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Author: Alison Lumsden
Publisher: Edinburgh University Press
ISBN: 0748687297
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Scott's startlingly contemporary approach to theories of language and the creative impact of this on his work are explored in this new study.
Author: Alison Lumsden
Publisher: Edinburgh University Press
ISBN: 0748687297
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Scott's startlingly contemporary approach to theories of language and the creative impact of this on his work are explored in this new study.
Author: Alison Lumsden
Publisher: Edinburgh University Press
ISBN: 0748644679
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Scott's startlingly contemporary approach to theories of language and the creative impact of this on his work are explored in this new study. Alison Lumsden examines the linguistic diversity and creative playfulness of Scott's fiction and suggests that an evolving scepticism towards the communicative capacities of language runs throughout his writing. Lumsden re-examines this scepticism in relation to Scottish Enlightenment thought and recent developments in theories of the novel. Structured chronologically, the book covers Scott's output from his early narrative poems until the late, and only recently published, Reliquiae Trotcosienses
Author: Dani Napton
Publisher: BRILL
ISBN: 9004352783
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Counter-revolutionary or wary progressive? Critical apologist for the Stuart and Hanoverian dynasties? What are the political and cultural significances of place when Scott represents the instabilities generated by the Union? Scott's Novels and the Counter-Revolutionary Politics of Place analyses Scott’s sophisticated, counter-revolutionary interpretation of Britain's past and present in relation to those questions. Exploring the diversity within Scott’s life and writings, as historian and political commentator, conservative committed to progress, Scotsman and Briton, lawyer and philosopher, this monograph focuses on how Scott portrays and analyses the evolution of the state through notions of place and landscape. It especially considers Scott’s response to revolution and rebellion, and his geopolitical perspective on the transition from Stuart to Hanoverian sovereignty.
Author: Gerard Carruthers
Publisher: Oxford University Press
ISBN: 0192548441
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Literature and Union opens up a new front in interdisciplinary literary studies. There has been a great deal of academic work--both in the Scottish context and more broadly--on the relationship between literature and nationhood, yet almost none on the relationship between literature and unions. This volume introduces the insights of the new British history into mainstream Scottish literary scholarship. The contributors, who are from all shades of the political spectrum, will interrogate from various angles the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England. Viewing Scottish literature as a clash between Scottish and English identities loses sight of the internal Scottish political and religious divisions, which, far more than issues of nationhood and union, were the primary sources of conflict in Scottish culture for most of the period of Union, until at least the early twentieth century. The aim of the volume is to reconstruct the story of Scottish literature along lines which are more historically persuasive than those of the prevailing grand narratives in the field. The chapters fall into three groups: (1) those which highlight canonical moments in Scottish literary Unionism--John Bull, 'Rule, Britannia', Humphry Clinker, Ivanhoe and England, their England; (2) those which investigate key themes and problems, including the Unions of 1603 and 1707, Scottish Augustanism, the Burns Cult, Whig-Presbyterian and sentimental Jacobite literatures; and (3) comparative pieces on European and Anglo-Irish phenomena.
Author: Sebastian Mitchell
Publisher: Springer
ISBN: 1137290110
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This is a revisionist study of the literary and visual representation of the nation in the century following the formation of the British state. It argues that the most engaging accounts of Great Britain subject their imagery to sustained artistic pressure, threatening to dismantle the national vision at the moment of its construction.
Author: Fergus Dunne
Publisher: Routledge
ISBN: 0429801653
Category : Literary Criticism
Languages : en
Pages : 485
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Book Description
This book resituates Francis Sylvester Mahony in an early nineteenth-century literary-historical context, counteracting the efforts of twentieth-century literary historians to obscure his contribution to the emergence of a distinctive Irish Catholic fiction in English. This volume re-explores his ambivalent role as a Catholic unionist contributor to the progressive Tory London periodical, Fraser’s Magazine, examining his use of translation to map out an alternative literary aesthetic of the peripheries. The book also traces the development of his political thinking in his Italian journalism for Charles Dickens’ Daily News, in which he responded to the events of the Famine by finding common cause with Young Ireland, and looks afresh at his final incarnation as a British Liberal commentator on Irish and European affairs for the Globe newspaper. More broadly, the book seeks to re-evaluate Mahony’s cosmopolitan writings in relation to the multifaceted, transnational perspectives on Irish, British, and European affairs presented in his essays and journalism.
Author: Natasha Tessone
Publisher: Bucknell University Press
ISBN: 1611487102
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Disputed Titles: Ireland, Scotland, and the Novel of Inheritance, 1798-1832 argues for the centrality of inheritance—often impeded, disrupted inheritance—to the novel’s rise to preeminence in Britain during the Romantic period. Novels by Maria Edgeworth, Sydney Owenson, Charles Maturin, Walter Scott, and John Galt are densely populated by orphans, changelings, and lost and kidnapped heirs, and privilege a romance plot of dispossession that undermines the illusion of continuity implicit in the very concept of legacy. Through narratives of illegitimate ownership and other similar genealogical aberrations, authors from Britain’s “peripheries” interrogate their equivocal places in the uneasy compound of “The United Kingdom of Great Britain and Ireland.” Moving between the local and global manifestations of inheritance, their novels imagine history as contested property in order to explore vital issues of historic transition and political legitimacy, issues of immense consequence in the revolutionary climate of the late eighteenth and early nineteenth centuries.
Author: Devin Griffiths
Publisher: JHU Press
ISBN: 1421420775
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
How did literature shape nineteenth-century science? Erasmus Darwin and his grandson, Charles, were the two most important evolutionary theorists of eighteenth- and nineteenth-century Britain. Although their ideas and methods differed, both Darwins were prolific and inventive writers: Erasmus composed several epic poems and scientific treatises, while Charles is renowned both for his collected journals (now titled The Voyage of the Beagle) and for his masterpiece, The Origin of Species. In The Age of Analogy, Devin Griffiths argues that the Darwins’ writing style was profoundly influenced by the poets, novelists, and historians of their era. The Darwins, like other scientists of the time, labored to refashion contemporary literary models into a new mode of narrative analysis that could address the contingent world disclosed by contemporary natural science. By employing vivid language and experimenting with a variety of different genres, these writers gave rise to a new relational study of antiquity, or “comparative historicism,” that emerged outside of traditional histories. It flourished instead in literary forms like the realist novel and the elegy, as well as in natural histories that explored the continuity between past and present forms of life. Nurtured by imaginative cross-disciplinary descriptions of the past—from the historical fiction of Sir Walter Scott and George Eliot to the poetry of Alfred Tennyson—this novel understanding of history fashioned new theories of natural transformation, encouraged a fresh investment in social history, and explained our intuition that environment shapes daily life. Drawing on a wide range of archival evidence and contemporary models of scientific and literary networks, The Age of Analogy explores the critical role analogies play within historical and scientific thinking. Griffiths also presents readers with a new theory of analogy that emphasizes language's power to foster insight into nature and human society. The first comparative treatment of the Darwins’ theories of history and their profound contribution to the study of both natural and human systems, this book will fascinate students and scholars of nineteenth-century British literature and the history of science.
Author: Matthew Wickman
Publisher: University of Pennsylvania Press
ISBN: 0812247957
Category : History
Languages : en
Pages : 304
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Book Description
Literature After Euclid tells the story of the creative adaptation of geometry in Scotland during and after the long eighteenth century. Analyzing the work of Scottish literati, Matthew Wickman challenges how we perceive the Scottish Enlightenment and the modernist ethos that relegated "classical" Enlightenment to the dustbin of history.
Author: T. Baker
Publisher: Springer
ISBN: 1137457201
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
An innovative reading of a wide range of contemporary Scottish novels in relation to literary tradition and modern philosophy, Contemporary Scottish Gothic provides a new approach to Scottish fiction and Gothic literature, and offers a fuller picture of contemporary Scottish Gothic than any previous text.
