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Author: Johannes Haage
Publisher: Mel Bay Publications
ISBN: 1513470086
Category : Music
Languages : en
Pages : 316
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Book Description
This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements. For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing. VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also: Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them. Introduces a unique harmonic toolbox which can be used at any stage of a musician’s personal artistic development. Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation. Vastly expands the reader’s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion. Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application. Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar. Offers a special section applying the book’s principles to keyboard instruments. Includes access to online audio of select exercises and etudes plus three of the author’s original compositions demonstrating the techniques shown in this 316-page book.
Author: Johannes Haage
Publisher: Mel Bay Publications
ISBN: 1513470086
Category : Music
Languages : en
Pages : 316
Get Book Here
Book Description
This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements. For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing. VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also: Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them. Introduces a unique harmonic toolbox which can be used at any stage of a musician’s personal artistic development. Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation. Vastly expands the reader’s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion. Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application. Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar. Offers a special section applying the book’s principles to keyboard instruments. Includes access to online audio of select exercises and etudes plus three of the author’s original compositions demonstrating the techniques shown in this 316-page book.
Author: Gina Bloom
Publisher: University of Pennsylvania Press
ISBN: 0812201310
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Author: Alfred Blatter
Publisher: Routledge
ISBN: 0415974399
Category : Music
Languages : en
Pages : 354
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Book Description
Teaches the basics of music theory plus the vocabulary to use in harmonic and formal analysis. This book includes the basic materials of music from J S Bach to John Cage. It is aimed at a one or two year introductory course in music theory, can serve for individual study, or as a review for graduate students returning to school.
Author: David Cope
Publisher: A-R Editions, Inc.
ISBN: 0895794543
Category : Music
Languages : en
Pages : 320
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Book Description
Accompanying disc contains Melody Predictor (a program), Compose (a program), Fun, Déjà vu (a program), Backtalk, some tutorials, Alice (an interactive program), recorded performances of many of the works presented in the text, and MIDI performances of most of the music in the figures.
Author: Eric Wen
Publisher: Rowman & Littlefield
ISBN: 1538104679
Category : Music
Languages : en
Pages : 390
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Book Description
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 160974876X
Category : Music
Languages : en
Pages : 329
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Book Description
The most in-depth, revolutionary presentation of the harmonic framework of music is applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. The material in this landmark series of 3 massive volumes address virtually every aspect of playing jazz guitar representing the fruits of years of the author's investigation of harmony and fingerboard mobility. This series of books leads to total mastery of the harmonic and technical aspects of the guitar. In notation only.
Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN: 0275998614
Category : Social Science
Languages : en
Pages : 224
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Book Description
Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop — and more specifically British rock and roll — had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally. May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time.
Author: Franz Sauter
Publisher: BoD – Books on Demand
ISBN: 375043459X
Category : Music
Languages : en
Pages : 146
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Book Description
This book is about the aesthetics of the tonal music. It therefore deals with sound forms such as consonance, dissonance, tonality, bar, counterpoint or motif. Thereby, it shows that all harmonic, rhythmic, and melodic sound figures are essentially relations in which similar sound components go well together. The whole secret of the musical aesthetics lies in this abstract determination. In this sense, the musical sound forms are systematically built on each other and form an ensemble of eight aesthetic principles, to each of which a chapter of this book is dedicated. The logical progression of these chapters reveals the inner connection between harmony, rhythm, and melody. Musical phenomena that have so far been interpreted differently and controversially are explained and derived in a comprehensible way in this context. The theoretical results of this book are, at the same time, a critique of previously common dogmas in musicology. For example, the prejudice that the difference between consonance and dissonance cannot be objectively grasped clearly contradicts the results of a rational music theory. Nor will the reader find the usual talk about the supposed anachronism or the transience of the tonal music in this book - for good reasons.
Author: Sue Ann Sisto
Publisher: Elsevier Health Sciences
ISBN: 0323063020
Category : Medical
Languages : en
Pages : 606
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Book Description
From a hospital admittance to discharge to outpatient rehabilitation, Spinal Cord Injuries addresses the wide spectrum of rehabilitation interventions and administrative and clinical issues specific to patients with spinal cord injuries. Comprehensive coverage includes costs, life expectancies, acute care, respiratory care, documentation, goal setting, clinical treatment, complications, and activities of daily living associated with spinal cord patients. In addition to physical therapy interventions and family education components, this resource includes content on incidence, etiology, diagnosis, and clinical features of spinal cord injury. - Case Studies with clinical application thinking exercises help you apply knowledge from the book to real life situations. - Thoroughly referenced, evidence-based content provides the best evidence for treatment based on the most current research. - Tables and boxes throughout each chapter organize and summarize important information for quick reference. - Clinical Note boxes provide at-a-glance access to helpful tips. - Over 500 clinical photos, line drawings, radiographs, and more bring important concepts to life. - Highly respected experts in spinal cord injury rehabilitation, editors Sue Ann Sisto, Erica Druin, and Martha Sliwinski, provide authoritative guidance on the foundations and principles of practice for spinal cord injury. - Companion DVD includes video clips of the techniques described throughout the book that demonstrate how to apply key concepts to practice.
Author: Eric Wen
Publisher: Courier Dover Publications
ISBN: 0486821455
Category : Music
Languages : en
Pages : 321
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Book Description
"A well-written textbook by a learned musician practicing his craft. The analyses are clearly argued, and Wen projects a reassuring sense of authenticity in his approach to tonal music analysis. The book will be of interest to many musicians, especially those focused on Schenkerian theory and analysis. I believe the book will be a welcome addition to the range of teaching manuals on the subject." — Music Theory OnlineMusic theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music: Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio — Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108 Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.
