Indian Names on Wisconsin's Map PDF Download
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Author: Virgil J. Vogel
Publisher: Univ of Wisconsin Press
ISBN: 9780299129842
Category : History
Languages : en
Pages : 348
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Book Description
List of place-names, primarily those names after American Indian tribes or individuals, including some historical information about each person or tribe.
Author: Virgil J. Vogel
Publisher: Univ of Wisconsin Press
ISBN: 9780299129842
Category : History
Languages : en
Pages : 348
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Book Description
List of place-names, primarily those names after American Indian tribes or individuals, including some historical information about each person or tribe.
Author: John Richardson
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 456
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Book Description
Wacousta is a historical novel set in late 18th-century Canada. The story uses the real battle of Pontiac against Fort Detroit but embellishes it with other characters, most notably Wacousta, a larger than life baddie.
Author: Richardson (Major, John)
Publisher:
ISBN:
Category : Detroit (Mich.)
Languages : en
Pages : 322
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Book Description
Author: Margaret Turner
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773513617
Category : Language Arts & Disciplines
Languages : en
Pages : 148
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Book Description
Many former members of European empires have demonstrated a need to overcome the colonial process and assert a "postcolonial" culture. Applying postcolonial analysis to Canadian literature, Margaret Turner argues that many nineteenth- and twentieth-century Canadian texts are engaged in the creation of a new discursive space and that new world conditions have decisively informed the discourse of fiction of English Canada.
Author: Laura Smyth Groening
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773572228
Category : Literary Collections
Languages : en
Pages : 200
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Book Description
Groening argues that what Frantz Fanon terms the "manichean allegory" has shaped European understanding of the New World to such an extent that the image patterns fundamental to the allegory continue to dominate depictions of Native characters. Although a world separated into two categories defined by light and dark, reason and emotion, mind and body, technology and nature, future and past is no longer also characterized as good and evil, revaluing the tropes has not made them disappear. And without their disappearance, good intentions notwithstanding, nonaboriginal Canadian writers will continue to portray Native characters as part of a dead and dying culture. Groening demonstrates that the real issue cannot be about censorship as censorship involves the abrogation of freedom, and the imagination is never truly free.
Author: Katherine M Trumpener
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
Author:
Publisher:
ISBN:
Category : Canadian periodicals
Languages : en
Pages : 756
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Book Description
Author: William H. New
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773525979
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
"New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts." Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how – from early records of oral tales to the writing strategies of the early twenty-first century – writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.
Author: Oana Godeanu-Kenworthy
Publisher: Rowman & Littlefield
ISBN: 1793635536
Category : Political Science
Languages : en
Pages : 191
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Book Description
In 1837, a small group of rebels proclaimed the short-lived Republic of Canada. Between then and the Act of Confederation of 1867, colonial Canadians tried to imagine the future of their communities in North America. The choice between monarchy and republicanism shaped both colonial self-images and images of the United States; it also drove the political deliberations that eventually united the colonies of British North America into a self-governing Dominion under the British Crown. Between Empire and Republic is a thematic exploration of the political discourse embedded in the literary output of the period. Colonial authors Susanna Moodie, Th. Ch. Haliburton, and John Richardson enjoyed transatlantic popularity and explained colonial realities to their British, Canadian, and American readership. Collectively, their writings serve as the lens into colonial Canadian perceptions of American and British political ideas and institutions. Between Empire and Republic discusses North America as a literary contact zone where British principles of constitutional monarchy competed with American ideas of republicanism and democratic self-government. The author argues that political ideas in pre-Confederation Canada filtered into the literary works of the time, creating two settler-colonial communities whose recognizable cultural characteristics echoed public attitudes towards the political projects underpinning them.
Author: Laura Moss
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554587565
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
How can postcolonialism be applied to Canadian literature? In all that has been written about postcolonialism, surprisingly little has specifically addressed the position of Canada, Canadian literature, or Canadian culture. Postcolonialism is a theory that has gained credence throughout the world; it is be productive to ask if and how we, as Canadians, participate in postcolonial debates. It is also vital to examine the ways in which Canada and Canadian culture fit into global discussions as our culture reflects how we interact with our neighbours, allies, and adversaries. This collection wrestles with the problems of situating Canadian literature in the ongoing debates about culture, identity, and globalization, and of applying the slippery term of postcolonialism to Canadian literature. The topics range in focus from discussions of specific literary works to general theoretical contemplations. The twenty-three articles in this collection grapple with the recurrent issues of postcolonialism — including hybridity, collaboration, marginality, power, resistance, and historical revisionism — from the vantage point of those working within Canada as writers and critics. While some seek to confirm the legitimacy of including Canadian literature in the discussions of postcolonialism, others challenge this very notion.
