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Author: Janine Randerson
Publisher: MIT Press
ISBN: 0262353458
Category : Social Science
Languages : en
Pages : 307
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Book Description
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis. In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology. Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
Author: Janine Randerson
Publisher: MIT Press
ISBN: 0262353458
Category : Social Science
Languages : en
Pages : 307
Get Book Here
Book Description
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis. In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology. Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
Author: Janine Randerson
Publisher:
ISBN: 9780262353441
Category : ART
Languages : en
Pages :
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Book Description
In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the "big picture systems view" and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.
Author: Kristi McKim
Publisher: Routledge
ISBN: 113666209X
Category : Art
Languages : en
Pages : 232
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Book Description
How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies. Building upon meteorological definitions of weather's dynamism and volatility, this book shows how film weather can reveal character interiority, accelerate plot development, inspire stylistic innovation, comprise a momentary attraction, convey the passage of time, and idealize the world at its greatest meaning-making capacity (unlike our weather, film weather always happens on time, whether for tumultuous, romantic, violent, suspenseful, or melodramatic ends). Akin to cinema's structuring of ephemera, cinematic weather suggests aesthetic control over what is fleeting, contingent, wildly environmental, and beyond human capacity to tame. This first book-length study of such a meteorological and cinematic affinity casts film weather as a means of artfully and mechanically conquering contingency through contingency, of taming weather through a medium itself ephemeral and enduring. Using film theory, history, formalist/phenomenological analysis, and eco-criticism, this book casts cinema as weather, insofar as our skies and screens become readable through our interpretation of changing phenomena.
Author: Andrew Blum
Publisher: HarperCollins
ISBN: 1443438618
Category : Science
Languages : en
Pages : 191
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Book Description
From the acclaimed author of Tubes, a lively and surprising tour through the global network that predicts our weather, the people behind it, and what it reveals about our climate and our planet The weather is the foundation of our daily lives. It’s a staple of small talk, the app on our smartphones, and often the first thing we check each morning. Yet, behind all these humble interactions is the largest and most elaborate piece of infrastructure human beings have ever constructed—a triumph of both science and global cooperation. But what is the weather machine, and who created it? In The Weather Machine, Andrew Blum takes readers on a fascinating journey through the people, places, and tools of forecasting, exploring how the weather went from something we simply observed to something we could actually predict. As he travels across the planet, he visits some of the oldest and most important weather stations and watches the newest satellites blast off. He explores the dogged efforts of forecasters to create a supercomputer model of the atmosphere, while trying to grasp the ongoing relevance of TV weather forecasters. In the increasingly unpredictable world of climate change, correctly understanding the weather is vital. Written with the sharp wit and infectious curiosity Andrew Blum is known for, The Weather Machine pulls back the curtain on a universal part of our everyday lives, illuminating our changing relationships with technology, the planet, and our global community.
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 156
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Book Description
Author: David J. Stensrud
Publisher: Cambridge University Press
ISBN: 0521865409
Category : Science
Languages : en
Pages : 408
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Book Description
Contents: 1.
Author: Alan Watts
Publisher: Bloomsbury Publishing
ISBN: 1472935381
Category : Nature
Languages : en
Pages : 66
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Book Description
Instant Weather Forecasting has been a perennial bestseller since it was first published nearly 50 years ago. A brilliant concept, its winning formula of 24 clear colour photographs of cloud formations and their accompanying explanatory text enables the reader to read the sky, pick up the clues, and predict what the weather will do. This revised and updated 5th edition takes into account the new ways users can receive professional weather forecasts, factor them into their own cloud observations, and develop an even better understanding of how the weather will change. This bestselling gem of a book will continue to be invaluable to anyone participating in outdoor activities, from farming, gardening and walking to riding, golfing, flying, sailing, fishing - and of course holidaymakers.
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 710
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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Book Description
Author: Volker Bothmer
Publisher: Springer Science & Business Media
ISBN: 3540345787
Category : Science
Languages : en
Pages : 517
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Book Description
The editors present a state-of-the-art overview on the Physics of Space Weather and its effects on technological and biological systems on the ground and in space. It opens with a general introduction on the subject, followed by a historical review on the major developments in the field of solar terrestrial relationships leading to its development into the up-to-date field of space weather. Specific emphasis is placed on the technological effects that have impacted society in the past century at times of major solar activity. Chapter 2 summarizes key milestones, starting from the base of solar observations with classic telescopes up to recent space observations and new mission developments with EUV and X-ray telescopes (e.g., STEREO), yielding an unprecedented view of the sun-earth system. Chapter 3 provides a scientific summary of the present understanding of the physics of the sun-earth system based on the latest results from spacecraft designed to observe the Sun, the interplanetary medium and geospace. Chapter 4 describes how the plasma and magnetic field structure of the earth's magnetosphere is impacted by the variation of the solar and interplanetary conditions, providing the necessary science and technology background for missions in low and near earth's orbit. Chapter 5 elaborates the physics of the layer of the earth's upper atmosphere that is the cause of disruptions in radio-wave communications and GPS (Global Positioning System) errors, which is of crucial importance for projects like Galileo. In Chapters 6-10, the impacts of technology used up to now in space, on earth and on life are reviewed.
