Author: George R. Fricke
Publisher: Pendragon Press
ISBN: 9780945193869
Category :
Languages : en
Pages : 192

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Author: James Andrew Deaville
Publisher:
ISBN: 9780945193869
Category : Music
Languages : en
Pages : 124

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Book Description
For Richard Wagner, the summer months of 1875 and 1876 were among the most critical of his life: the months of organization and rehearsals for the first presentation of his Ring cycle of operas. Several Wagner biographers make reference to his close friend and associate, the ballet master Richard Fricke, as the one who solved the problems and provided the coolness and common sense required for dealing with artistic emergencies. Fricke's diaries of this period were printed posthumously in 1906 as Bayreuth vor dreissig Jahren, and were considered of sufficient interest and importance to warrant reprinting in 1983 as Richard Wagner auf der Probe. Translated by George Fricke, the great-grandson of Richard Fricke, Wagner in Rehearsal 1875-1876 represent an invaluable and unique source of information about the composer's preparations for the Ring premiere. It also provides interesting insights into Wagner's concepts of dance, gesture and the body in general. With contributions by Liszt scholar James Deaville (historical introduction, annotations, bibliography, index), this work also sheds sheds significant light upon the world of Franz Liszt.

Author: Thomas Forrest Kelly
Publisher: Yale University Press
ISBN: 9780300115260
Category : Music
Languages : en
Pages : 474

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A renowned music scholar narrates the social history of European opera during its golden age in the 18th and 19th centuries by taking readers behind the scenes at the premiere performances of five extraordinary and influential operas. 88 illustrations.

Author: Mark Berry
Publisher: Boydell & Brewer Ltd
ISBN: 1843839687
Category : Music
Languages : en
Pages : 327

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Book Description
This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.

Author: Michael Saffle
Publisher: Routledge
ISBN: 1135839530
Category : Art
Languages : en
Pages : 478

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Book Description
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.

Author: Arthur Groos
Publisher: Cambridge University Press
ISBN: 0521431387
Category : Literary Criticism
Languages : en
Pages : 229

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Book Description
Seven leading international writers discuss the genesis, libretto and music, and performance and reception history of Wagner's Tristan.

Author: David Imhoof
Publisher: Berghahn Books
ISBN: 178533185X
Category : Art
Languages : en
Pages : 300

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Book Description
For two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.

Author: John W. Barker
Publisher: University Rochester Press
ISBN: 9781580462884
Category : Biography & Autobiography
Languages : en
Pages : 460

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Book Description
Explores Wagner's lengthy stays in Venice, his death there, and the meaning of his works -- and his death -- for that great city and its mystique.

Author: Thomas S. Grey
Publisher: Cambridge University Press
ISBN: 1139825941
Category : Music
Languages : en
Pages : 692

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Book Description
Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.

Author: Karen Henson
Publisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281

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Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.