Weird Tales of Modernity PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Weird Tales of Modernity PDF full book. Access full book title Weird Tales of Modernity by Jason Ray Carney. Download full books in PDF and EPUB format.
Author: Jason Ray Carney
Publisher: McFarland
ISBN: 1476668035
Category : Literary Criticism
Languages : en
Pages : 206
Get Book Here
Book Description
Serious literary artists such as T.S. Eliot, James Joyce and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows cast by these modernists were science fiction, horror and fantasy writers like the "Weird Tales Three": H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard. They did not publish in artistically ambitious magazines like Dial, The Smart Set and The Little Review but instead in commercial pulp magazines like Weird Tales. Contrary to the stereotypes about pulp fiction and those who wrote it, these three were serious literary artists who used their fiction to speculate about such philosophical questions as the function of art and the brevity of life.
Author: Jason Ray Carney
Publisher: McFarland
ISBN: 1476668035
Category : Literary Criticism
Languages : en
Pages : 206
Get Book Here
Book Description
Serious literary artists such as T.S. Eliot, James Joyce and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows cast by these modernists were science fiction, horror and fantasy writers like the "Weird Tales Three": H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard. They did not publish in artistically ambitious magazines like Dial, The Smart Set and The Little Review but instead in commercial pulp magazines like Weird Tales. Contrary to the stereotypes about pulp fiction and those who wrote it, these three were serious literary artists who used their fiction to speculate about such philosophical questions as the function of art and the brevity of life.
Author: Jason Ray Carney
Publisher: McFarland
ISBN: 1476636141
Category : Literary Criticism
Languages : en
Pages : 206
Get Book Here
Book Description
Serious literary artists such as T.S. Eliot, James Joyce and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows cast by these modernists were science fiction, horror and fantasy writers like the "Weird Tales Three": H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard. They did not publish in artistically ambitious magazines like Dial, The Smart Set and The Little Review but instead in commercial pulp magazines like Weird Tales. Contrary to the stereotypes about pulp fiction and those who wrote it, these three were serious literary artists who used their fiction to speculate about such philosophical questions as the function of art and the brevity of life.
Author: Mark Samuels
Publisher: Chomu Press
ISBN: 9781907681059
Category : Fiction
Languages : en
Pages : 164
Get Book Here
Book Description
"Cryptic and potent languages, bizarre cults, mysteries that span the gulf between life and death, occult influences that reverberate through history like a dying echo, irresistible cosmic decay, forces of nightmare that distort reality itself, gateways to worlds where esoteric knowledge rots the future. Here is a collection of tales that forms a veritable Rosetta Stone for scholars of cosmic wonder and terror"--Page 4 of cover.
Author: Jeff VanderMeer
Publisher: Tor Books
ISBN: 1466803193
Category : Fiction
Languages : en
Pages : 2482
Get Book Here
Book Description
From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Justin Everett
Publisher: Rowman & Littlefield
ISBN: 1442256222
Category : Literary Criticism
Languages : en
Pages : 267
Get Book Here
Book Description
When the pulp magazine Weird Tales appeared on newsstands in 1923, it proved to be a pivotal moment in the evolution of speculative fiction. Living up to its nickname, “The Unique Magazine,” Weird Tales provided the first real venue for authors writing in the nascent genres of fantasy, horror, and science fiction. Weird fiction pioneers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Robert Bloch, Catherine L. Moore, and many others honed their craft in the pages of Weird Tales in the 1920s and 1930s, and their work had a tremendous influence on later generations of genre authors. In The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror, Justin Everett and Jeffrey Shanks have assembled an impressive collection of essays that explore many of the themes critical to understanding the importance of the magazine. This multi-disciplinary collection from a wide array of scholars looks at how Weird Tales served as a locus of genre formation and literary discourse community. There are also chapters devoted to individual authors—including Lovecraft, Howard, and Bloch—and their particular contributions to the magazine. As the literary world was undergoing a revolution and mass-produced media began to dwarf high-brow literature in social significance, Weird Tales managed to straddle both worlds. This collection of essays explores the important role the magazine played in expanding the literary landscape at a very particular time and place in American culture. The Unique Legacy of Weird Tales will appeal to scholars and aficionados of fantasy, horror, and weird fiction and those interested in the early roots of these popular genres.
Author: William F. Touponce
Publisher: Scarecrow Press
ISBN: 0810892200
Category : Literary Criticism
Languages : en
Pages : 167
Get Book Here
Book Description
In his classic study Supernatural Horror in Literature, H. P. Lovecraft discusses the emergence of what he called spectral literature—literature that involves the gothic themes of the supernatural found in the past but also considers modern society and humanity. Beyond indicating how authors of such works derived pleasure from a sense of cosmic atmosphere, Lovecraft did not elaborate on what he meant by the term spectral as a form of haunted literature concerned with modernity. In Lord Dunsany, H. P. Lovecraft, and Ray Bradbury: Spectral Journeys, William F. Touponce examines what these three masters of weird fiction reveal about modernity and the condition of being modern in their tales. In this study, Touponce confirms that these three authors viewed storytelling as a kind of journey into the spectral. Furthermore, he explains how each identifies modernity with capitalism in various ways and shows a concern with surpassing the limits of realism, which they see as tied to the representation of bourgeois society. The collected writings of Lord Dunsany, H. P. Lovecraft, and Ray Bradbury span the length of the tumultuous twentieth century with hundreds of stories. By comparing these authors, Touponce also traces the development of supernatural fiction since the early 1900s. Reading about how these works were tied to various stages of capitalism, one can see the connection between supernatural literature and society. This study will appeal to fans of the three authors discussed here, as well as to scholars and others interested in the connection between literature and society, criticism of supernatural fiction, the nature of storytelling, and the meaning and experience of modernity.
Author: Gerald A. Figal
Publisher: Duke University Press
ISBN: 9780822324188
Category : History
Languages : en
Pages : 310
Get Book Here
Book Description
Discusses the representation/role of the supernatural or the "fantastic" in the construction of Japanese modernism in late 19th and early 20th century Japan.
Author: Fritz Leiber
Publisher: Open Road Media
ISBN: 149761676X
Category : Fiction
Languages : en
Pages : 402
Get Book Here
Book Description
A collection of supernatural horror stories by a multiple award-winning master of the fantastic. From the author of Swords and Deviltry and many other classic novels, a recipient of both the Hugo and Nebula Awards, this is a treasure trove of horrific tales, many of which remained out of print for decades after appearing in such magazines as Unknown, Thrilling Mystery, Startling Stories, The Magazine of Fantasy & Science Fiction, and the acclaimed horror specialty magazine Whispers 13–14. In addition to the title story, this collection also includes: “Cry Witch!” (1951), “I’m Looking for Jeff” (1952), “Ms. Found in a Maelstrom” (1959), “The Button Molder” (1979), “Dark Wings” (1976), and “The Enormous Bedroom” (2001), which is original to this volume.
Author: Nicole Emmelhainz-Carney
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 116
Get Book Here
Book Description
Robert Ervin Howard (1906-1936) was an American pulp fiction writer who published in a variety of pulp literary genres: fantasy, western, detective, science fiction, historical adventure. He is internationally known for his sword and sorcery character, Conan the Cimmerian, who has been adapted into a variety of popular medias, such as comic books, films, cartoons, video games, roleplaying games, and many more. Howard's ubiquity in popular culture notwithstanding, he was also, and emphatically so, an ambitious literary artist whose poetry and fiction merits investigation by literary critics, historians, philosophers, and other humanists interested in interwar America and the cultural, intellectual, and aesthetic significance of pulp fiction. The Dark Man: Journal of Robert E. Howard and Pulp Studies is a peer-reviewed scholarly journal devoted to the academic study of Howard's literary works as well as the literary historical and print culture contexts associated with it. The journal seeks to publish full-length articles, brief scholarly notes and commentaries, bibliographies, reviews of books, and other scholarship that treats Howard's life, time, literary work, and associated topics such as Weird Tales, H.P. Lovecraft, and the concept of a transhistorical pulp aesthetic.
Author: Jason Ananda Josephson Storm
Publisher: University of Chicago Press
ISBN: 022640336X
Category : History
Languages : en
Pages : 428
Get Book Here
Book Description
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
