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Author: Langdon Hammer
Publisher: Knopf
ISBN: 0375413332
Category : Biography & Autobiography
Languages : en
Pages : 978
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Book Description
"A biography of the acclaimed poet James Merrill"--
Author: Langdon Hammer
Publisher: Knopf
ISBN: 0375413332
Category : Biography & Autobiography
Languages : en
Pages : 978
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Book Description
"A biography of the acclaimed poet James Merrill"--
Author: Vladimir Jankélévitch
Publisher: Princeton University Press
ISBN: 069126838X
Category : Music
Languages : en
Pages : 201
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Book Description
The classic work on the philosophy of music—now available in English to a new generation of readers Vladimir Jankélévitch left behind a remarkable body of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
Author: Stephen M. Ross
Publisher: University of Georgia Press
ISBN: 9780820313757
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
William Faulkner recognized voice as one of the most distinctive and powerful elements in fiction when he delivered his Nobel Prize acceptance speech, describing the last sound at the end of the world as man's "puny inexhaustible voice, still talking." As a testimonial of an artist's faith in his art, the speech raised the value of voice to its highest reach for man, as "one of the props, the pillars to help him endure and prevail." In Fiction's Inexhaustible Voice, Stephen Ross explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. Beginning with the proposition that voice is deeply involved in the experience of reading Faulkner, Ross uses theoretically grounded notions of voice to propose new ways of explaining how Faulkner's novels and stories express meaning, showing how Faulkner used the affective power of voice to induce the reader to forget the silent and originless nature of written fiction. Ross departs from previous Faulkner criticism by proceeding not text-by-text or chronologically but by construction a workable taxonomy which defines the types of voice in Faulkner's fiction: phenomenal voice, a depicted event or object within the represented fictional world; mimetic voice, the illusion that a person is speaking; psychic voice, one heard only in the mind and overheard only through fiction's omniscience; and oratorical voice, an overtly intertextual voice which derives from a discursive practice--Southern oratory--recognizable outside the boundaries of any Faulkner text and identifiable as part of Faulkner's biographical and regional heritage. In Faulkner's own experience, listening was important. As he once confided to Malcolm Cowley, "I listen to the voices, and when I put down what the voices say, it's right." In Fiction's Inexhaustible Voice, Ross conducts a careful analysis of this fundamental source of power in Faulkner's fiction, concluding that the preponderance of voice imagery, represented talking, verbalized thought, and oratorical rhetoric and posturing makes the novels and stories fundamentally vocal. They derive their energy from the play of voices on the imaginative field of written language.
Author: Johann Peter Lange
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 694
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Book Description
Author: Johann Peter Lange
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 686
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Book Description
Author: Harold A. Netland
Publisher: Regent College Publishing
ISBN: 9781573830829
Category : Religion
Languages : en
Pages : 340
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Book Description
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520288793
Category : Music
Languages : en
Pages : 224
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Book Description
What, exactly, is knowledge of music? And what does it tell us about humanistic knowledge in general? The Thought of Music grapples directly with these fundamental questions—questions especially compelling at a time when humanistic knowledge is enmeshed in debates about its character and future. In this third volume in a trilogy on musical understanding that includes Interpreting Music and Expression and Truth, Lawrence Kramer seeks answers in both thought about music and thought in music—thinking in tones. He skillfully assesses musical scholarship in the aftermath of critical musicology and musical hermeneutics and in view of more recent concerns with embodiment, affect, and performance. This authoritative and timely work challenges the prevailing conceptions of every topic it addresses: language, context, and culture; pleasure and performance; and, through music, the foundations of understanding in the humanities. The publisher gratefully acknowledges the Joseph Kerman Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
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Book Description
Author: Nils Holger Petersen
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 244
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Book Description
Appearances can be deceptive; and medieval ritual practices are in this respect no exception. They perform stability through the codification of repetitive modes of behaviour and simultaneously admit flexibility in their integration of newer forms of representation. They mask the historical contingencies of their own creation and construct alternative narratives of authority and continuity. They do not simply appear; their appearance reflects the mutual interplay of construction and modification. This collection of eleven essays - which chronologically spans the period from the Carolingians to the Catholic Reform movement of the later sixteenth century - explores this double-edged potential in the appearance of medieval ritual practices; and, in this case, chiefly church rituals. It comprises a series of individual studies by scholars of literature, theology, music, and the visual arts. Each study examines a particular moment of change or transformation in ritual practices, illuminating, thereby, processes of ritualization. In this way, the book both provides an impulse to the recent renewal of methodological interest in ritual studies and presents individual contributions to specific scholarly discourses within this broad area.
Author: Michael Gallope
Publisher: University of Chicago Press
ISBN: 022648369X
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.
