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Author: Joan R. Mertens
Publisher: Metropolitan Museum of Art
ISBN: 1588396703
Category : Art
Languages : en
Pages : 52
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Book Description
In the days before color photography, hand-colored drawings and photographs were the principal means of documenting polychrome Greek art. Beginning in the late 1870s, Émile Gilliéron recorded major archaeological discoveries in Greece shortly after their excavation. This Bulletin, accompanying an exhibition of five watercolors by Gilliéron, features the Swiss draftsman’s drawings of sculptures from the Athenian Acropolis. On view for decades after their acquisition, Gilliéron’s watercolors were eventually retired to The Met's basement, likely in the late 1940s, before the advent of modern conservation practices. Reproductions and copies fell out of fashion, and Gilliéron’s work remained in storage until 2015. In addition to telling the story of the watercolors during Gilliéron’s time, this Bulletin follows the conservators’ heroic efforts to rehabilitate these forgotten pieces. Images of the conserved watercolors, published here for the first time, provide fascinating insight into the sculptures found at the Acropolis as they appeared when they were first unearthed around the turn of the century.
Author: Joan R. Mertens
Publisher: Metropolitan Museum of Art
ISBN: 1588396703
Category : Art
Languages : en
Pages : 52
Get Book Here
Book Description
In the days before color photography, hand-colored drawings and photographs were the principal means of documenting polychrome Greek art. Beginning in the late 1870s, Émile Gilliéron recorded major archaeological discoveries in Greece shortly after their excavation. This Bulletin, accompanying an exhibition of five watercolors by Gilliéron, features the Swiss draftsman’s drawings of sculptures from the Athenian Acropolis. On view for decades after their acquisition, Gilliéron’s watercolors were eventually retired to The Met's basement, likely in the late 1940s, before the advent of modern conservation practices. Reproductions and copies fell out of fashion, and Gilliéron’s work remained in storage until 2015. In addition to telling the story of the watercolors during Gilliéron’s time, this Bulletin follows the conservators’ heroic efforts to rehabilitate these forgotten pieces. Images of the conserved watercolors, published here for the first time, provide fascinating insight into the sculptures found at the Acropolis as they appeared when they were first unearthed around the turn of the century.
Author: Joan R. Mertens
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Linton Satterthwaite
Publisher: UPenn Museum of Archaeology
ISBN: 9781931707756
Category : History
Languages : en
Pages : 450
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Book Description
Situated on the banks of the Usumacinta River in northwestern Guatemala, Piedras Negras is an important Maya site known for its carved monuments and panels. Between 1931 and 1938 the University Museum conducted research at Piedras Negras, excavating the site core, producing an excellent site map, and documenting architectural developments to an unprecedented standard. Project member Tatiana Proskouriakoff revolutionized Maya historiography with her architectural reconstructions and visionary synthesis of the position and dating of texts and monuments at the site. Innovative excavation methods included test pitting, probing in more modest structures, and the identification of new building types such as sweat baths. More importantly, the Piedras Negras project developed the logistical and methodological criteria that are now standard in the field. Fewer than a dozen copies of the preliminary papers were issued between 1933 and 1936; the later descriptive and interpretive essays of the architecture series have likewise become rare. Piedras Negras Archaeology, 1931-1939 reintroduces to the scholarly community and public these pioneering works, meticulously scanned and edited from the fragile originals, with all the maps, tables, line art, and photographs from the initial reports, and an interpretive essay and index for modern readers. University Museum Monograph, 122
Author: John K. Papadopoulos
Publisher: ASCSA
ISBN: 087661960X
Category : Art
Languages : en
Pages : 355
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Book Description
The archives of the American School excavations in the Athenian Agora contain a remarkable series of watercolors and drawings - well over 400 - by Piet de Jong, one of the best-known, most distinctive, and influential archaeological illustrators of the 20th century. They show landscapes, people, and, above all, objects recovered during many seasons of fieldwork at one of the longest continuously running archaeological projects in Greece.The aim of this volume is to bring these illustrations out of the storage drawers and to assemble in color a representative sample of some of the finest of Piet de Jong's contributions. Along the way, this book tells the story of the Agora excavations and assesses their contribution to scholarship. It includes essays by 16 scholars currently working at the Agora, and surveys the entire span of the material they are studying - from Neolithic poetry to the Late Byzantine and post-Byzantine frescoes from the Church of Ayios Spyridon.
Author: Jennifer M. S. Stager
Publisher: Cambridge University Press
ISBN: 1009034669
Category : Art
Languages : en
Pages : 566
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Book Description
The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this aspect of ancient sculpture. There is now a consensus that sculpture produced in the ancient Mediterranean world, as well as art objects in other media, were, in fact, polychromatic. Color has consequently become one of the most important issues in the study of classical art. Jennifer Stager's landmark book makes a vital contribution to this discussion. Analyzing the dyes, pigments, stones, earth, and metals found in ancient art works, along with the language that writers in antiquity used to describe color, she examines the traces of color in a variety of media. Stager also discusses the significance of a reception history that has emphasized whiteness, revealing how ancient artistic practice and ancient philosophies of color significantly influenced one another.
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 0870999524
Category : Art
Languages : en
Pages : 444
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Book Description
"The Museum's collection illuminates all aspects of Sargent's career. The drawings and watercolors in particular reflect his activity outside the portrait studio: his sojourns in Spain, Morocco and elsewhere in North Africa, and in the Middle East; his enduring fascination with Venice; his holidays in the Italian lake district and the Alps; his tours of North America, including Florida and the Rocky Mountains; his visit as an official war artist to the western front in 1918; and his work as a muralist at the Boston Public Library, the Museum of Fine Arts, Boston, and Harvard University's Widener Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 418
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Book Description
Author: Ernest William Watson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 846
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Book Description
Author: Christopher Finch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
To be sure, "Nineteenth-Century Watercolors" will delight artists, amateur or professional. But with a dazzling array of exotic landscapes, curious visions, fairy-tale illustrations, stately architectural renderings, intimate still lifes, evocative genre scenes, and expressive portraits, this delightful volume will thrill any lover of beautiful things.
Author: Margaret Samu
Publisher: Cornell University Press
ISBN: 1501757040
Category : Art
Languages : en
Pages : 243
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Book Description
This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
