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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 70
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 70
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Book Description
Author: Bernard Sellato
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Author: Latiff Mohidin
Publisher: ITBM
ISBN: 9830686337
Category : Malay poetry
Languages : en
Pages : 139
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Book Description
Author: A. A. M. Djelantik
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Visitors to the island of Bali are often overwhelmed by the abundance and variety of paintings they encounter. But what is a typical Balinese painting? In this book, newly updated and with new illustrations, the author examines the religious and social values and techniques of painting that constitute the Balinese style, and then describes the intriguing period of transition in which Balinese art finds itself today, torn between the demands for mass production for the tourist trade and the desire to preserve in traditional paintings Bali as the "last paradise."
Author:
Publisher:
ISBN:
Category : Art
Languages : id
Pages : 368
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Book Description
History and development of Indonesian art; festschrift in honor of Soedarso Sp., a retired lecturer in history.
Author: Jihaty Abadi
Publisher: ITBM
ISBN: 9830685535
Category : Malay poetry
Languages : en
Pages : 370
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Book Description
Author: Imam Wahjoe L.
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 314
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Book Description
Biographies of ninety Indonesian famous based on Maestro television feature program of Metro TV.
Author: Leo Suryadinata
Publisher: Institute of Southeast Asian Studies
ISBN: 9814620505
Category : Biography & Autobiography
Languages : en
Pages : 531
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Book Description
Indonesia is the largest country in Southeast Asia where there is a significant number of ethnic Chinese, many of whom have played an important role. This book presents biographical sketches of about 530 prominent Indonesian Chinese, including businessmen, community leaders, politicians, religious leaders, artists, sportsmen/sportswomen, writers, journalists, academics, physicians, educators, and scientists. First published in 1972, it was revised and developed into the present format in 1978, and has since been revised several times. This is the fourth and most up-to-date version.
Author: J.S. Khairen
Publisher: J.S. Khairen
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 1785
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Book Description
Paket untuk Pikiranmu ini terdiri dari tiga novel: Kami (Bukan) Sarjana Kertas Kami (Bukan) Jongos Berdasi Melangkah Kami (Bukan) Sarjana Kertas: Di Kampus UDEL, terjebaklah tujuh mahasiswa yang hidup segan kuliah tak mau. Mereka terpaksa kuliah di kampus yang google saja tak dapat mendeteksi. Cobalah sekarang Anda googling "Kampus UDEL," takkan bertemu! Alasan mereka masuk UDEL macam-macam. Ada yang otaknya tak mampu masuk negeri, ada yang uang orangtuanya tak cukup masuk swasta unggul, ada pula yang karena… biar kuliah aja. Hari pertama kuliah, Ibu Lira Estrini - dosen konseling yang masih muda - menggemparkan kelas dengan sebuah kejadian gila, lucu dan tak masuk akal. Ia membawa sekotak piza dan koper berisi tikus. Seisi kelas panik, tapi anehnya, semangat para mahasiswa buangan ini justru terbakar untuk berani bermimpi! Akankah mereka bertahan di kampus yang amburadul ini? Sekalipun iya, bisakah mereka jadi sarjana yang tidak sekadar di atas kertas? Buku ini wajib dibaca pelajar SMA, mahasiswa, para orangtua, karyawan, petinggi perusahaan, para pengambil kebijakan di institusi pendidikan, anak start-up, anak muda berkarya, pengemudi ojek online, abang ondel-ondel, hingga Presiden Korea Utara agar kita dapat memutuskan seberapa penting sebenarnya nilai sebuah ijazah. Kami (Bukan) Jongos Berdasi: Alumni Kampus UDEL kini telah lulus. Masuk ke dunia nyata yang penuh tikus. Ada yang bertahan, ada yang sebentar lagi mampus. Kerja di Bank EEK? Ada. Kerjanya pindah terus? Ada. Bimbang ikut keinginan orangtua atau ikut kata hati? Ada. Apa lagi pengangguran banyak acara, pasti ada. Namun, diam-diam ada juga yang karirnya lancar, gajinya mekar, dan jodohnya gempar menggelegar. Mendapat intimidasi dari rekan kerja, lingkungan, dan keluarga itu sudah biasa. Mendapat cemoohan bagi yang ingin berkarya, jelas jauh lebih biasa. Menerima perlakuan semena-mena, hingga tertawaan dan hinaan adalah sarapan pagi. Akankah mereka bertahan di dunia nyata yang penuh intrik ini? Atau mereka harus jadi jongos berdasi, pura-pura mampu beradaptasi, dengan tantangan dunia yang terus gonta-ganti? Buku ini wajib dibaca oleh pelajar SMA, mahasiswa, para orangtua, karyawan, petinggi perusahaan, para pencari kerja, mereka yang ingin berkarya, para pengambil kebijakan di berbagai institusi, hingga Presiden Korea Utara agar kita bisa memutuskan, apakah besok kita libur atau kerja dan berkarya. Buku kedua dari serial novel “Kami (Bukan) Sarjana Kertas.” Melangkah: Listrik padam di seluruh Jawa dan Bali secara misterius! Ancaman nyata kekuatan baru yang hendak menaklukkan Nusantara. Saat yang sama, empat sahabat mendarat di Sumba, hanya untuk mendapati nasib ratusan juta manusia ada di tangan mereka! Empat mahasiswa ekonomi ini, harus bertarung melawan pasukan kuda yang bisa melontarkan listrik! Semua dipersulit oleh seorang buronan tingkat tinggi bertopeng pahlawan yang punya rencana mengerikan. Ternyata pesan arwah nenek moyang itu benar-benar terwujud. “Akan datang kegelapan yang berderap, bersama ribuan kuda raksasa di kala malam. Mereka bangun setelah sekian lama, untuk menghancurkan Tanah Nusantara. Seorang lelaki dan seorang perempuan ditakdirkan membaurkan air di lautan dan api di pegunungan. Menyatukan tanah yang menghujam, dan udara yang terhampar.” Kisah tentang persahabatan, tentang jurang ego anak dan orangtua, tentang menyeimbangkan logika dan perasaan. Juga tentang melangkah menuju masa depan. Bahwa, apa pun yang menjadi luka masa lalu, biarlah mengering bersama waktu.
Author: Thomas Barker
Publisher: Hong Kong University Press
ISBN: 9888528076
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University
