Author: Renée Vink
Publisher:
ISBN: 9783905703252
Category : Literature and myth
Languages : en
Pages : 322
Book Description
"Both Rings were round and there the resemblance ceases," wrote J.R.R. Tolkien about the rings in his epic The Lord of the Rings and Richard Wagner's opera cycle The Ring of the Nibelung. Or did he? The answer is not as straightforward as many Tolkien fans believe, whether they agree with the statement or consider it misguided. Nor is the statement itself as transparently defensive as some Wagner buffs suggest. Much has been said and written about Wagner and Tolkien, a subject that tends to generate a certain amount of heat, mostly due to the former's controversial status as Hitler's favourite composer. But until now the various, often contradictory opinions and the facts and perceptions on which they are based were rarely discussed at length or analysed in depth. The publication in 2009 of Tolkien's The Legend and Sigurd and Gudr n with its partly Wagnerian content reinforced the need for a systematic treatment of the subject. This book offers one. There is more to both Rings than their common roundness, and the resemblance between Tolkien and Wagner goes beyond a Ring of Power and some narrative elements: they shared a number of preoccupations and interests - nature, nation, the North, death and immortality, language and above all, myth. This is a book about the two great mythmakers of their times, and about what they have in common despite everything that separates them.
Wagner and Tolkien
Author: Renée Vink
Publisher:
ISBN: 9783905703252
Category : Literature and myth
Languages : en
Pages : 322
Book Description
"Both Rings were round and there the resemblance ceases," wrote J.R.R. Tolkien about the rings in his epic The Lord of the Rings and Richard Wagner's opera cycle The Ring of the Nibelung. Or did he? The answer is not as straightforward as many Tolkien fans believe, whether they agree with the statement or consider it misguided. Nor is the statement itself as transparently defensive as some Wagner buffs suggest. Much has been said and written about Wagner and Tolkien, a subject that tends to generate a certain amount of heat, mostly due to the former's controversial status as Hitler's favourite composer. But until now the various, often contradictory opinions and the facts and perceptions on which they are based were rarely discussed at length or analysed in depth. The publication in 2009 of Tolkien's The Legend and Sigurd and Gudr n with its partly Wagnerian content reinforced the need for a systematic treatment of the subject. This book offers one. There is more to both Rings than their common roundness, and the resemblance between Tolkien and Wagner goes beyond a Ring of Power and some narrative elements: they shared a number of preoccupations and interests - nature, nation, the North, death and immortality, language and above all, myth. This is a book about the two great mythmakers of their times, and about what they have in common despite everything that separates them.
Publisher:
ISBN: 9783905703252
Category : Literature and myth
Languages : en
Pages : 322
Book Description
"Both Rings were round and there the resemblance ceases," wrote J.R.R. Tolkien about the rings in his epic The Lord of the Rings and Richard Wagner's opera cycle The Ring of the Nibelung. Or did he? The answer is not as straightforward as many Tolkien fans believe, whether they agree with the statement or consider it misguided. Nor is the statement itself as transparently defensive as some Wagner buffs suggest. Much has been said and written about Wagner and Tolkien, a subject that tends to generate a certain amount of heat, mostly due to the former's controversial status as Hitler's favourite composer. But until now the various, often contradictory opinions and the facts and perceptions on which they are based were rarely discussed at length or analysed in depth. The publication in 2009 of Tolkien's The Legend and Sigurd and Gudr n with its partly Wagnerian content reinforced the need for a systematic treatment of the subject. This book offers one. There is more to both Rings than their common roundness, and the resemblance between Tolkien and Wagner goes beyond a Ring of Power and some narrative elements: they shared a number of preoccupations and interests - nature, nation, the North, death and immortality, language and above all, myth. This is a book about the two great mythmakers of their times, and about what they have in common despite everything that separates them.
Tolkien and Wagner
Author: Christopher MacLachlan
Publisher:
ISBN: 9783905703214
Category :
Languages : en
Pages : 252
Book Description
Tolkien famously rejected comparison of his Ring with Wagner's, though there is good evidence that Tolkien knew much more about Der Ring des Nibelungen than he let on after the publication of The Lord of the Rings. Analysis of that work from a Wagnerian point of view enables consideration of it in a new way. By exploring the parallels between Wagner's Ring and Tolkien's, a fresh interpretation of Tolkien's work emerges, one that hinges on associating Gandalf with Wotan. Like Wagner's god, Gandalf has to find a way of solving the problems posed by the Ring and like Wotan he cannot succeed without other people. When the plots of The Lord of the Rings (and The Hobbit) are examined in this way it becomes apparent how much they owe to Wagner's music-drama, and the role of Gandalf is opened to new explanation.
Publisher:
ISBN: 9783905703214
Category :
Languages : en
Pages : 252
Book Description
Tolkien famously rejected comparison of his Ring with Wagner's, though there is good evidence that Tolkien knew much more about Der Ring des Nibelungen than he let on after the publication of The Lord of the Rings. Analysis of that work from a Wagnerian point of view enables consideration of it in a new way. By exploring the parallels between Wagner's Ring and Tolkien's, a fresh interpretation of Tolkien's work emerges, one that hinges on associating Gandalf with Wotan. Like Wagner's god, Gandalf has to find a way of solving the problems posed by the Ring and like Wotan he cannot succeed without other people. When the plots of The Lord of the Rings (and The Hobbit) are examined in this way it becomes apparent how much they owe to Wagner's music-drama, and the role of Gandalf is opened to new explanation.
Wagnerism
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Bloodstone
Author: Karl Edward Wagner
Publisher: Gateway
ISBN: 057509608X
Category : Fiction
Languages : en
Pages : 224
Book Description
Kane. The Mystic Swordsman becomes the living link with the awesome power of a vanished superrace. In the dark swamp where toadmen croak and cower, slumbers a secret relic of the days when creatures from the stars ruled the Earth. In the booty captured in a savage raid, Kane discovers a ring, a bloodstone, which is key to the power that lies buried, inactive but not dead, within the forest. Now Kane, whose bloody sword has slashed and killed for the glory of other rulers, can scheme to rule the Earth - himself!
Publisher: Gateway
ISBN: 057509608X
Category : Fiction
Languages : en
Pages : 224
Book Description
Kane. The Mystic Swordsman becomes the living link with the awesome power of a vanished superrace. In the dark swamp where toadmen croak and cower, slumbers a secret relic of the days when creatures from the stars ruled the Earth. In the booty captured in a savage raid, Kane discovers a ring, a bloodstone, which is key to the power that lies buried, inactive but not dead, within the forest. Now Kane, whose bloody sword has slashed and killed for the glory of other rulers, can scheme to rule the Earth - himself!
Wagner and Cinema
Author: Jeongwon Joe
Publisher: Indiana University Press
ISBN: 0253221633
Category : Biography & Autobiography
Languages : en
Pages : 505
Book Description
The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.
Publisher: Indiana University Press
ISBN: 0253221633
Category : Biography & Autobiography
Languages : en
Pages : 505
Book Description
The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.
A Dictionary of Sources of Tolkien
Author: David Day
Publisher: Pyramid
ISBN: 0753734060
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
The spellbinding world of Middle-earth is full of beasts and battles, heroes and heroines, and the struggle between good and evil. In this dictionary of sources, Tolkien scholar and best-selling author David Day's four decades of research inform us about the lands, inhabitants, languages, geography and history of Middle-earth. This compelling encyclopedia on Tolkien's world also includes over 200 illustrations and an appendix. This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.
Publisher: Pyramid
ISBN: 0753734060
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
The spellbinding world of Middle-earth is full of beasts and battles, heroes and heroines, and the struggle between good and evil. In this dictionary of sources, Tolkien scholar and best-selling author David Day's four decades of research inform us about the lands, inhabitants, languages, geography and history of Middle-earth. This compelling encyclopedia on Tolkien's world also includes over 200 illustrations and an appendix. This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.
The Road to Middle-Earth
Author: T. A. Shippey
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The Hobbit Party
Author: Jay Richards
Publisher: Ignatius Press
ISBN: 1586178237
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Anyone who has read The Hobbit and The Lord of the Rings can gather that their author hated tyranny, but few know that the novelist who once described himself as a hobbit Òin all but sizeÓ wasÑeven by hobbit standardsÑa zealous proponent of economic freedom and small government. There is a growing concern among many that the West is sliding into political, economic, and moral bankruptcy. In his beloved novels of Middle-Earth, J.R.R. Tolkien has drawn us a map to freedom. Scholar Joseph Pearce, who himself has written articles and chapters on the political significance of TolkienÕs work, testified in his book Literary Giants, Literary Catholics, ÒIf much has been written on the religious significance of The Lord of the Rings, less has been written on its political significanceÑand the little that has been written is often erroneous in its conclusions and ignorant of TolkienÕs intentionsÉ. Much more work is needed in this area, not least because Tolkien stated, implicitly at least, that the political significance of the work was second only to the religious in its importance.Ó Several books ably explore how TolkienÕs Catholic faith informed his fiction. None until now have centered on how his passion for liberty and limited government also shaped his work, or how this passion grew directly from his theological vision of man and creation. The Hobbit Party fills this void. The few existing pieces that do focus on the subject are mostly written by scholars with little or no formal training in literary analysis, and even less training in political economy. Witt and Richards bring to The Hobbit Party a combined expertise in literary studies, political theory, economics, philosophy, and theology.
Publisher: Ignatius Press
ISBN: 1586178237
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Anyone who has read The Hobbit and The Lord of the Rings can gather that their author hated tyranny, but few know that the novelist who once described himself as a hobbit Òin all but sizeÓ wasÑeven by hobbit standardsÑa zealous proponent of economic freedom and small government. There is a growing concern among many that the West is sliding into political, economic, and moral bankruptcy. In his beloved novels of Middle-Earth, J.R.R. Tolkien has drawn us a map to freedom. Scholar Joseph Pearce, who himself has written articles and chapters on the political significance of TolkienÕs work, testified in his book Literary Giants, Literary Catholics, ÒIf much has been written on the religious significance of The Lord of the Rings, less has been written on its political significanceÑand the little that has been written is often erroneous in its conclusions and ignorant of TolkienÕs intentionsÉ. Much more work is needed in this area, not least because Tolkien stated, implicitly at least, that the political significance of the work was second only to the religious in its importance.Ó Several books ably explore how TolkienÕs Catholic faith informed his fiction. None until now have centered on how his passion for liberty and limited government also shaped his work, or how this passion grew directly from his theological vision of man and creation. The Hobbit Party fills this void. The few existing pieces that do focus on the subject are mostly written by scholars with little or no formal training in literary analysis, and even less training in political economy. Witt and Richards bring to The Hobbit Party a combined expertise in literary studies, political theory, economics, philosophy, and theology.
The Legend Of Sigurd And Gudrún
Author: J.R.R. Tolkien
Publisher: HarperCollins
ISBN: 0547504713
Category : Fiction
Languages : en
Pages : 225
Book Description
Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.
Publisher: HarperCollins
ISBN: 0547504713
Category : Fiction
Languages : en
Pages : 225
Book Description
Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.
The Fellowship of the Ring
Author: John Ronald Reuel Tolkien
Publisher: HarperCollins UK
ISBN: 0007203586
Category : Fiction
Languages : en
Pages : 571
Book Description
'The Fellowship of the Ring' is the first part of JRR Tolkien's epic masterpiece 'The Lord of the Rings'. This 50th anniversary edition features special packaging and includes the definitive edition of the text.|PB
Publisher: HarperCollins UK
ISBN: 0007203586
Category : Fiction
Languages : en
Pages : 571
Book Description
'The Fellowship of the Ring' is the first part of JRR Tolkien's epic masterpiece 'The Lord of the Rings'. This 50th anniversary edition features special packaging and includes the definitive edition of the text.|PB