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Author: Dr Heath A Diehl
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472442377
Category : Social Science
Languages : en
Pages : 221
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Book Description
Departing from the scholarly treatment of addiction as a form of rhetoric or discursive formation, Wasted: Performing Addiction in America focuses on the material, lived experience of addiction and the ways in which it is shaped by a ‘metaphor of waste’, from the manner in which people describe the addict, the experience of inebriation or his or her systematic exclusion from various aspects of American culture. It will appeal to scholars of popular culture, cultural and media studies, performance studies, sociology and American culture.
Author: Dr Heath A Diehl
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472442377
Category : Social Science
Languages : en
Pages : 221
Get Book Here
Book Description
Departing from the scholarly treatment of addiction as a form of rhetoric or discursive formation, Wasted: Performing Addiction in America focuses on the material, lived experience of addiction and the ways in which it is shaped by a ‘metaphor of waste’, from the manner in which people describe the addict, the experience of inebriation or his or her systematic exclusion from various aspects of American culture. It will appeal to scholars of popular culture, cultural and media studies, performance studies, sociology and American culture.
Author: Heath A. Diehl
Publisher: Routledge
ISBN: 1317000218
Category : Social Science
Languages : en
Pages : 220
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Book Description
Departing from the scholarly treatment of addiction as a form of rhetoric or discursive formation, Wasted: Performing Addiction in America focuses on the material, lived experience of addiction and the ways in which it is shaped by a ‘metaphor of waste’, from the manner in which people describe the addict, the experience of inebriation or his or her systematic exclusion from various aspects of American culture. With analyses of scientific and popular cultural texts such as novels and films, scholarly or medical models of addiction, reality television, TV drama, public health and anti-addiction campaigns, and the lives of celebrities who struggled with addiction, this book recovers the sense of materiality in which the experience of substance abuse is anchored, revealing addiction to be a set of socio-cultural practices, historically-contingent events and behaviours. Exploring the ways in which addiction as an identity construct, as a social problem, and as a lived experience is always and already circumscribed by the metaphor of waste, Wasted: Performing Addiction in America advances the idea that addiction constitutes a site of social control beyond the individual, through which American citizenship is regulated and the ‘nation’ itself is imagined, demarcated, and contained. As such, it will appeal to scholars of popular culture, cultural and media studies, performance studies, sociology and American culture.
Author: Heath A. Diehl
Publisher: Anthem Press
ISBN: 1785276158
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Since the nineteenth century, the Western realistic novel has persistently represented the addict as a morally toxic force bent on destroying the institutions, practices, and ideologies that historically have connoted reason, order, civilization. Addiction, Representation undertakes an investigation into an alternative literary tradition that unsettles this limited portrayal of the addict. The book analyzes the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response to both diegetic and extra-diegetic addicts—an approach that, at its core, is focused on understanding.
Author: Jonathan K. Okinaga
Publisher: Wipf and Stock Publishers
ISBN: 1666706493
Category : Religion
Languages : en
Pages : 159
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Book Description
Since Benjamin Rush first introduced the disease of wills as the cause of alcoholism, a steady and slow infiltration of the disease model has infected how the church treats those who struggle with addictions. The first organization that truly sought to remove the soul care of addicts from the church was Alcoholics Anonymous (AA), through their bestselling The Big Book of AA and the introduction of the 12 Steps. AA’s influence on how the church confronts addiction still reverberates today, with many of the ministries that address addiction firmly rooted in what can be found in AA literature. Addictions were once viewed as an issue caused by sin and best addressed through faith and prayer. Currently addiction is seen through the lens of disease. The ramifications are consequential as more church members are struggling with addictions than ever before. Tracing the progression of addiction from sin to disease will reveal that the SBC and its churches have been negligent in understanding the underlying foundations of AA and the influence that the medicalization of substance abuse has had on how churches approach what should be classified as a sin issue.
Author: Jude Roberts
Publisher: Routledge
ISBN: 1317130537
Category : Social Science
Languages : en
Pages : 275
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Book Description
This book explores the ways in which contemporary writers, artists, directors, producers and fans use the opportunities offered by popular fantasy to exceed or challenge norms of gender and sexuality, focusing on a range of media, including television episodes and series, films, video games and multi-player online role-play games, novels and short stories, comics, manga and graphic novels, and board games. Engaging directly with an enormously successful popular genre which is often overlooked by literary and cultural criticism, contributors pay close attention to the ways in which the producers of fantasy texts, whether visual, game, cinematic, graphic or literary texts, are able to play with gender and sexuality, to challenge and disrupt received notions and to allow and encourage their audiences to imagine ways of being outside of the constitutive constraints of socialized gender and sexual identity. With rich case studies from the US, Australia, UK, Japan and Europe, all concentrating not on the critique of fantasy texts which duplicate or reinforce existing prejudices about gender and sexuality, but on examining the exploration of or attempt to make possible non-normative gendered and sexual identities, this volume will appeal to scholars across the social sciences and humanities, with interests in popular culture, fantasy, media studies and gender and sexualities.
Author: Robert J. Patterson
Publisher: Rutgers University Press
ISBN: 1978803583
Category : Music
Languages : en
Pages : 265
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Book Description
Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
Author: Silas Kaine Ezell
Publisher: Routledge
ISBN: 131711941X
Category : Social Science
Languages : en
Pages : 178
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Book Description
This book examines contemporary American animated humor, focusing on popular animated television shows in order to explore the ways in which they engage with American culture and history, employing a peculiarly American way of using humor to discuss important cultural issues. With attention to the work of American humorists, such as the Southwest humorists, Mark Twain, Dorothy Parker, and Kurt Vonnegut, and the question of the extent to which modern animated satire shares the qualities of earlier humor, particularly the use of setting, the carnivalesque, collective memory, racial humor, and irony, Humor and Satire on Contemporary Television concentrates on a particular strand of American humor: the use of satire to expose the gap between the American ideal and the American experience. Taking up the notion of ’The Great American Joke’, the author examines the discursive humor of programmes such as The Simpsons, South Park , Family Guy , King of the Hill, Daria, American Dad!, The Boondocks, The PJs and Futurama . A study of how animated television programmes offer a new discourse on a very traditional strain of American humor, this book will appeal to scholars and students of popular culture, television and media studies, American literature and visual studies, and contemporary humor and satire.
Author: Javier Martín-Párraga
Publisher: Cambridge Scholars Publishing
ISBN: 1527500608
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
Bret Easton Ellis is one of the most famous and controversial contemporary American novelists. Since the publication of his opus primum, Less than Zero (1985), critics and readers alike have become fascinated with the author’s style and topics; which were extremely appealing to the MTV generation that acknowledged him as their cultural guru. As a result, an early review of the novel declared, “American literature has never been so sexy”. In this book, Ellis’ novels and collections of short stories are analyzed, focusing mainly on the role fear, trauma and paranoia play in these texts. These aspects are fundamental not only to Bret Easton Ellis’ literature but also to contemporary American literature (Don DeLillo, John Barth or Thomas Pynchon’s novels, just to name some quintessential examples within postmodern American letters, cannot be understood or defined without reference to fear and paranoia). More importantly, they play a major role in American culture and society.
Author: Elizabeth Podnieks
Publisher: Springer
ISBN: 1137577673
Category : Social Science
Languages : en
Pages : 277
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Book Description
The definitions of fatherhood have shifted in the twenty-first century as paternal subjectivities, conflicts, and desires have registered in new ways in the contemporary family. This collection investigates these sites of change through various lenses from popular culture - film, television, blogs, best-selling fiction and non-fiction, stand-up comedy routines, advertisements, newspaper articles, parenting guide-books, and video games. Treating constructions of the father at the nexus of patriarchy, gender, and (post)feminist philosophy, contributors analyze how fatherhood is defined in relation to masculinity and femininity, and the shifting structures of the heteronormative nuclear family. Perceptions of the father as the traditional breadwinner and authoritarian as compared to a more engaged and involved nurturer are considered via representations of fathers from the US, Canada, Britain, Australia, South Africa, and Sweden.
Author: Victoria McCollum
Publisher: Routledge
ISBN: 1317077539
Category : Social Science
Languages : en
Pages : 154
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Book Description
This book explores the resurgence of rural horror following the events of 9/11, as a number of filmmakers, inspired by the films of the 1970s, moved away from the characteristic industrial and urban settings of apocalyptic horror, to return to American heartland horror. Examining the revival of rural horror in an era of city fear and urban terrorism, the author analyses the relationship of the genre with fears surrounding the Global War on Terror, exploring the films’ engagement with the political repercussions of 9/11 and the ways in which traces of traumatic events leave their mark on cultures. Arranged around the themes of dissent, patriotism, myth, anger and memorial, and with attention to both text and socio-cultural context in its interpretation of the films’ themes, Post-9/11 Heartland Horror offers a series of case studies covering a ten-year period to shed light on the manner in which the Post-9/11 Heartland Horror films scrutinize and unravel the events, aspirations, anxieties, discourses, dogmas, and socio-political conflicts of the post-9/11 era. As such, it will appeal to scholars and students of film studies, cultural studies and media studies, and those with interests in the relationship between popular culture and politics.
