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Author: Joen Wolfrom
Publisher: C&T Publishing Inc
ISBN: 1571205233
Category : Crafts & Hobbies
Languages : en
Pages : 148
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Book Description
An exciting journey into the world of design, The Visual Dance is a presentation of nature's design basics to help you build a foundation for your own style. This inspiring book clearly explains the how-tos of design for quilters and artists alike. Gallery of spectacular quilts, hundreds of detailed drawings, and 11 of Joen's original designs illuminate the discussion. Exercises guide you in understanding and using the design principles.
Author: Joen Wolfrom
Publisher: C&T Publishing Inc
ISBN: 1571205233
Category : Crafts & Hobbies
Languages : en
Pages : 148
Get Book Here
Book Description
An exciting journey into the world of design, The Visual Dance is a presentation of nature's design basics to help you build a foundation for your own style. This inspiring book clearly explains the how-tos of design for quilters and artists alike. Gallery of spectacular quilts, hundreds of detailed drawings, and 11 of Joen's original designs illuminate the discussion. Exercises guide you in understanding and using the design principles.
Author: Kendra Stepputat
Publisher: Berghahn Books
ISBN: 1800730039
Category : Performing Arts
Languages : en
Pages : 339
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Book Description
Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
Author: Erin Brannigan
Publisher: Routledge
ISBN: 1000563731
Category : Art
Languages : en
Pages : 315
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Book Description
This book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance—breath, weight, tone, energy—informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Author: Shantel Ehrenberg
Publisher: Springer Nature
ISBN: 303073403X
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.
Author: Jordan Matter
Publisher: Hachette UK
ISBN: 1523523220
Category : Photography
Languages : en
Pages : 273
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Book Description
The mystery of the body in motion. The surprise of seeing what seems impossible. And the pure, joyful optimism of it all. Dancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park. With each image the reader feels buoyed up, eager to see the next bit of magic. Photographer Jordan Matter started his Dancers Among Us Project by asking a member of the Paul Taylor Dance Company to dance for him in a place where dance is unexpected. So, dressed in a commuter’s suit and tie, the dancer flew across a Times Square subway platform. And in that image Matter found what he’d been searching for: a way to express the feeling of being fully alive in the moment, unself-conscious, present. Organized around themes of work, play, love, exploration, dreaming, and more, Dancers Among Us celebrates life in a way that’s fresh, surprising, original, universal. There’s no photoshopping here, no trampolines, no gimmicks, no tricks. Just a photographer, his vision, and the serendipity of what happens when the shutter clicks.
Author: Felicia M. McCarren
Publisher: Stanford University Press
ISBN: 9780804735247
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
A history of dances pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the bodys transcendence of itself. Exploring dances historical links to the medical and scientific connotations of a pathology, this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the bodys meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of choreas. In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is lost in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicines discovery of idea manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest idea, suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.
Author: Elizabeth B. Schwall
Publisher: UNC Press Books
ISBN: 1469662981
Category : Social Science
Languages : en
Pages : 319
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Book Description
Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
Author: Susan Rosenberg
Publisher: Wesleyan University Press
ISBN: 0819576638
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
Trisha Brown re-shaped the landscape of modern dance with her game-changing and boundary-defying choreography and visual art. Art historian Susan Rosenberg draws on Brown's archives, as well as interviews with Brown and her colleagues, to track Brown's deliberate evolutionary trajectory through the first half of her decades-long career. Brown has created over 100 dances, six operas, one ballet, and a significant body of graphic works. This book discusses the formation of Brown's systemic artistic principles, and provides close readings of the works that Brown created for non-traditional and art world settings in relation to the first body of works she created for the proscenium stage. Highlighting the cognitive-kinesthetic complexity that defines the making, performing and watching of these dances, Rosenberg uncovers the importance of composer John Cage's ideas and methods to understand Brown's contributions. One of the most important and influential artists of our time, Brown was the first woman choreographer to receive the coveted MacArthur Foundation Fellowship "Genius Award."
Author: Stephen Ward
Publisher: Lulu.com
ISBN: 1326044753
Category : Biography & Autobiography
Languages : en
Pages : 439
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Book Description
An intimate and autobiographical account of a Dancer's journey from Newcastle-upon-Tyne to his travels in Europe. Accepted at the age of sixteen by the Royal Ballet School (London) he completed a three year dance course culminating in a performance at the Royal Opera House (Covent Garden). His professional Career took him to Portugal, Sweden, Switzerland and back to London again. Stephen founded his own 'Focus on Dance' company, a performing and educational enterprise based in Bournemouth, England, touring the south and south-west of England. Then he took his dance to the streets of Europe. He has subsequently performed to street audiences in the major cities and towns of Switzerland, Germany, Austria, Holland, France and Italy. In 1989 he moved to Fiano, in northern Tuscany. Stephen Ward died in 2013. This book is his lasting testament. A tender, moving portrait and a tribute to dance, dogs, friends, nature - and to life itself!
Author: Michael D. Greenfield
Publisher: Oxford University Press, USA
ISBN: 0195134524
Category : Animal communication
Languages : en
Pages : 427
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Book Description
In most terrestrial and aquatic habitats, the vast majority of animals transmitting and receiving communicative signals are arthropods. This book presents the story of how this important group of animals use pheromones, sound, vibration, and light for sexual and social communication. Because of their small to minute body size most arthropods have problems sending and receiving acoustic and optical information, each of which have their own severe constraints. Because of these restraints they have developed chemical signaling which is not similarly limited by scale. Presenting the latest theoretical and experimental findings from studies of signaling, it suggests that close parallels between arthropods and vertebrates reflect a very limited number of solutions to problems in behavior that are available within the confines of physical laws.
