Author: Boutheina Boughnim Laarif
Publisher: Cambridge Scholars Publishing
ISBN: 152751028X
Category : History
Languages : en
Pages : 255
Book Description
Although Auden has often been hailed as the twentieth century’s master of metre and most outstanding practitioner of traditional poetic forms, his metrical art still remains a mystery, as far as its real significance is concerned. This book sheds new light on the enticing appeal of formal poetry which induced Auden into composing in almost every possible stanza form. In order to work out a ‘new’ appreciative assessment of Auden’s formal art, the book uses Amittai Aviram’s theory of poetic rhythm, which transcends the common literary critical process, based on the rhetorical assessment of rhythm in poetry. Aviram’s theory clearly revolutionises our common methods of interpretation regarding rhythm rather than meaning as the starting point in reading poetry; it is the poem’s ideas and theme which express and strengthen rhythm, not the other way round. Such conception of rhythm, as allegorized by meaning (images and metaphors), breathes new life into the outworn Russian formalist tradition. Turning to Auden’s poetry today may be said to be urged by both literary and political contexts; in an age marked by uncertainties and an upsurge of violence, poetry’s voice, regrettably, reverberates less forcefully, sinking into a state of formal loosening. As such, this book may be said to be prompted by a ‘necessity’ to revive the interest in Auden’s poetry, especially given its recent neglect. A reconsideration of Auden’s conception of the nature of poetry and its status enables us to encrypt his verbal art, assess its multiple effects, and appreciate the metrical range that has helped the poet handle so subtly his twofold inquiry: What is poetry? What is its use?
W.H. Auden's "The Healing Fountain" Read through A. Aviram's Theory of Poetic Rhythm
Author: Boutheina Boughnim Laarif
Publisher: Cambridge Scholars Publishing
ISBN: 152751028X
Category : History
Languages : en
Pages : 255
Book Description
Although Auden has often been hailed as the twentieth century’s master of metre and most outstanding practitioner of traditional poetic forms, his metrical art still remains a mystery, as far as its real significance is concerned. This book sheds new light on the enticing appeal of formal poetry which induced Auden into composing in almost every possible stanza form. In order to work out a ‘new’ appreciative assessment of Auden’s formal art, the book uses Amittai Aviram’s theory of poetic rhythm, which transcends the common literary critical process, based on the rhetorical assessment of rhythm in poetry. Aviram’s theory clearly revolutionises our common methods of interpretation regarding rhythm rather than meaning as the starting point in reading poetry; it is the poem’s ideas and theme which express and strengthen rhythm, not the other way round. Such conception of rhythm, as allegorized by meaning (images and metaphors), breathes new life into the outworn Russian formalist tradition. Turning to Auden’s poetry today may be said to be urged by both literary and political contexts; in an age marked by uncertainties and an upsurge of violence, poetry’s voice, regrettably, reverberates less forcefully, sinking into a state of formal loosening. As such, this book may be said to be prompted by a ‘necessity’ to revive the interest in Auden’s poetry, especially given its recent neglect. A reconsideration of Auden’s conception of the nature of poetry and its status enables us to encrypt his verbal art, assess its multiple effects, and appreciate the metrical range that has helped the poet handle so subtly his twofold inquiry: What is poetry? What is its use?
Publisher: Cambridge Scholars Publishing
ISBN: 152751028X
Category : History
Languages : en
Pages : 255
Book Description
Although Auden has often been hailed as the twentieth century’s master of metre and most outstanding practitioner of traditional poetic forms, his metrical art still remains a mystery, as far as its real significance is concerned. This book sheds new light on the enticing appeal of formal poetry which induced Auden into composing in almost every possible stanza form. In order to work out a ‘new’ appreciative assessment of Auden’s formal art, the book uses Amittai Aviram’s theory of poetic rhythm, which transcends the common literary critical process, based on the rhetorical assessment of rhythm in poetry. Aviram’s theory clearly revolutionises our common methods of interpretation regarding rhythm rather than meaning as the starting point in reading poetry; it is the poem’s ideas and theme which express and strengthen rhythm, not the other way round. Such conception of rhythm, as allegorized by meaning (images and metaphors), breathes new life into the outworn Russian formalist tradition. Turning to Auden’s poetry today may be said to be urged by both literary and political contexts; in an age marked by uncertainties and an upsurge of violence, poetry’s voice, regrettably, reverberates less forcefully, sinking into a state of formal loosening. As such, this book may be said to be prompted by a ‘necessity’ to revive the interest in Auden’s poetry, especially given its recent neglect. A reconsideration of Auden’s conception of the nature of poetry and its status enables us to encrypt his verbal art, assess its multiple effects, and appreciate the metrical range that has helped the poet handle so subtly his twofold inquiry: What is poetry? What is its use?
Culture at the Crossroads
Author: Asma Hichri
Publisher: Cambridge Scholars Publishing
ISBN: 1527570460
Category : Philosophy
Languages : en
Pages : 272
Book Description
This collection explores the interfaces of culture, gender, and power from politico-religious, linguistic, legal and historiographic perspectives. More importantly, the contributions gathered here examine culture’s manifestations in different socio-economic, political, theoretical, and discursive contexts. Being aware of “the crisis in humanities,” researchers, scholars and experts seek to relocate culture and cultural studies within academia and analyze the epistemological relationship between culture and education, while also trying to eschew and refashion the stale conventional methodologies of approaching culture as an academic subject. Is it possible to go beyond the “crisis in humanities” by valorizing culture in social and human sciences, on the one hand, and natural and exact sciences, on the other, especially when we take into consideration the escalation of fundamentalist, extremist and xenophobic tendencies all over the globe? How can we approach the issues of ethics and teaching humanities and sciences? This book moves beyond conventional conceptions of culture that associate it with knowledge and enlightenment to suggest a holistic view of culture that enacts the dialectics of power, nationality, class, gender, and ethnicity in an ever-shifting transnational context. Engaging readers in a lively intellectual and cultural debate, this volume is essential reading for undergraduate and graduate students, teachers, critics, and scholars from various academic fields and disciplines, including historiography, cultural studies, anthropology, political science, literature and critical theory.
Publisher: Cambridge Scholars Publishing
ISBN: 1527570460
Category : Philosophy
Languages : en
Pages : 272
Book Description
This collection explores the interfaces of culture, gender, and power from politico-religious, linguistic, legal and historiographic perspectives. More importantly, the contributions gathered here examine culture’s manifestations in different socio-economic, political, theoretical, and discursive contexts. Being aware of “the crisis in humanities,” researchers, scholars and experts seek to relocate culture and cultural studies within academia and analyze the epistemological relationship between culture and education, while also trying to eschew and refashion the stale conventional methodologies of approaching culture as an academic subject. Is it possible to go beyond the “crisis in humanities” by valorizing culture in social and human sciences, on the one hand, and natural and exact sciences, on the other, especially when we take into consideration the escalation of fundamentalist, extremist and xenophobic tendencies all over the globe? How can we approach the issues of ethics and teaching humanities and sciences? This book moves beyond conventional conceptions of culture that associate it with knowledge and enlightenment to suggest a holistic view of culture that enacts the dialectics of power, nationality, class, gender, and ethnicity in an ever-shifting transnational context. Engaging readers in a lively intellectual and cultural debate, this volume is essential reading for undergraduate and graduate students, teachers, critics, and scholars from various academic fields and disciplines, including historiography, cultural studies, anthropology, political science, literature and critical theory.
Hegel
Author: Jean-Luc Nancy
Publisher: U of Minnesota Press
ISBN: 9780816632206
Category : Philosophy
Languages : en
Pages : 160
Book Description
At once an introduction to Hegel and a radically new vision of his thought, this work penetrates the entirety of the Hegelian field with brevity and precision, while compromising neither rigour nor depth.
Publisher: U of Minnesota Press
ISBN: 9780816632206
Category : Philosophy
Languages : en
Pages : 160
Book Description
At once an introduction to Hegel and a radically new vision of his thought, this work penetrates the entirety of the Hegelian field with brevity and precision, while compromising neither rigour nor depth.
Meter and Meaning
Author: Thomas Carper
Publisher: Psychology Press
ISBN: 9780415311748
Category : Language Arts & Disciplines
Languages : en
Pages : 184
Book Description
Table of contents
Publisher: Psychology Press
ISBN: 9780415311748
Category : Language Arts & Disciplines
Languages : en
Pages : 184
Book Description
Table of contents
Aesthetics
Author: Georg Wilhelm Friedrich Hegel
Publisher: OUP UK
ISBN: 0198238169
Category : Philosophy
Languages : en
Pages : 634
Book Description
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
Publisher: OUP UK
ISBN: 0198238169
Category : Philosophy
Languages : en
Pages : 634
Book Description
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
Marks of Distinctions
Author: Irven M. Resnick
Publisher: CUA Press
ISBN: 0813219698
Category : Psychology
Languages : en
Pages : 410
Book Description
Through the use of several illustrations from illuminated manuscripts and other media, Resnick engages readers in a discussion of the later medieval notion of Jewish difference.
Publisher: CUA Press
ISBN: 0813219698
Category : Psychology
Languages : en
Pages : 410
Book Description
Through the use of several illustrations from illuminated manuscripts and other media, Resnick engages readers in a discussion of the later medieval notion of Jewish difference.
Telling Rhythm
Author: Amittai F. Aviram
Publisher: University of Michigan Press
ISBN: 9780472105137
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Provides a postmodern theory of poetry that sees rhythm as its essential quality
Publisher: University of Michigan Press
ISBN: 9780472105137
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
Provides a postmodern theory of poetry that sees rhythm as its essential quality
Forewords and Afterwords
Author: Wystan Hugh Auden (Poet, Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 529
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 529
Book Description
Romanticism and Transcendentalism, 1820-1865
Author: Robert D. Habich
Publisher: Facts on File
ISBN: 9780816078639
Category : American literature
Languages : en
Pages : 0
Book Description
A series of handbooks provides strategies for studying and writing about frequently taught literary topics, with each volume offering study guides, background information, suggestions for areas of research, and a list of secondary sources.
Publisher: Facts on File
ISBN: 9780816078639
Category : American literature
Languages : en
Pages : 0
Book Description
A series of handbooks provides strategies for studying and writing about frequently taught literary topics, with each volume offering study guides, background information, suggestions for areas of research, and a list of secondary sources.
Narrative Bodies
Author: D. Punday
Publisher: Springer
ISBN: 1403981655
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Although the body has recently emerged throughout the humanities and social sciences as an object revealing the power and limits of representation, the study of narrative has almost entirely ignored human corporeality. As this book shows, attention to the body raises uncomfortable questions about the historicity of basic narrative concepts like character, plot, and narration - questions that critics would often prefer to ignore. Daniel Punday argues that narrative itself is a concept constructed by modern-day critics based on assumptions about identity, desire, movement and place that depend on modern ways of thinking about corporeality.
Publisher: Springer
ISBN: 1403981655
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Although the body has recently emerged throughout the humanities and social sciences as an object revealing the power and limits of representation, the study of narrative has almost entirely ignored human corporeality. As this book shows, attention to the body raises uncomfortable questions about the historicity of basic narrative concepts like character, plot, and narration - questions that critics would often prefer to ignore. Daniel Punday argues that narrative itself is a concept constructed by modern-day critics based on assumptions about identity, desire, movement and place that depend on modern ways of thinking about corporeality.