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Author: Paul Julian Smith
Publisher: Verso
ISBN: 9781859840795
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Over the last decade, visibility and sexuality have become a major theme in Spanish and Cuban cinema, literature and art. Vision Machines explores this development in the light of contemporary history and recent theoretical accounts of sight by writers including Paul Virilio, Gianni Vattimo and Teresa de Lauretis. The very visible women of Almodóvar’s cinema are Paul Julian Smith’s first subject. He shows how, in his early Dark Habits, lesbianizes the look, putting women’s pleasure at the centre of the frame, and then examines Almodóvar’s recent film, Kika, where the conflict between cinema and video is played out in the bodies of women: good, bad and ugly. Moving the focus to Cuba, Smith discussed the reception in Europe and North America of Nestor Almendro’s remarkable documentary on gays in Cuba, Improper Conduct, and traces the trial of visibility to which effeminate men were exposed. He compares Amendor’s work with the autobiography of exile novelist Reinaldo Arenas, which revels in graphic sex, and also looks at the first Cuban film with a gay theme, Gutierrez Alea’s Strawberry and Chocolate. Smith returns to Spain to consider the response of artists and intellectuals to the public invisibility of AIDS in a country with one of the highest rates of HIV transmission in the Eurpean Union. Drawing on Anglo-American debates on the representation of AIDS, he concentrates on the one major intervention by Spanish scholars and artists, Love and Rage, and on the only figure in any medium to address AIDS in his aesthetic practice, the conceptual artist and video-maker Pepe Espaliu. He concludes with a fascinating account of Julio Medem’s pathbreaking film from 1993, The Red Squirrel, which has opened up a new approach to two formerly taboo subjects: Basque nationalism and female sexuality.
Author: Paul Julian Smith
Publisher: Verso
ISBN: 9781859840795
Category : Performing Arts
Languages : en
Pages : 208
Get Book Here
Book Description
Over the last decade, visibility and sexuality have become a major theme in Spanish and Cuban cinema, literature and art. Vision Machines explores this development in the light of contemporary history and recent theoretical accounts of sight by writers including Paul Virilio, Gianni Vattimo and Teresa de Lauretis. The very visible women of Almodóvar’s cinema are Paul Julian Smith’s first subject. He shows how, in his early Dark Habits, lesbianizes the look, putting women’s pleasure at the centre of the frame, and then examines Almodóvar’s recent film, Kika, where the conflict between cinema and video is played out in the bodies of women: good, bad and ugly. Moving the focus to Cuba, Smith discussed the reception in Europe and North America of Nestor Almendro’s remarkable documentary on gays in Cuba, Improper Conduct, and traces the trial of visibility to which effeminate men were exposed. He compares Amendor’s work with the autobiography of exile novelist Reinaldo Arenas, which revels in graphic sex, and also looks at the first Cuban film with a gay theme, Gutierrez Alea’s Strawberry and Chocolate. Smith returns to Spain to consider the response of artists and intellectuals to the public invisibility of AIDS in a country with one of the highest rates of HIV transmission in the Eurpean Union. Drawing on Anglo-American debates on the representation of AIDS, he concentrates on the one major intervention by Spanish scholars and artists, Love and Rage, and on the only figure in any medium to address AIDS in his aesthetic practice, the conceptual artist and video-maker Pepe Espaliu. He concludes with a fascinating account of Julio Medem’s pathbreaking film from 1993, The Red Squirrel, which has opened up a new approach to two formerly taboo subjects: Basque nationalism and female sexuality.
Author: Paul Virilio
Publisher:
ISBN: 9780851704456
Category : Art
Languages : en
Pages : 100
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Book Description
No Marketing Blurb
Author: Erika Balsom
Publisher:
ISBN: 9788867494835
Category : Art
Languages : en
Pages : 108
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Book Description
"Since the early 1980s, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority ... Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema over the last four decades."--Page 4 of cover.
Author: Richard K. Miller
Publisher: Springer Science & Business Media
ISBN: 9780442237370
Category : Technology & Engineering
Languages : en
Pages : 222
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Book Description
Aimed at manufacturing managers and engineers looking for an introduction to computer vision and its potential, this book discusses the areas in which machine vision is being used, explains different types of machine vision hardware and software and summarizes research at several universities.
Author: Andrew Fabian
Publisher: Cambridge University Press
ISBN: 1108944264
Category : Science
Languages : en
Pages : 351
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Book Description
Arising from the 2019 Darwin College Lectures, this book presents essays from seven prominent public intellectuals on the theme of vision. Each author examines this theme through the lens of their own particular area of expertise, making for a lively interdisciplinary volume including chapters on neuroscience, colour perception, biological evolution, astronomy, the future of technology, computer vision, and the visionary core of science. Featuring contributions by professors of neuroscience Paul Fletcher and Anya Hurlbert, professor of zoology Dan-Eric Nilsson, the futurist Sophie Hackford, Microsoft distinguished scientist Andrew Blake, theoretical physicist and author Carlo Rovelli, and Dr Carolin Crawford, the Public Astronomer at the University of Cambridge, this volume will be of interest to anybody curious about how we see the world.
Author: A. Pugh
Publisher: Springer Science & Business Media
ISBN: 3662097710
Category : Technology & Engineering
Languages : en
Pages : 347
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Book Description
Over the past five years robot vision has emerged as a subject area with its own identity. A text based on the proceedings of the Symposium on Computer Vision and Sensor-based Robots held at the General Motors Research Laboratories, Warren, Michigan in 1978, was published by Plenum Press in 1979. This book, edited by George G. Dodd and Lothar Rosso!, probably represented the first identifiable book covering some aspects of robot vision. The subject of robot vision and sensory controls (RoViSeC) occupied an entire international conference held in the Hilton Hotel in Stratford, England in May 1981. This was followed by a second RoViSeC held in Stuttgart, Germany in November 1982. The large attendance at the Stratford conference and the obvious interest in the subject of robot vision at international robot meetings, provides the stimulus for this current collection of papers. Users and researchers entering the field of robot vision for the first time will encounter a bewildering array of publications on all aspects of computer vision of which robot vision forms a part. It is the grey area dividing the different aspects of computer vision which is not easy to identify. Even those involved in research sometimes find difficulty in separating the essential differences between vision for automated inspection and vision for robot applications. Both of these are to some extent applications of pattern recognition with the underlying philosophy of each defining the techniques used.
Author: Virginio Cantoni
Publisher: Springer Science & Business Media
ISBN: 1489910042
Category : Science
Languages : en
Pages : 399
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Book Description
The following are the proceedings of the Third International Workshop on Perception held in Pavia, Italy, on September 27-30, 1993, under the auspices of four institutions: the Group of Cybernetic and Biophysics (GNCB)s of the National Research Council (CNR), the Italian Association for Artificial Intelligence (AI * IA), the Italian Association of Psychology (AlP), and the Italian Chapter of the International Association for Pattern Recognition (IAPR). The theme of this third workshop was: "Human and Machine Vision: Analogies and Divergencies." A wide spectrum of topics was covered, ranging from neurophysiology, to computer architecture, to psychology, to image understanding, etc. For this reason the structure of this workshop was quite different from those of the first two held in Parma (1991), and Trieste (1992). This time the workshop was composed of just eight modules, each one consisting of two invited lectures (dealing with vision in nature and machines, respectively) and a common panel discussion (including the two lecturers and three invited panellists).
Author: David Marr
Publisher: MIT Press
ISBN: 0262514621
Category : Psychology
Languages : en
Pages : 429
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Book Description
Available again, an influential book that offers a framework for understanding visual perception and considers fundamental questions about the brain and its functions. David Marr's posthumously published Vision (1982) influenced a generation of brain and cognitive scientists, inspiring many to enter the field. In Vision, Marr describes a general framework for understanding visual perception and touches on broader questions about how the brain and its functions can be studied and understood. Researchers from a range of brain and cognitive sciences have long valued Marr's creativity, intellectual power, and ability to integrate insights and data from neuroscience, psychology, and computation. This MIT Press edition makes Marr's influential work available to a new generation of students and scientists. In Marr's framework, the process of vision constructs a set of representations, starting from a description of the input image and culminating with a description of three-dimensional objects in the surrounding environment. A central theme, and one that has had far-reaching influence in both neuroscience and cognitive science, is the notion of different levels of analysis—in Marr's framework, the computational level, the algorithmic level, and the hardware implementation level. Now, thirty years later, the main problems that occupied Marr remain fundamental open problems in the study of perception. Vision provides inspiration for the continuing efforts to integrate knowledge from cognition and computation to understand vision and the brain.
Author: Fred Botting
Publisher: Manchester University Press
ISBN: 1526185628
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Available again in paperback, this study offers a rigorous critical re-reading of fictions of humanity, history, technology and postmodern culture. Taking psychoanalysis into cyberspace, the book develops an innovative theoretical perspective on the relationship between bodies and machines to offer a focused re-examination of notions of desire, metaphor, sexed identity and difference and the process of technological transformation. The book unravels one figure in a detailed, lucid and extensive revision of Lacanian psychoanalysis in association with postmodern theory, feminism and deconstruction. Problematising the easy conjunction of human bodies and inhuman technology, the navel opens into networks of desire, history, culture and machines. Linked to the unconscious, to jokes and dreams, navels appear on the bodies of replicants and in the technological matrix, a strange excess in a future imagined in terms of corporeal ‘meat’ or posthuman machine. Exploring the significance of this omphalic excess, the book closely examines postmodern and cyberpunk texts (by Thomas Pynchon, Graham Swift, Julian Barnes, William Gibson, Rudy Rucker) alongside detailed readings of contemporary cultural critics and theorists.
Author: Arcangelo Distante
Publisher: Springer Nature
ISBN: 3030423786
Category : Computers
Languages : en
Pages : 694
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Book Description
Across three volumes, the Handbook of Image Processing and Computer Vision presents a comprehensive review of the full range of topics that comprise the field of computer vision, from the acquisition of signals and formation of images, to learning techniques for scene understanding. The authoritative insights presented within cover all aspects of the sensory subsystem required by an intelligent system to perceive the environment and act autonomously. Volume 3 (From Pattern to Object) examines object recognition, neural networks, motion analysis, and 3D reconstruction of a scene. Topics and features: • Describes the fundamental processes in the field of artificial vision that enable the formation of digital images from light energy • Covers light propagation, color perception, optical systems, and the analog-to-digital conversion of the signal • Discusses the information recorded in a digital image, and the image processing algorithms that can improve the visual qualities of the image • Reviews boundary extraction algorithms, key linear and geometric transformations, and techniques for image restoration • Presents a selection of different image segmentation algorithms, and of widely-used algorithms for the automatic detection of points of interest • Examines important algorithms for object recognition, texture analysis, 3D reconstruction, motion analysis, and camera calibration • Provides an introduction to four significant types of neural network, namely RBF, SOM, Hopfield, and deep neural networks This all-encompassing survey offers a complete reference for all students, researchers, and practitioners involved in developing intelligent machine vision systems. The work is also an invaluable resource for professionals within the IT/software and electronics industries involved in machine vision, imaging, and artificial intelligence. Dr. Cosimo Distante is a Research Scientist in Computer Vision and Pattern Recognition in the Institute of Applied Sciences and Intelligent Systems (ISAI) at the Italian National Research Council (CNR). Dr. Arcangelo Distante is a researcher and the former Director of the Institute of Intelligent Systems for Automation (ISSIA) at the CNR. His research interests are in the fields of Computer Vision, Pattern Recognition, Machine Learning, and Neural Computation.
