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Author: Simon Starling
Publisher:
ISBN: 9780913304044
Category :
Languages : en
Pages :
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Book Description
Publication and catalogue associated with artist Simon Starling's At Twilight project. Published by Japan Society, The Common Guild (Glasgow), and Dent-de Leone on the occasion of the exhibitions at The Common Guild (July 2 to September 4, 2016) and Japan Society (October 14, 2016 to January 15, 2017).
Author: Simon Starling
Publisher:
ISBN: 9780913304044
Category :
Languages : en
Pages :
Get Book Here
Book Description
Publication and catalogue associated with artist Simon Starling's At Twilight project. Published by Japan Society, The Common Guild (Glasgow), and Dent-de Leone on the occasion of the exhibitions at The Common Guild (July 2 to September 4, 2016) and Japan Society (October 14, 2016 to January 15, 2017).
Author: Carrie J. Preston
Publisher: Columbia University Press
ISBN: 0231541546
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
In this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh's important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another. Preston's critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston's assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston's analysis and her journey reflect a more nuanced understanding of cultural exchange.
Author: Dr Barry Sheils
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472425537
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Arguing for a reconsideration of William Butler Yeats’s work in light of contemporary studies of world literature, Barry Sheils makes a strong case for reading Yeats’s work in the context of a broad comprehension of its global modernity. He shows how Yeats enables a fuller understanding of the relationship between the extensive map of world literary production and the intensities of poetic practice.
Author: S. Ellis
Publisher: Springer
ISBN: 1349272248
Category : Literary Criticism
Languages : en
Pages : 393
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Book Description
This book investigates Yeats's experiments with the media of language and dance in his plays. He was allied to other artists of the 1890s in his fascination with the biblical dancer Salome and in his preoccupation with things Japanese, particularly 'Noh' Theatre with its central dance. The impact of Diaghliev's Ballets Russes also played its part in influencing Yeats's drama, and his interest in the 'dance-as-meaning' debate places him firmly not only in his time but also in our own.
Author: Michael McAteer
Publisher: Cambridge University Press
ISBN: 0521769116
Category : Drama
Languages : en
Pages : 237
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Book Description
Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.
Author: William Butler Yeats
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 168
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Book Description
Author: W. B. Yeats
Publisher: Digireads.com Publishing
ISBN: 9781420941555
Category : Drama
Languages : en
Pages : 18
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Book Description
Born and educated in Dublin, Ireland, William Butler Yeats discovered early in his literary career a fascination with Irish folklore and the occult. He was a complex man, who struggled between beliefs in the strange and supernatural, and scorn for modern science. He was intrigued by the idea of mysticism, yet had little regard for Christianity. His close friend, Ezra Pound, exposed Yeats to the symbolic theatre genre of Japanese Noh drama, prompting him to write "At the Hawk's Well" in 1916. The play, based on the Cuchulain legends of Irish mythology, uses Japanese-style masks and very simple sets to achieve an abstract, stylized form. The story is set by a dried up well on a barren mountainside, guarded constantly by a hawk-woman, and watched diligently by an old man who has waited fifty years to drink from its miraculous waters and the young Cuchulain who fails to heed the old man's warnings.
Author:
Publisher: Penguin UK
ISBN: 0141907800
Category : Drama
Languages : en
Pages : 384
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Book Description
Japanese nõ theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.
Author: Martha Bancroft Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: Sunil Kumar Sarker
Publisher: Atlantic Publishers & Dist
ISBN: 9788171566471
Category :
Languages : en
Pages : 372
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Book Description
J.M. Cohen Wrote That Yeats Was The Greatest Figure In English Poetry Since The Death Of Tennyson , And Ezra Pound, Who Once Went To Yeats To Learn How To Write Poetry, Wrote About Him : I Dare Say ... That Up To Date No One Has Shown Any Disposition To Supersede Him As The Best Poet In England Or Any Likelihood Of Doing So For Some Time... Yeats Is A Very Complex And Difficult Poet, Because There Is In Him A Curious Intermixture Of Romanticism, Realism, Mythology, Supernaturalism, Magic, Ocultism, Automatic Writing, Nationalism, Private Philosophy , And Even Prejudices. His Poems Are Very Compact, Allowing No Elaborations, And Leaving Gaps For The Reader To Imaginatively Fill Them Up, And Thus Making Them More Difficult. Great Explicators And Commentators Have, Of Course, Come Forward, But They Themselves, Sometimes, Are Either Difficult Or Not Enough. Therefore, The One Single Objective Of This Book Is To Introduce The Poet To The General Reader In An Easy Manner.To Give An Idea Of The Poet, As Many As Forty-One Poems, Selected From His Four Stages Of Poetic Development, Have Been Explained (And All Those Poems Have Been Quoted In Full). Yeats Had Also A Métier For Drama, And Had Been A Pioneer Of One Act Plays, And Wrote No Fewer Than Thirty Plays. And So Yeats Has Also Been Discussed As A Dramatist, And, In Addition, Eight Of His Plays Have Been Discussed At Some Length.
