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Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 9780226165011
Category : Art
Languages : en
Pages : 332
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Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 9780226165011
Category : Art
Languages : en
Pages : 332
Get Book Here
Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
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Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Peter Adam
Publisher: InterVarsity Press
ISBN: 0830826173
Category : Religion
Languages : en
Pages : 239
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Book Description
Many discussions of Christian spirituality draw on a range of traditions and "disciplines," but little attention is given to the Bible itself. Drawing on the Old and New Testaments, John Calvin, and the Puritans, Peter Adam expounds a biblical model of spirituality in this New Studies in Biblical Theology volume.
Author: Herbert Spencer
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 116
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Book Description
Author: Mariam Motamedi Fraser
Publisher: Rowman & Littlefield
ISBN: 1783481447
Category : Social Science
Languages : en
Pages : 227
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Book Description
Words are everywhere. Ubiquitous, pervasive. Yet our relations with words are narrowly defined. How does the sound, feel, touch, taste, place, position, speed, and direction of words come to matter in their uses? Word begins from the premise that, if we consider words only in terms of language and as images, we overlook a range of bodily, sensory, affective and non-conscious relations with words. We overlook, too, their epistemological, methodological, experiential and political implications. This book seeks to redress this neglect by exploring words themselves in histories of language and contemporary theory, in print and typography, and through a series of empirical examples which include religion, embodiment, photography and performance. Word is a reminder that words live richly in the world. It is an invitation to recognise those non-linguistic word-relations that are already existing, and to bring new and generative encounters with words into being.
Author: James Daryn Henry
Publisher: Rowman & Littlefield
ISBN: 1978700407
Category : Religion
Languages : en
Pages : 339
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Book Description
The Freedom of God wrangles with the unfolding legacy of Christian theologian Robert Jenson and presents the first in-depth study of his teaching on the Holy Spirit. It is a specialist monograph that will entice those with interest in academic theology, systematics, and twentieth- and twenty-first-century Christian thought, especially the post-Barthian historicist electionism and the post-Rahnerian immanent and economic trinitarian project conversations. Devoted readers of the works of Robert Jenson, scholars of pneumatology, third-article theology, or pentecostal/renewal movements, practitioners of liberation theology, and supporters of ecumenical theology will all be particularly gripped by the analysis developed in this work. As a text, the Freedom of God could find a home in graduate seminars, seminary classrooms, and in classes for advanced undergraduates for those studying Jenson as a way into systematic theology and contemporary Christian thought or in any thematic/doctrinal courses on the Holy Spirit or the Trinity.
Author: R. David Nelson
Publisher: A&C Black
ISBN: 0567402959
Category : Religion
Languages : en
Pages : 273
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Book Description
While German Lutheran theologian Eberhard Jüngel (1934-) has made a number of significant contributions to contemporaneous discussions of sacramental theology, this topic has largely been ignored by interpreters of his thought. This study summarizes and evaluates, through a close reading of primary and secondary source materials, Jüngel's approach to the problem of sacrament. R. David Nelson considers Jüngel's claim that the word of God functions sacramentally as it addresses its hearer, and analyses his assertion that Jesus Christ is the unique and preeminent sacrament of God for the world. Progressing to an exploration of Jüngel's ecclesiology, Nelson reveals Jüngel's interesting approach to the question of the church's sacramentality. The volume concludes with an investigation into Jüngel's doctrines of baptism and the Lord's Supper. The Interruptive Word demonstrates that Jüngel consistently appeals to the category of 'interruption' for describing God's sacramental relation to the world and its actualities, concluding that the hegemony of the category of 'interruption' in Jüngel's theology of sacrament raises important questions concerning its coherence and tenability.
Author: Leslie Ross
Publisher: McFarland
ISBN: 0786467959
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This book discusses text and image relationships in the history of art from ancient times to the contemporary period across a diversity of cultures and geographic areas. Focusing on the use of words in art and words as art forms, thematic chapters include "Pictures in Words/Words in Pictures," "Word/Picture Puzzles," "Picture/Word Puzzles," "Words as Images," "The Power of the Word," and "Monumental and Moving Words." Chapter subsections further explore cross-cultural themes. Examining text and image relationships from the obvious to the elusive, the puzzling to the profound, the minor to the major, the book demonstrates the diverse ways in which images and writing have been combined through the ages, and explores the interplay between visual and written communication in a wide range of thought-provoking examples. A color insert is included. Instructors considering this book for use in a course may request an examination copy here.
Author: William M Clements
Publisher: Routledge
ISBN: 1136372911
Category : Religion
Languages : en
Pages : 194
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Book Description
In Theological Context for Pastoral Caregiving, Howard W. Stone helps his fellow pastors and worship leaders provide effective and faithful pastoral care and counseling through the study of the correlation between pastoral care and theology. You will learn that in order for pastoral care to be effective it must have a theological base to shape the caregiving experience. At the same time, theology must be informed by the needs and experiences of the people being served and by the ministry of pastoral care. By relating these two issues, you gain a unique viewpoint not offered by books with simply a psychological focus.The author draws from his day-to-day clinical practice of pastoral care and counseling to show how pastoral care and theology can be brought together. Through Howard Stone’s work, the reader learns of: an overview of pastoral care and counseling today how to provide a pastoral assessment of the persons served the author’s theological understanding of the ministry of pastoral care and counseling methods for correlating theology and pastoral care how spiritual direction as a discipline can help pastoral care and counseling ministry regain a solid theological base theological themes that might be more explicitly and intentionally related to pastoral careTheological Context for Pastoral Caregiving provides useful information for parish pastors, people in training to be parish pastors, and specialists in the field of pastoral care counseling. As one of the easiest-to-read books on this subject, it can also be used as a text for graduate-level classes in courses such as Theology and Pastoral Care, Pastoral Theology, and Practical Theology. With this book, seminary students will finally be able to relate the practical things learned in pastoral counseling classes with what is learned in theology classes.
Author: Desmond Manderson
Publisher: University of Toronto Press
ISBN: 1442630310
Category : Art
Languages : en
Pages : 376
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Book Description
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. Proceeding chronologically, the volume offers leading analyses of the juncture between legal and visual culture as witnessed from the fifteenth to the twenty-first centuries. Editor Desmond Manderson provides a contextual introduction that draws out and articulates three central themes: visual representations of the law, visual technologies in the law, and aesthetic critiques of law. A ground breaking contribution to an increasingly vibrant field of inquiry, Law and the Visual will inform the debate on the relationship between legal and visual culture for years to come.
