Author: Robert S. Weil
Publisher: Xlibris Corporation
ISBN: 1477117415
Category : Biography & Autobiography
Languages : en
Pages : 108
Book Description
"In his first autobiographical tale Teenage Hobo, author Robert S. Weil shares what it was to be like to be on the road with his two other brothers (the oldest of the group was 14 years old). He deliberately finished the story with the statement 'we arrived'. Readers would then ask him what exactly happened afterwards. So begins the rest of the story in We Arrived. The three brothers were reunited with their mother, a widow, and the rest of their siblings upon setting foot in Los Angeles. Adroitly weaving his stories right after their harrowing journey for 30 days between Cincinnati, Ohio and Los Angeles, California. Weil vividly recounts the events that followed thereafter in We Arrived from a near death experience on an alfalfa farm to hearing the horrifying news that Pearl Harbor had been bombed. In later chapters, Weil tells of the family traveling east again, having his own career, meeting his soul mate, and what it was like to survive the Second World War, with pictures."
We Arrived
Author: Robert S. Weil
Publisher: Xlibris Corporation
ISBN: 1477117415
Category : Biography & Autobiography
Languages : en
Pages : 108
Book Description
"In his first autobiographical tale Teenage Hobo, author Robert S. Weil shares what it was to be like to be on the road with his two other brothers (the oldest of the group was 14 years old). He deliberately finished the story with the statement 'we arrived'. Readers would then ask him what exactly happened afterwards. So begins the rest of the story in We Arrived. The three brothers were reunited with their mother, a widow, and the rest of their siblings upon setting foot in Los Angeles. Adroitly weaving his stories right after their harrowing journey for 30 days between Cincinnati, Ohio and Los Angeles, California. Weil vividly recounts the events that followed thereafter in We Arrived from a near death experience on an alfalfa farm to hearing the horrifying news that Pearl Harbor had been bombed. In later chapters, Weil tells of the family traveling east again, having his own career, meeting his soul mate, and what it was like to survive the Second World War, with pictures."
Publisher: Xlibris Corporation
ISBN: 1477117415
Category : Biography & Autobiography
Languages : en
Pages : 108
Book Description
"In his first autobiographical tale Teenage Hobo, author Robert S. Weil shares what it was to be like to be on the road with his two other brothers (the oldest of the group was 14 years old). He deliberately finished the story with the statement 'we arrived'. Readers would then ask him what exactly happened afterwards. So begins the rest of the story in We Arrived. The three brothers were reunited with their mother, a widow, and the rest of their siblings upon setting foot in Los Angeles. Adroitly weaving his stories right after their harrowing journey for 30 days between Cincinnati, Ohio and Los Angeles, California. Weil vividly recounts the events that followed thereafter in We Arrived from a near death experience on an alfalfa farm to hearing the horrifying news that Pearl Harbor had been bombed. In later chapters, Weil tells of the family traveling east again, having his own career, meeting his soul mate, and what it was like to survive the Second World War, with pictures."
Here in This Island We Arrived
Author: Elisabeth H. Kinsley
Publisher: Penn State Press
ISBN: 0271084197
Category : History
Languages : en
Pages : 205
Book Description
In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration. As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans. Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.
Publisher: Penn State Press
ISBN: 0271084197
Category : History
Languages : en
Pages : 205
Book Description
In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration. As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans. Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.
Here in This Island We Arrived
Author: Elisabeth H. Kinsley
Publisher: Penn State Press
ISBN: 0271084219
Category : History
Languages : en
Pages : 213
Book Description
In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration. As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans. Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.
Publisher: Penn State Press
ISBN: 0271084219
Category : History
Languages : en
Pages : 213
Book Description
In this book, Elisabeth H. Kinsley weaves the stories of racially and ethnically distinct Shakespeare theatre scenes in late nineteenth- and early twentieth-century Manhattan into a single cultural history, revealing how these communities interacted with one another and how their work influenced ideas about race and belonging in the United States during a time of unprecedented immigration. As Progressive Era reformers touted the works of Shakespeare as an “antidote” to the linguistic and cultural mixing of American society, and some reformers attempted to use the Bard’s plays to “Americanize” immigrant groups on Manhattan’s Lower East Side, immigrants from across Europe appropriated Shakespeare for their own ends. Kinsley uses archival material such as reform-era handbooks, theatre posters, playbills, programs, sheet music, and reviews to demonstrate how, in addition to being a source of cultural capital, authority, and resistance for these communities, Shakespeare’s plays were also a site of cultural exchange. Performances of Shakespeare occasioned nuanced social encounters between New York’s empowered and marginalized groups and influenced sociocultural ideas about what Shakespeare, race, and national belonging should and could mean for Americans. Timely and immensely readable, this book explains how ideas about cultural belonging formed and transformed within a particular human community at a time of heightened demographic change. Kinsley’s work will be welcomed by anyone interested in the formation of national identity, immigrant communities, and the history of the theatre scene in New York and the rest of the United States.
You Have Arrived at Your Destination
Author: Amor Towles
Publisher:
ISBN: 9781732970403
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781732970403
Category :
Languages : en
Pages :
Book Description
Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza
Author: Yolanda Broyles-Gonzalez
Publisher: Oxford University Press
ISBN: 9780195351996
Category : Biography & Autobiography
Languages : en
Pages : 274
Book Description
Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-González: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-González concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies. Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century. Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.
Publisher: Oxford University Press
ISBN: 9780195351996
Category : Biography & Autobiography
Languages : en
Pages : 274
Book Description
Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-González: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-González concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies. Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century. Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.
The Methodist new connexion magazine and evangelical repository
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 744
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 744
Book Description
Hutterite Roots
Author: Arnold Hofer
Publisher: Wipf and Stock Publishers
ISBN: 1620324180
Category : Religion
Languages : en
Pages : 141
Book Description
Publisher: Wipf and Stock Publishers
ISBN: 1620324180
Category : Religion
Languages : en
Pages : 141
Book Description
The Great Migration (Second Edition)
Author: Edwin C. Guillet
Publisher: University of Toronto Press
ISBN: 1487597983
Category : History
Languages : en
Pages : 496
Book Description
Here is a record of one of history's great migrations, the Atlantic Migration to the New World, especially from 1770 to 1890, when eleven million people came from the British Isles to North America. The slow crossing by sailing ship was unpleasant even in the best accommodation, but for the poor conditions were wretched in the extreme. Famine, unemployment, poverty drove many from the Old World, and their desperate circumstances made them vulnerable to exploitation at both ends of the journey. In the New World, the immigrant had to adjust to strange conditions as he ventured into the interior of the continent to enter upon the hardships of pioneering. Mr. Guillet has located records never before consulted, found contemporary descriptions not previously used, and presented excerpts from diaries, narratives, letters, and emigrant guidebooks formerly accessible only in museum and archives collections. The illustrations are all from contemporary sources and provide in themselves an authentic and comprehensive picture of the times.
Publisher: University of Toronto Press
ISBN: 1487597983
Category : History
Languages : en
Pages : 496
Book Description
Here is a record of one of history's great migrations, the Atlantic Migration to the New World, especially from 1770 to 1890, when eleven million people came from the British Isles to North America. The slow crossing by sailing ship was unpleasant even in the best accommodation, but for the poor conditions were wretched in the extreme. Famine, unemployment, poverty drove many from the Old World, and their desperate circumstances made them vulnerable to exploitation at both ends of the journey. In the New World, the immigrant had to adjust to strange conditions as he ventured into the interior of the continent to enter upon the hardships of pioneering. Mr. Guillet has located records never before consulted, found contemporary descriptions not previously used, and presented excerpts from diaries, narratives, letters, and emigrant guidebooks formerly accessible only in museum and archives collections. The illustrations are all from contemporary sources and provide in themselves an authentic and comprehensive picture of the times.
Methodist Magazine and Quarterly Review
Author:
Publisher:
ISBN:
Category : Methodist Church
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Methodist Church
Languages : en
Pages : 496
Book Description
The Road to Madrid
Author: Nina Stevens
Publisher: Liverpool University Press
ISBN: 1782846646
Category : Biography & Autobiography
Languages : en
Pages : 66
Book Description
When a failed right-wing military coup provoked civil war in Spain, in July 1936, the Spanish government made a worldwide plea for help. In Britain, Aid Spanish Committees sprang up nationwide. Nowhere was empathy more keenly felt for the working people of Spain than among the people of Glasgow, which became the hub of the Scottish Aid for Spain movement. Glasgow was also home to an enterprise which was to make a significant contribution to the Spanish Republic the Scottish Ambulance Unit (SAU). The Unit was the brainchild of a wealthy Glaswegian philanthropist, Sir Daniel Macaulay Stevenson (18511944). The Units valiant and tireless work soon earned it an excellent reputation among Republican forces and as news of its remarkable work spread, volunteers became affectionately known as Los Brujos The Wizards. However, the off-duty activities of some of the SAUs members earned it an altogether different kind of reputation, and the Unit was soon to become immersed in scandal which tarnished its good name. Donald Gallie was a member of the first SAU team to arrive in Madrid (there would be three successive expeditions). He was 24 years old when Civil War broke out. His family shared a strong sense of commitment, and this, together with Donalds love of travel and adventure, is what impelled him to volunteer for service. His skills as mechanic would prove invaluable in the aid and transport given to casualties. His Diary is a remarkable document, and its publication a significant event in the historiography of the Spanish Civil War.
Publisher: Liverpool University Press
ISBN: 1782846646
Category : Biography & Autobiography
Languages : en
Pages : 66
Book Description
When a failed right-wing military coup provoked civil war in Spain, in July 1936, the Spanish government made a worldwide plea for help. In Britain, Aid Spanish Committees sprang up nationwide. Nowhere was empathy more keenly felt for the working people of Spain than among the people of Glasgow, which became the hub of the Scottish Aid for Spain movement. Glasgow was also home to an enterprise which was to make a significant contribution to the Spanish Republic the Scottish Ambulance Unit (SAU). The Unit was the brainchild of a wealthy Glaswegian philanthropist, Sir Daniel Macaulay Stevenson (18511944). The Units valiant and tireless work soon earned it an excellent reputation among Republican forces and as news of its remarkable work spread, volunteers became affectionately known as Los Brujos The Wizards. However, the off-duty activities of some of the SAUs members earned it an altogether different kind of reputation, and the Unit was soon to become immersed in scandal which tarnished its good name. Donald Gallie was a member of the first SAU team to arrive in Madrid (there would be three successive expeditions). He was 24 years old when Civil War broke out. His family shared a strong sense of commitment, and this, together with Donalds love of travel and adventure, is what impelled him to volunteer for service. His skills as mechanic would prove invaluable in the aid and transport given to casualties. His Diary is a remarkable document, and its publication a significant event in the historiography of the Spanish Civil War.