Viewed as a structuralist Marxist, Althusser was as much admired for his independence of intellect as he was for his rigorous defense of Marx. The latter was best illustrated in For Marx (1965), and Reading Capital (1968). These works, along with Lenin and Philosophy (1971) had an enormous influence on the New Left of the 1960s and continues to influence modern Marxist scholarship. This classic work, which to date has sold more than 30,000 copies, covers the range of Louis Althusser's interests and contributions in philosophy, economics, psychology, aesthetics, and political science. Marx, in Althusser's view, was subject in his earlier writings to the ruling ideology of his day. Thus for Althusser, the interpretation of Marx involves a repudiation of all efforts to draw from Marx's early writings a view of Marx as a humanist and historicist. Lenin and Philosophy also contains Althusser's essay on Lenin's study of Hegel; a major essay on the state, Ideology and Ideological State Apparatuses, Freud and Lacan: A letter on Art in Reply to Andr Daspre, and Cremonini, Painter of the Abstract. The book opens with a 1968 interview in which Althusser discusses his personal, political, and intellectual history.
Author: Emma Goldman
Publisher:
ISBN:
Category : Anarchism
Languages : en
Pages : 300
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Book Description
Author: Justin Clemens
Publisher: Edinburgh University Press
ISBN: 074868901X
Category : Philosophy
Languages : en
Pages : 191
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Book Description
This collection of essays, newly available in paperback, seeks to explore Agamben's work from philosophical and literary perspectives, thereby underpinning its place within larger debates in continental philosophy.
Author: J. Giedymin
Publisher: Springer Science & Business Media
ISBN: 9401011206
Category : History
Languages : en
Pages : 435
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Book Description
Though with considerable delay, most of the writings of Polish logicians of the inter-war period are now available in English. This is not yet true of Polish philosophy. In the present volume English-speaking readers will fmd, for the first time, a sizeable collection of the articles of one of the most original and distinguished of Poland's philosophers of the present century, Kazimierz Ajdukiewicz (1890-1963). To be sure, Ajdukiewicz was a philosopher-logician from the beginning of his career. His first work of some importance, a monograph entitled From the Methodology of the Deductive Sciences (1921 post-dated; two abstracts published in 1919/20) exhibited two features which were to become charac teristic of the style of his later philosophy: On the one hand the monograph was the result of Ajdukiewicz's deep interest in the systems of modern logic, the foundations of mathematics, in the properties of deductive systems and their relevance to philosophy; on the other hand the monograph was an attempt at developing an 'understanding methodology' (in the sense of Gennan 'Verstehende Methodologie') of deductive sciences, i. e. a pragmatic study of axiomatic systems which would supplement purely formal investiga tions of those systems. The fonner made him a close ally oflogical empiricists; the latter was rooted in the henneneutic tradition of the second half of the 19th century (Dilthey) which spilled over into the 20th century (Spranger) and which was not cherished at all by logical empiricists.
Author: Philip Rosen
Publisher: Columbia University Press
ISBN: 9780231058810
Category : Performing Arts
Languages : en
Pages : 568
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Book Description
This essential anthology presents the most significant and influential writings on film theory from the last twenty years. The book includes many seminal articles by film scholars such as Christian Metz, Jean-Louis Baudry, Stephen Heath, Peter Wollen, Laura Mulvey, and Noel Burch, and by the era's leading cultural thinkers as well: Roland Barthes, Julia Kristeva, and Jean-Francois Lyotard, to name a few.
