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Author: Jonathan Hernández
Publisher: Publicaciones Malaletra Internacional
ISBN: 607817603X
Category : Art
Languages : es
Pages : 67
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Book Description
Jonathan Hernández nos presenta una colección de imágenes sobre uno de los productos más abundantes de la era de las masas: el papel impreso. El mundo contemporáneo sería incomprensible sin esa sutil revolución del papel que dio palabras a las masas. Sin embargo, pese a esta milenaria vocación protagónica, el papel impreso va cediendo su lugar, en nuestros días, a los medios electrónicos, más veloces e intangibles. Cada imagen que nos presenta es una reproducción digital de otra imagen alguna vez impresa en papel. Su trama, discontinua y fragmentada, nos conduce desde el terreno más crudamente material, hasta el espacio intangible del deseo. ---------------------------------------------------- Jonathan Hernández presents a collection of images of one of the most abundant products of the era of masses: printed paper. The contemporary world would be incomprehensible without this subtle paper revolution that gave words to the masses. However, in spite of this thousand year-old protagonist role, printed paper is currently relinquishing its place to the faster and intangible electronic media. Each image that Jonathan Hernández presents us with is a digital reproduction of an image once printed on paper. And each one of these shows one of the social uses of paper. Its plot, discontinuous and fragmented, takes us from the most crudely material realm to the intangible space of desire. And all this from the conscious paradox of a work that will never be embodied on paper.
Author: Jonathan Hernández
Publisher: Publicaciones Malaletra Internacional
ISBN: 607817603X
Category : Art
Languages : es
Pages : 67
Get Book Here
Book Description
Jonathan Hernández nos presenta una colección de imágenes sobre uno de los productos más abundantes de la era de las masas: el papel impreso. El mundo contemporáneo sería incomprensible sin esa sutil revolución del papel que dio palabras a las masas. Sin embargo, pese a esta milenaria vocación protagónica, el papel impreso va cediendo su lugar, en nuestros días, a los medios electrónicos, más veloces e intangibles. Cada imagen que nos presenta es una reproducción digital de otra imagen alguna vez impresa en papel. Su trama, discontinua y fragmentada, nos conduce desde el terreno más crudamente material, hasta el espacio intangible del deseo. ---------------------------------------------------- Jonathan Hernández presents a collection of images of one of the most abundant products of the era of masses: printed paper. The contemporary world would be incomprehensible without this subtle paper revolution that gave words to the masses. However, in spite of this thousand year-old protagonist role, printed paper is currently relinquishing its place to the faster and intangible electronic media. Each image that Jonathan Hernández presents us with is a digital reproduction of an image once printed on paper. And each one of these shows one of the social uses of paper. Its plot, discontinuous and fragmented, takes us from the most crudely material realm to the intangible space of desire. And all this from the conscious paradox of a work that will never be embodied on paper.
Author: James Vito Palazzolo
Publisher: Screams Internally
ISBN:
Category : Fiction
Languages : en
Pages : 199
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Book Description
Melvin's dull life is turned into a paranoid trek for survival when his existence more-and-more resembles art rather than life. Murder, psychotherapy, hit and runs, riots, matrimony, and angry clowns ensue...or is it all an act? Still sullen from being left at the altar, Melvin hides out in million-dollar studios with his client, world-famous art rocker Violenza Domestica. Suddenly, a man with a Humphrey Bogart identity crisis forces Melvin to be even less comfortable with his existence – intimidating him to confront the mundane…or die. Fortunately, his genteel therapist, pedantic brother, and harlequin survival coach guide him through his accumulating traumas only to witness a form of sadism he never could have imagined possible. VULNERABILIA is a dark comedic novella weaving genres of mystery and literature. With characters pulled from entertainment culture headlines, and hints of mockumentary blended with psychological thriller, VULNERABILIA explores what aspects of a ‘real’ self can survive the American addiction to media, entertainment, and violence.
Author: Arthur Rackham
Publisher: Courier Dover Publications
ISBN: 048681422X
Category : Art
Languages : en
Pages : 178
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Book Description
Images from a broad span of Rackham's career include Alice in Wonderland, Peter Pan in Kensington Gardens, A Midsummer Night's Dream, and some rarely seen magazine work.
Author: Christopher Morley
Publisher: IndyPublish.com
ISBN:
Category : Cooking
Languages : en
Pages : 308
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Book Description
Author: William Marotti
Publisher: Duke University Press
ISBN: 0822349809
Category : Art
Languages : en
Pages : 457
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Book Description
During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
Author: Maxfield Parrish
Publisher: Courier Corporation
ISBN: 0486473066
Category : Art
Languages : en
Pages : 98
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Book Description
Maxfield Parrish enjoyed tremendous popularity throughout the early decades of the twentieth century. Bruce Watson, writing in Smithsonian magazine, deemed Parrish the "comman man's Rembrandt." It's said that during the Depression, a Parrish illustration was displayed on the walls of one out of every four American homes. The artist's romantic, richly colored images of winsome maidens and faraway places continue to appeal to modern audiences. Selected from hundreds of the artist's images for books, magazines, and calendars, this original collection spotlights Parrish's work from 1897 through the 1920s. Illustrations include art from publications such as Century Magazine, Collier's, and Scribner's. Numerous advertisements include the famed Edison-Mazda Lamp series, along with ads for Jell-O, Ferry's Seeds, and Swift's Premium Ham. A wide selection of book illustrations comprises scenes from The Arabian Nights, Eugene Field's Poems of Childhood, Louise Saunders' The Knave of Hearts, Nathaniel Hawthorne's Tanglewood Tales, and other treasured works
Author: Jeff A. Menges
Publisher: Courier Corporation
ISBN: 0486141381
Category : Design
Languages : en
Pages : 130
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Book Description
This collection of 148 color and black-and-white illustrations presents unique interpretations of the enduringly popular Arthurian legends by a variety of artists, including Wyeth, Beardsley, Flint, and Pyle.
Author: Hans Ulrich Obrist
Publisher: Penguin UK
ISBN: 0141976640
Category : Art
Languages : en
Pages : 607
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Book Description
A unique opportunity to learn about the lives and creativity of the world's leading artists Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, Lives of the Artists explores the meaning of art and artists today, their varying approaches to creating, and a sense of how their thinking evolves over time. Including David Hockney, Gilbert and George, Gerhard Richter, Michelangelo Pistoletto, Marina Abramovic, Louise Bourgeois, Rem Koolhaas, Jeff Koons and Oscar Niemayer, this is a wonderful and unique book for those interested in modern art. Hans Ulrich Obrist is a curator and writer. Since 2006 he has been co-director of the Serpentine Gallery, London. He is the author, with Ai Wei Wei, of Ai Wei Wei Speaks.
Author: Jeff A. Menges
Publisher: Courier Corporation
ISBN: 0486134369
Category : Art
Languages : en
Pages : 194
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Book Description
This collection gathers breathtaking art from early editions of "Sleeping Beauty," "Cinderella," and other classics. 180 elegant images — most in color — include works by Rackham, Dore, Dulac, Nielsen, and others.
Author: Georges Bataille
Publisher: Verso Books
ISBN: 1789602653
Category : Philosophy
Languages : en
Pages : 305
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Book Description
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andr Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
