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Author: Steven Ruszczycky
Publisher: University of Chicago Press
ISBN: 022678875X
Category : Fiction
Languages : en
Pages : 216
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Book Description
Vulgar Genres examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. Long fixated on visual forms, the field of porn studies is overdue for a book-length study of gay pornographic writing. Steven Ruszczycky delivers with an impressively researched work on the ways gay pornographic writing emerged as a distinct genre in the 1960s and went on to shape queer male subjectivity well into the new millennium. Ranging over four decades, Ruszczycky draws on a large archive of pulp novels and short fiction, lifestyle magazines and journals, reviews, editorial statements, and correspondence. He puts these materials in conversation with works by a number of contemporary writers, including William Carney, Dennis Cooper, Samuel Delany, John Rechy, and Matthew Stadler. While focused on the years 1966 to 2005, Vulgar Genres reveals that the history of gay pornographic writing during this period informs much of what has happened online over the past twenty years, from cruising to the production of digital pornographic texts. The result is a milestone in porn studies and an important contribution to the history of gay life.
Author: Steven Ruszczycky
Publisher: University of Chicago Press
ISBN: 022678875X
Category : Fiction
Languages : en
Pages : 216
Get Book Here
Book Description
Vulgar Genres examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. Long fixated on visual forms, the field of porn studies is overdue for a book-length study of gay pornographic writing. Steven Ruszczycky delivers with an impressively researched work on the ways gay pornographic writing emerged as a distinct genre in the 1960s and went on to shape queer male subjectivity well into the new millennium. Ranging over four decades, Ruszczycky draws on a large archive of pulp novels and short fiction, lifestyle magazines and journals, reviews, editorial statements, and correspondence. He puts these materials in conversation with works by a number of contemporary writers, including William Carney, Dennis Cooper, Samuel Delany, John Rechy, and Matthew Stadler. While focused on the years 1966 to 2005, Vulgar Genres reveals that the history of gay pornographic writing during this period informs much of what has happened online over the past twenty years, from cruising to the production of digital pornographic texts. The result is a milestone in porn studies and an important contribution to the history of gay life.
Author: Steven Ruszczycky
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
"Vulgar Genres" investigates the relevance of pornography for studies of literature and genre following the ostensible easing of U. S. obscenity laws after World War II. Drawing on Frances Ferguson's Pornography, the Theory: What Utilitarianism Did to Action (2004), which explores pornography's relation to literature via a feminist rereading of Michel Foucault's Discipline and Punish (1975), I stage an interdisciplinary conversation among the fields of literary studies, critical theory, and porn studies. While feminist film scholars such as Linda Williams, Laura Kipnis, and others have produced field-defining accounts of image-based pornography, their disciplinary frameworks have led to the neglect of written forms. Through close readings of magazines, advertisements, newsletters, and novels uncovered during archival research at UC Berkeley's Bancroft Library, the Human Sexuality Collection at Cornell University, and the Leather Archives & Museum of Chicago, "Vulgar Genres" reveals that gay print pornography provided a critical grammar for discourses about sexuality and power during the second half of the twentieth century. This was a grammar made possible by a shift in the obscenity law's attention away from written forms toward visual images. Writers such as Samuel Delany, John Rechy, Samuel Steward, and Matthew Stadler were well aware of pornography's significance for communities of sexual dissidents and sought to engage with the genre's unique take on law, power, and fantasy within their own literary works. Finally, I suggest that when read in light of contemporary genre theory, these texts yield insights into the historical forces that shape genres as well as how genres mediate between psychic life and social forces.
Author: Robert McParland
Publisher: McFarland
ISBN: 1476630305
Category : Music
Languages : en
Pages : 209
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Book Description
As technology advances, society retains its mythical roots--a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid-1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Oyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.
Author: Jean-Louis Michon
Publisher: World Wisdom, Inc
ISBN: 0941532755
Category : Religion
Languages : en
Pages : 330
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Book Description
A collection of essays on Sufism, written by such contemporary contributors as Seyyed Hossein Nasr, William Chittick, and Frithjof Schuon, demystifies its language, philosophies, and history, in a volume that also provides interpretations of classic and modern essays. Original.
Author: Rebecca Solnit
Publisher: Verso Books
ISBN: 1781683840
Category : Travel
Languages : en
Pages : 291
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Book Description
In this acclaimed exploration of the culture of others, Rebecca Solnit travels through Ireland, the land of her long-forgotten maternal ancestors. A Book of Migrations portrays in microcosm a history made of great human tides of invasion, colonization, emigration, nomadism and tourism. Enriched by cross-cultural comparisons with the history of the American West, A Book of Migrations carves a new route through Ireland's history, literature and landscape.
Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1107101530
Category : Art
Languages : en
Pages : 329
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Book Description
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author: Fabian Holt
Publisher: University of Chicago Press
ISBN: 0226350398
Category : Music
Languages : en
Pages : 238
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Book Description
Publisher description
Author: Elizabeth Aubrey
Publisher: Indiana University Press
ISBN: 9780253213891
Category : History
Languages : en
Pages : 356
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Book Description
"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover
Author: al-Shābushtī
Publisher: NYU Press
ISBN: 147982576X
Category : Literary Collections
Languages : en
Pages : 560
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Book Description
"A literary anthology of poetry and anecdotes related to Christian monasteries of the medieval Middle East"--
Author: Dr Gerd Bayer
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493857
Category : Music
Languages : en
Pages : 331
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Book Description
Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.
