Author: Yasutsune Hirashiki
Publisher: Casemate Publishers
ISBN: 1612004733
Category : History
Languages : en
Pages : 253
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Book Description
“The eyewitness accounts of the many phases of the war in this memoir bring events to life as if they had happened yesterday” (Vietnam Veterans of America Book Reviews). On the Frontlines of the Television War is the story of Yasutsune “Tony” Hirashiki’s ten years in Vietnam—beginning when he arrived in 1966 as a young freelancer with a 16mm camera, but without a job or the slightest grasp of English, and ending in the hectic fall of Saigon in 1975, when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls of the best battle memoirs, but it is primarily a story of very real and yet remarkable people: the soldiers who fought, bled, and died, and the reporters and photographers who went right to the frontlines to record their stories and memorialize their sacrifice. If this was truly the first “television war,” then it is time to hear the story of the cameramen who shot the pictures and the reporters who wrote the stories that the average American witnessed daily in their living rooms. An award-winning sensation when it was released in Japan in 2008, this book has been completely recreated for an international audience. “Tony Hirashiki is an essential piece of the foundation on which ABC was built . . . Tony reported the news with his camera and in doing so, he brought the truth about the important events of our day to millions of Americans.” —David Westin, former President of ABC News
Author: Neil McDonald
Publisher: Lothian Children's Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Biography of notable Australian war photographer tells of his experiences in the Middle East, Greece, New Guinea, Guam and Peleliu. Also provides portraits of contemporaries such as Max Dupain, Olive Cotton and Chester Wilmot. Includes new material from private sources and Australian archives and some previously unpublished photographs. Indexed.
Author: Larry Burrows
Publisher: Knopf
ISBN:
Category : History
Languages : en
Pages : 254
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Book Description
Larry Burrows photography of the war images from Vietnam brought the war home for the American public.
Author: Erik Durschmied
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 376
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Book Description
With his camera in tow, Erik Durschmied has covered every major world event during his career--from the Cuban revolution to the Vietnam War to the conflicts in the Middle East. Illustrated with Durschmied's own photographs, Shooting Wars is an adventure story filled with excitement, danger, and passion.
Author: David Mould
Publisher: Routledge
ISBN: 1317692020
Category : History
Languages : en
Pages : 321
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Book Description
The First World War was the first conflict in which film became a significant instrument of propaganda. For the United States, the war had two distinct phases: from August 1914 to April 1917, America was officially a neutral country; after April 1917 the United States was in the war, providing men, money and munitions for the Allies. These two phases are mirrored in the newsreels and documentary films shown in the United States. This volume starts by examining the background to the war for the movie industry – the coverage of previous conflicts and the growth of the newsreel. It examines the experiences of American cameramen who worked in the war zone: their efforts to gain access to the front, to overcome problems ranging from unreliable equipment to poor lighting conditions to evading censorship and how this shaped the coverage of the war.
Author: Jan Mieszkowski
Publisher: Stanford University Press
ISBN: 0804785015
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
What does it mean to be a spectator to war in an era when the boundaries between witnessing and perpetrating violence have become profoundly blurred? Arguing that the contemporary dynamics of military spectatorship took shape in Napoleonic Europe, Watching War explores the status of warfare as a spectacle unfolding before a mass audience. By showing that the battlefield was a virtual phenomenon long before the invention of photography, film, or the Internet, this book proposes that the unique character of modern conflicts has been a product of imaginary as much as material forces. Warfare first became total in the Napoleonic era, when battles became too large and violent to be observed firsthand and could only be grasped in the imagination. Thenceforth, fantasies of what war was or should be proved critical for how wars were fought and experienced. As war's reach came to be limited only by the creativity of the mind's eye, its campaigns gave rise to expectations that could not be fulfilled. As a result, war's modern audiences have often found themselves bored more than enthralled by their encounters with combat. Mieszkowski takes an interdisciplinary approach to this major ethical and political concern of our time, bringing literary and philosophical texts into dialogue with artworks, historical documents, and classics of photojournalism.
Author: Fay Anderson
Publisher: Melbourne Univ. Publishing
ISBN: 0522860222
Category : Social Science
Languages : en
Pages : 513
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Book Description
Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of ‘embedding’. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.
Author: Ian Grant
Publisher: P. Stephens
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 198
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Book Description
Author: James W. Castellan
Publisher: Indiana University Press
ISBN: 0861969219
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
A history of American cameramen covering the news of World War I, from the dangerous front line and the risk of execution to red tape and censorship. At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, American Cinematographers in the Great War, 1914–1918 follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties. “The first book to explore the work and working conditions of American cinematographers active on the different fronts of the First World War. It is a pioneering study which has already attracted a good deal of attention in the academic and archive world.” —Historical Journal of Film, Radio and Television
Author: Richard James
Publisher: Simon and Schuster
ISBN: 1925520935
Category : History
Languages : en
Pages : 339
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Book Description
1941: Great Britain is fighting for its very existence. France has surrendered and installed Marshal Pétain, an ageing reactionary, as head of a hostile new government at Vichy. The Allied outpost in Egypt, and the Suez Canal—its strategic jewel—are threatened on both sizes. To the west, Rommel is rampaging through North Africa. To the east, the Germans are arming rebels and fostering an uprising in British Iraq. Churchill’s cabinet is reeling after disastrous campaign in Greece. There are fears of a German takeover in Vichy-controlled Syria and Lebanon, where a languishing French colonial army may fall in line with the Nazis. Churchill orders a disgruntled General Wavell to take the offensive, assuming that the French will not put up a fight against an Allied show of force. The only troops available are a division of Australians, the 7th: untested recruits, digging ditches in the Egyptian desert. This is the story of how the 7th Division came to fight against the Army of the Levant—Australia against France—in the rocky hills of Lebanon and the barren wastes of Syria. Contrary to Churchill’s expectations, the French resisted viciously. The Australians won the war, but at the price of more than 400 young men, sons of Anzacs who had fought to defend France in the trenches of the western Front. The British were embarrassed, the campaign was forgotten, and the Australians who fought were dubbed ‘the silent men.’ No contemporary Australian historian has studied the conflict. British and French accounts exist, but fail to do justice to the Australian contribution. Through interviews with the veterans, archival records, and on-the-ground research, this book seeks to understand a neglected campaign and give it a proper place in Australian history.
