Author: Ivo Blom
Publisher:
ISBN: 9789462980532
Category :
Languages : en
Pages : 390
Book Description
In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.
Reframing Luchino Visconti
Author: Ivo Blom
Publisher:
ISBN: 9789462980532
Category :
Languages : en
Pages : 390
Book Description
In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.
Publisher:
ISBN: 9789462980532
Category :
Languages : en
Pages : 390
Book Description
In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include canonical works like Obsession, The Earth Trembles, and The Leopard. Meticulously examining Visconti's use of European art in his set and costume design, Reframing Luchino Visconti also investigates his cinematography in terms of staging, framing, and mirroring, among other aspects, offering valuable contextualization for the optical splendor in Visconti's films and revealing their close ties to the other visual arts.
The Visconti House
Author: Elsbeth Edgar
Publisher: Walker Books Australia
ISBN: 1921977051
Category : Juvenile Fiction
Languages : en
Pages : 194
Book Description
Every house has a story to tell. Laura Horton doesn’t know if the rumours about Leon Murphy are true, but she keeps her distance anyway. It’s hard enough being the girl from the haunted house. However, Laura soon finds she has more in common with Leon than she first thought. They are both outsiders. They both have secrets. And they are both drawn to the mystery hidden within the walls of the Visconti House. As Laura begins to piece together the fragments of the puzzle, she and Leon take an unexpected journey into the past, one that will change their lives – and open their hearts – forever.
Publisher: Walker Books Australia
ISBN: 1921977051
Category : Juvenile Fiction
Languages : en
Pages : 194
Book Description
Every house has a story to tell. Laura Horton doesn’t know if the rumours about Leon Murphy are true, but she keeps her distance anyway. It’s hard enough being the girl from the haunted house. However, Laura soon finds she has more in common with Leon than she first thought. They are both outsiders. They both have secrets. And they are both drawn to the mystery hidden within the walls of the Visconti House. As Laura begins to piece together the fragments of the puzzle, she and Leon take an unexpected journey into the past, one that will change their lives – and open their hearts – forever.
Luchino Visconti and the Alchemy of Adaptation
Author: Brendan Hennessey
Publisher: State University of New York Press
ISBN: 1438484992
Category : Performing Arts
Languages : en
Pages : 352
Book Description
Since the beginning, much of Italian cinema has been sustained by transforming literature into moving images. This tradition of literary adaptation continues today, challenging artistic form and practice by pressuring the boundaries that traditionally separate film from its sister arts. In the twentieth century, director Luchino Visconti is a keystone figure in Italy's evolving art of adaptation. From the tumultuous years of Fascism and postwar Neorealism, through the blockbuster decade of the 1960s, into the arthouse masterpieces of the 1970s, Visconti's adaptations marked a distinct pathway of the Italian cinematic imagination. Luchino Visconti and the Alchemy of Adaptation examines these films together with their literary antecedents. Moving past strict book-to-film comparisons, it ponders how literary texts encounter and interact with a history of cultural and cinematic forms, genres, and traditions. Matching the major critical concerns of the postwar period (realism, political filmmaking, cinematic modernism) with more recent notions of adaptation and intermediality, this book reviews how one of Italy's greatest directors mined literary ore for cinematic inspiration.
Publisher: State University of New York Press
ISBN: 1438484992
Category : Performing Arts
Languages : en
Pages : 352
Book Description
Since the beginning, much of Italian cinema has been sustained by transforming literature into moving images. This tradition of literary adaptation continues today, challenging artistic form and practice by pressuring the boundaries that traditionally separate film from its sister arts. In the twentieth century, director Luchino Visconti is a keystone figure in Italy's evolving art of adaptation. From the tumultuous years of Fascism and postwar Neorealism, through the blockbuster decade of the 1960s, into the arthouse masterpieces of the 1970s, Visconti's adaptations marked a distinct pathway of the Italian cinematic imagination. Luchino Visconti and the Alchemy of Adaptation examines these films together with their literary antecedents. Moving past strict book-to-film comparisons, it ponders how literary texts encounter and interact with a history of cultural and cinematic forms, genres, and traditions. Matching the major critical concerns of the postwar period (realism, political filmmaking, cinematic modernism) with more recent notions of adaptation and intermediality, this book reviews how one of Italy's greatest directors mined literary ore for cinematic inspiration.
Visconti
Author: Henry Bacon
Publisher: Cambridge University Press
ISBN: 9780521599603
Category : Performing Arts
Languages : en
Pages : 304
Book Description
The first thorough study of the Italian filmmaker, Luchino Visconti.
Publisher: Cambridge University Press
ISBN: 9780521599603
Category : Performing Arts
Languages : en
Pages : 304
Book Description
The first thorough study of the Italian filmmaker, Luchino Visconti.
The Visconti-Sforza Tarot Cards
Author: Michael Dummett
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 152
Book Description
The Visconti-Sforza Tarot Cards" contains a commentary by Michael Dummett and full size, color reproductions of Tarot cards from the Pierpont-Morgan Library in New York City, and the Accademia Carrara in Bergamo, Italy. In his introduction, Dummett refers to the cards as a masterpiece of mid-fifteenth-century Italian art in the International Gothic style. The Visconti-Sforza Tarot deck, named for the two great ducal families for whom they were made, is a fine example of the 78 card Tarot lineage (consisting of 56 suit cards and 22 picture cards). The suits of this deck are Swords, Batons, Cups and Coins. The four court cards are King, Queen, Knight and Jack.
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 152
Book Description
The Visconti-Sforza Tarot Cards" contains a commentary by Michael Dummett and full size, color reproductions of Tarot cards from the Pierpont-Morgan Library in New York City, and the Accademia Carrara in Bergamo, Italy. In his introduction, Dummett refers to the cards as a masterpiece of mid-fifteenth-century Italian art in the International Gothic style. The Visconti-Sforza Tarot deck, named for the two great ducal families for whom they were made, is a fine example of the 78 card Tarot lineage (consisting of 56 suit cards and 22 picture cards). The suits of this deck are Swords, Batons, Cups and Coins. The four court cards are King, Queen, Knight and Jack.
VISCONTI'S FORGOTTEN HEIR
Author: Elizabeth Power
Publisher: Harlequin / SB Creative
ISBN: 4596282811
Category : Comics & Graphic Novels
Languages : en
Pages : 129
Book Description
Suffering from amnesia, Magenta is working at a bar when she sees a breathtakingly handsome man. Her instincts tell her that his name is Andreas and he’s the father of her child. She remembers there was love between them, but the look in his eyes is filled with hatred. The following day, she’s at a job interview for a secretarial position at a high-end hotel chain. She must snag the job so she can provide her son with a comfortable life. But her chances are ruined by Andreas when he suddenly appears. She wonders what she did to him to deserve such hatred.?
Publisher: Harlequin / SB Creative
ISBN: 4596282811
Category : Comics & Graphic Novels
Languages : en
Pages : 129
Book Description
Suffering from amnesia, Magenta is working at a bar when she sees a breathtakingly handsome man. Her instincts tell her that his name is Andreas and he’s the father of her child. She remembers there was love between them, but the look in his eyes is filled with hatred. The following day, she’s at a job interview for a secretarial position at a high-end hotel chain. She must snag the job so she can provide her son with a comfortable life. But her chances are ruined by Andreas when he suddenly appears. She wonders what she did to him to deserve such hatred.?
Luchino Visconti
Author: Gaia Servadio
Publisher: London : Weidenfeld & Nicolson
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
Levensbeschrijving van de Italiaanse filmregisseur (1906-1976)
Publisher: London : Weidenfeld & Nicolson
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
Levensbeschrijving van de Italiaanse filmregisseur (1906-1976)
Luchino Visconti and the Fabric of Cinema
Author: Joe McElhaney
Publisher: Wayne State University Press
ISBN: 0814343090
Category : Art
Languages : en
Pages : 257
Book Description
Unveils the metaphoric and theoretical possibilities of fabric in the films of Luchino Visconti. In Luchino Visconti and the Fabric of Cinema, Joe McElhaney situates Visconti's films as privileged and deeply expressive instances of a trope that McElhaney identifies as the "cinema of fabric": a reoccurrence in film in which textiles—clothing, curtains, tablecloths, bedsheets—determine the filming process. An Italian neorealist, Visconti emerges out of a movement immediately following WWII wherein fabric assumes crucial functions, yet Visconti's use of fabric surpasses his colleagues in many ways, including its fluid, multifaceted articulations of space and time. Visconti's homosexuality is central to this theory in that it assumes metaphoric potential in addressing "forbidden" sexual desires that are made visible in the films. Visconti's cinema of fabric gives voice to desires not simply for human bodies draped in fabric but also for entire environments, a world of the senses in which fabric becomes a crucial method for giving form to such desires. McElhaney examines Visconti's neorealist origins in Ossessione, La terra trema, and Rocco and His Brothers, particularly through fabric's function within literary realism and naturalism. Neorealist revisionism through the extravagant drapings of the diva film is examined in Bellissima and Senso whereas White Nights and The Strangerare examined for the theatricalizing through fabric of their literary sources. Visconti's interest in German culture vis-à-vis The Damned, Death in Venice, and Ludwig, is articulated through a complex intertwining of fabric, aesthetics, politics, and transgressive sexual desire. Finally, Visconti's final two films, Conversation Piece and The Innocent, assess through fabric both the origins of Italian fascism and the political tensions contemporaneous with the films' productions. Fabric in Visconti is often tied to the aesthetic impulse itself in a world of visionaries attempting to dominate their surrounding environments and where a single piece of fabric may come to represent the raw material for creation. This book will tantalize any reader with a keen eye and strong interest in film and queer studies.
Publisher: Wayne State University Press
ISBN: 0814343090
Category : Art
Languages : en
Pages : 257
Book Description
Unveils the metaphoric and theoretical possibilities of fabric in the films of Luchino Visconti. In Luchino Visconti and the Fabric of Cinema, Joe McElhaney situates Visconti's films as privileged and deeply expressive instances of a trope that McElhaney identifies as the "cinema of fabric": a reoccurrence in film in which textiles—clothing, curtains, tablecloths, bedsheets—determine the filming process. An Italian neorealist, Visconti emerges out of a movement immediately following WWII wherein fabric assumes crucial functions, yet Visconti's use of fabric surpasses his colleagues in many ways, including its fluid, multifaceted articulations of space and time. Visconti's homosexuality is central to this theory in that it assumes metaphoric potential in addressing "forbidden" sexual desires that are made visible in the films. Visconti's cinema of fabric gives voice to desires not simply for human bodies draped in fabric but also for entire environments, a world of the senses in which fabric becomes a crucial method for giving form to such desires. McElhaney examines Visconti's neorealist origins in Ossessione, La terra trema, and Rocco and His Brothers, particularly through fabric's function within literary realism and naturalism. Neorealist revisionism through the extravagant drapings of the diva film is examined in Bellissima and Senso whereas White Nights and The Strangerare examined for the theatricalizing through fabric of their literary sources. Visconti's interest in German culture vis-à-vis The Damned, Death in Venice, and Ludwig, is articulated through a complex intertwining of fabric, aesthetics, politics, and transgressive sexual desire. Finally, Visconti's final two films, Conversation Piece and The Innocent, assess through fabric both the origins of Italian fascism and the political tensions contemporaneous with the films' productions. Fabric in Visconti is often tied to the aesthetic impulse itself in a world of visionaries attempting to dominate their surrounding environments and where a single piece of fabric may come to represent the raw material for creation. This book will tantalize any reader with a keen eye and strong interest in film and queer studies.
Visconti
Author: Alexander García Düttmann
Publisher: Stanford University Press
ISBN: 0804757402
Category : Philosophy
Languages : en
Pages : 169
Book Description
Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible that blocks the path to change.
Publisher: Stanford University Press
ISBN: 0804757402
Category : Philosophy
Languages : en
Pages : 169
Book Description
Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible that blocks the path to change.
Papal Genealogy
Author: George L. Williams
Publisher: McFarland
ISBN: 9780786420711
Category : Religion
Languages : en
Pages : 276
Book Description
The papacy has often resembled a secular European monarchy more than a divinely inspired institution. Roman pontiffs bestowed great wealth on their families and forged strategic alliances with other powerful families to increase their power. Pope Alexander VI (Rodrigo Borgia), for example, forced his daughter Lucrezia into a series of marriages for political reasons. When her marital alliance was no longer advantageous, as was the case in her second marriage, her husband was brutally murdered. Many papal families also intermarried in hopes of forming a hereditary papacy; at least two members of the Fieschi, Piccolomini, Della Rovere, and Medici families served as pope. Papal families since the early history of the church are fully covered in this comprehensive work. Genealogical charts graphically show the descendants of the popes, presenting in many cases the interrelationships between the papal families and their relationships with many of the leading families of Europe. Detailed histories examine the impact of the papacy on each pope's family and how each influenced the history of the church.
Publisher: McFarland
ISBN: 9780786420711
Category : Religion
Languages : en
Pages : 276
Book Description
The papacy has often resembled a secular European monarchy more than a divinely inspired institution. Roman pontiffs bestowed great wealth on their families and forged strategic alliances with other powerful families to increase their power. Pope Alexander VI (Rodrigo Borgia), for example, forced his daughter Lucrezia into a series of marriages for political reasons. When her marital alliance was no longer advantageous, as was the case in her second marriage, her husband was brutally murdered. Many papal families also intermarried in hopes of forming a hereditary papacy; at least two members of the Fieschi, Piccolomini, Della Rovere, and Medici families served as pope. Papal families since the early history of the church are fully covered in this comprehensive work. Genealogical charts graphically show the descendants of the popes, presenting in many cases the interrelationships between the papal families and their relationships with many of the leading families of Europe. Detailed histories examine the impact of the papacy on each pope's family and how each influenced the history of the church.