A Journey of the Vocal Iso(n) PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Journey of the Vocal Iso(n) PDF full book. Access full book title A Journey of the Vocal Iso(n) by Eno Koço. Download full books in PDF and EPUB format.
Author: Eno Koço
Publisher: Cambridge Scholars Publishing
ISBN: 1443875783
Category : Music
Languages : en
Pages : 225
Get Book Here
Book Description
This study is concerned with the vocal iso(n) repertory, used, on the one hand, in the oral traditions of the multipart unaccompanied singing (IMUS) of the Southwest Balkans, or, more specifically, South Albania, North Epirus in Greece and a small part of the Republic of Macedonia (FYROM), and on the other hand in Byzantine chanting. The vocal iso(n) is an important component of these traditions, which are still practised today in the Southwest Balkans region. The study presents evidence on various manifestations of the practice in their particular geographical regions, and examines in detail the historical roots of these traditions. An ison, a drone holding-note, is the voice that provides the drone in Byzantine chanting. This chant is part of the liturgical music of the Orthodox Churches, in contrast to the IMUS, which has developed as a secular repertory. The Byzantine liturgical singing of the Arbëresh Diaspora of South Italy and Sicily, which has been passed down orally from the 15th century to the present day, as well as non-liturgical singing, is also explored in this book. The three unaccompanied forms of singing, two of which use the ison (IMUS and Byzantine chanting) and the third, the Arbëresh, which does not (with some exceptions in recent times), are analysed in separate sections of the book. Unlike many studies of similar subject matter, which suffer from a one-sided point of view because of national bias, this book is multifaceted and even-handed. While multipart singing in Albania is usually considered to be a solely Albanian phenomenon, in Greece, it is thought of as being Greek. In fact, the multipart singing of the Albanian and Greek, as well as Aromanian and some Slavic populations is more intrinsically bound to the region than to any ethnic group. The distinct sound of iso(n) singing echoes the internal and external historic influences of the region, interwoven with the complex modal idioms.
Author: Eno Koço
Publisher: Cambridge Scholars Publishing
ISBN: 1443875783
Category : Music
Languages : en
Pages : 225
Get Book Here
Book Description
This study is concerned with the vocal iso(n) repertory, used, on the one hand, in the oral traditions of the multipart unaccompanied singing (IMUS) of the Southwest Balkans, or, more specifically, South Albania, North Epirus in Greece and a small part of the Republic of Macedonia (FYROM), and on the other hand in Byzantine chanting. The vocal iso(n) is an important component of these traditions, which are still practised today in the Southwest Balkans region. The study presents evidence on various manifestations of the practice in their particular geographical regions, and examines in detail the historical roots of these traditions. An ison, a drone holding-note, is the voice that provides the drone in Byzantine chanting. This chant is part of the liturgical music of the Orthodox Churches, in contrast to the IMUS, which has developed as a secular repertory. The Byzantine liturgical singing of the Arbëresh Diaspora of South Italy and Sicily, which has been passed down orally from the 15th century to the present day, as well as non-liturgical singing, is also explored in this book. The three unaccompanied forms of singing, two of which use the ison (IMUS and Byzantine chanting) and the third, the Arbëresh, which does not (with some exceptions in recent times), are analysed in separate sections of the book. Unlike many studies of similar subject matter, which suffer from a one-sided point of view because of national bias, this book is multifaceted and even-handed. While multipart singing in Albania is usually considered to be a solely Albanian phenomenon, in Greece, it is thought of as being Greek. In fact, the multipart singing of the Albanian and Greek, as well as Aromanian and some Slavic populations is more intrinsically bound to the region than to any ethnic group. The distinct sound of iso(n) singing echoes the internal and external historic influences of the region, interwoven with the complex modal idioms.
Author:
Publisher: Eno Koço
ISBN:
Category :
Languages : en
Pages : 219
Get Book Here
Book Description
Author: Bernard D. Sherman
Publisher: Oxford University Press
ISBN: 0190290811
Category : Music
Languages : en
Pages : 432
Get Book Here
Book Description
The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.
Author: Theodore S. Case
Publisher:
ISBN:
Category : Jackson County (Mo.)
Languages : en
Pages : 936
Get Book Here
Book Description
Author: Johann von Gardner
Publisher: St Vladimir's Seminary Press
ISBN: 9780881410464
Category : Music
Languages : en
Pages : 402
Get Book Here
Book Description
The history of church singing in Russia constitutes an essential aspect of that nation's culture and musical history. For the first 650 years, from the Christianization of Rus' in the year 988, liturgical chant was the only documentable art music in that vast territory that eventually became the modern nations of Russia, Ukraine and Belarus. Indeed, in Russia before the revolution of 1917, "liturgical musicology" was a bona fide scholarly discipline, taught in conservatories, universities, and theological seminaries. All activity in the field came to a halt, however, during the 75-year "Soviet era," when the study and practice of sacred music was severely repressed for ideological reasons, with a resulting lack of published research and secondary material. Consequently, Russian and Western music historians, church musicians, and liturgical scholars (as well as ordinary church-goers), whose interest in Orthodox Christianity and its art has been increasing of late, have been deprived of reference works that would impart even a general knowledge of the history and development of liturgical singing in the Russian Orthodox Church. The present Volume, Russian Church Singing: Volume 2 is the second installment of Professor Johann von Gardner's monumental work to appear in English translation. The 396-page volume, translated and edited by Dr. Vladimir Morosan, considers the development and practice of liturgical chant in the Russian lands from a variety of aspects: its origins and the various cultural influences upon its formation; extant manuscripts; the evolution of the notation and the problematics of deciphering it into modern-day notes; the forces involved in its performance; its stylistic evolution from exclusively monodic forms to improvised and, eventually, notated polyphony; its earliest known composers and performing ensembles; its aesthetics in relation to liturgy, the language, and the various problems that arose over the centuries, resulting in the adoption of Westernized stylistic models around the year 1650, which marks the approximate end of the time period covered in this volume. Much of this information is made accessible for the first time to the English reader, and will be of interest both to the specialist and to the general reader, generating a healthy demand for further research and exploration into this fascinating and hitherto unknown field. Book jacket.
Author: Eno Koço
Publisher: Cambridge Scholars Publishing
ISBN: 1527571890
Category : Music
Languages : en
Pages : 283
Get Book Here
Book Description
This book represents a group of individual musical essays collected under common Albanian themes, with a particular focus on historical identities and traditional musical performance. It shows that, at the beginning of the 18th century, there was a growing interest in representing the Albanian hero Scanderbeg on the operatic stage, as some well-known composers of baroque music began to place a greater emphasis on music’s dramatic power to elicit emotional response. The book also notes that this sense of drama was also incorporated into the vocal forms such as opera.
Author: Nina Eidsheim
Publisher: Oxford University Press
ISBN: 0199982317
Category : Music
Languages : en
Pages : 586
Get Book Here
Book Description
More than 200 years after the first speaking machine, we are accustomed to voices that speak from any- and everywhere. We interact daily with voices that emit from house alarm systems, cars, telephones, and digital assistants, such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions about the human, the animal, the machine, and the spiritual-or in non-metaphysical terms-questions about identity and authenticity. In The Oxford Handbook of Voice Studies, contributors look to the metaphorical voice as well as the clinical understanding of the vocal apparatus to answer the seemingly innocuous question: What is voice? From a range of disciplines including the humanities, biology, culture, and technology studies, contributors draw on the unique methodologies and values each has at hand to address the uses, meanings, practices, theories, methods, and sounds of the voice. Together, they assess the ways that discipline-specific, ontological, and epistemological assumptions of voice need to shift in order to take the findings of other fields into account. This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.
Author:
Publisher:
ISBN:
Category : Municipal government
Languages : en
Pages : 1040
Get Book Here
Book Description
Author: Ioulia Papageorgi
Publisher: Routledge
ISBN: 1317185269
Category : Music
Languages : en
Pages : 405
Get Book Here
Book Description
To reach the highest standards of instrumental performance, several years of sustained and focused learning are required. This requires perseverance, commitment and opportunities to learn and practise, often in a collective musical environment. This book brings together a wide range of enlightening current psychological and educational research to offer deeper insights into the mosaic of factors and related experiences that combine to nurture (and sometimes hinder) advanced musical performance. Each of the book's four sections focus on one aspect of music performance and learning: musics in higher education and beyond; musical journeys and educational reflections; performance learning; and developing expertise and professionalism. Although each chapter within its home section offers a particular focus, there is an underlying conception across all the book’s contents of the achievability of advanced musical performance and of the important nurturing role that higher education can play, particularly if policy and practice are evidence-based and draw on the latest international research findings. The narrative offers an insight into the world of advanced musicians, detailing their learning journeys and the processes involved in their quest for the development of expertise and professionalism. It is the first book of its kind to consider performance learning in higher education across a variety of musical genres, including classical, jazz, popular and folk musics. The editors have invited an international community of leading scholars and performance practitioners to contribute to this publication, which draws on meticulous research and critical practice. This collection is an essential resource for all musicians, educators, researchers and policy makers who share our interest in promoting the development of advanced performance skills and professionalism.
Author:
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 678
Get Book Here
Book Description
