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Author: Jody Berland
Publisher: MIT Press
ISBN: 0262553430
Category : Social Science
Languages : en
Pages : 325
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Book Description
The close interdependency of animal emissaries and new media from early European colonial encounters with the exotic to today's proliferation of animals in digital networks. From cat videos to corporate logos, digital screens and spaces are crowded with animal bodies. In Virtual Menageries, Jody Berland examines the role of animals in the spread of global communications. Her richly illustrated study links the contemporary proliferation of animals on social media to the collection of exotic animals in the formative years of transcontinental exploration and expansion. By tracing previously unseen parallels across the history of exotic and digital menageries, Berland shows how and why animals came to bridge peoples, territories, and technologies in the expansion of colonial and capitalist cultures. Berland's genealogy of the virtual menagerie begins in 1414 when a ruler in Bengal sent a Kenyan giraffe to join a Chinese emperor's menagerie. It maps the beaver's role in the colonial conquest of Canada and examines the appearances of animals in early moving pictures. The menagerie is reinvented for the digital age when image and sound designers use parts or images of animals to ensure the affective promise and commercial spread of an emergent digital infrastructure. These animal images are emissaries that enliven and domesticate the ever-expanding field of mediation. Virtual Menageries offers a unique account of animals and animal images as mediators that encourage complicated emotional, economic, and aesthetic investment in changing practices of connection.
Author: Jody Berland
Publisher: MIT Press
ISBN: 0262553430
Category : Social Science
Languages : en
Pages : 325
Get Book Here
Book Description
The close interdependency of animal emissaries and new media from early European colonial encounters with the exotic to today's proliferation of animals in digital networks. From cat videos to corporate logos, digital screens and spaces are crowded with animal bodies. In Virtual Menageries, Jody Berland examines the role of animals in the spread of global communications. Her richly illustrated study links the contemporary proliferation of animals on social media to the collection of exotic animals in the formative years of transcontinental exploration and expansion. By tracing previously unseen parallels across the history of exotic and digital menageries, Berland shows how and why animals came to bridge peoples, territories, and technologies in the expansion of colonial and capitalist cultures. Berland's genealogy of the virtual menagerie begins in 1414 when a ruler in Bengal sent a Kenyan giraffe to join a Chinese emperor's menagerie. It maps the beaver's role in the colonial conquest of Canada and examines the appearances of animals in early moving pictures. The menagerie is reinvented for the digital age when image and sound designers use parts or images of animals to ensure the affective promise and commercial spread of an emergent digital infrastructure. These animal images are emissaries that enliven and domesticate the ever-expanding field of mediation. Virtual Menageries offers a unique account of animals and animal images as mediators that encourage complicated emotional, economic, and aesthetic investment in changing practices of connection.
Author: Jessica Maddox
Publisher: Rutgers University Press
ISBN: 1978827911
Category : Computers
Languages : en
Pages : 254
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Book Description
LOLCats. Grumpy cat. Dog rating Twitter. Pet Instagram accounts. It's generally understood the internet is for pictures of cute cats (and dogs, and otters, and pandas), but how did this come to be, and how are images of pets and animals unique online social practices? In this important and engaging book, The Internet is for Cats, Jessica Maddox provides a social framework for thinking about an outrageously popular cultural phenomenon: pets and animals online. She examines how these images help make digital spaces lighthearted and fun, as well as how these images function as relieving distractions from other aspects of life. However, we cannot speak of relief or distractions without also discussing what we need relief and distractions from. Combining insights from cultural studies and Internet studies, as well as interviews, textual work, and observation, Maddox offers an entirely new approach to pets and animals on the Internet, arguing the Internet may be for cats, but the cats are also for social practices.
Author: Gary A. Berg
Publisher: Rowman & Littlefield
ISBN: 1475872542
Category : Education
Languages : en
Pages : 165
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Book Description
Traditional fine arts are often regarded as rarefied, something accessed by the uniquely talented and displayed in impressive museums or on lavish stages. Art thusly conceived is something that most people never practice in their lives. Yet in day-to-day life we all experience creative satisfaction through interaction with the physical and social environment that is a form of artistic practice. In Transformative Arts: Biological, Digital, and Everyday Aesthetics, Gary A. Berg explores what we gain through understanding ways to live imaginative lives and considers the increasingly important collaborative role of computers and interaction with nature.
Author: Sarah O'Brien
Publisher: University of Michigan Press
ISBN: 0472903578
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals.
Author: Valérie Bienvenue
Publisher: Berghahn Books
ISBN: 1800734263
Category : Nature
Languages : en
Pages : 460
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Book Description
The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.
Author: Sue Coe
Publisher: AK Press
ISBN: 1849352879
Category : Philosophy
Languages : en
Pages : 126
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Book Description
The issue of zoos is not about treatment, but use; not about reform, but abolition. Zoos often pay lip-service to “education,” “enrichment,” and “conservation,” but the cruelty is systemic and follows from the idea of animals as commodities. As long as they are property, animals will continue to be treated as things, with no rights, who can be caged, bred, abused, or killed for a zoo’s profit and the public’s entertainment. In Zooicide, Sue Coe applies her bold and breathtaking artistic style to confront the institution of zoos, exposing them as a form of capitalist cruelty that is enmeshed with the violence of war, colonialism, and ecological destruction.
Author: Gregory J. Seigworth
Publisher: Capacious Journal
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
Capacious: Journal for Emerging Affect Inquiry is an open access, peer-reviewed international journal. The principal aim of Capacious is to ‘make room’ for a wide diversity of approaches and emerging voices to engage with ongoing conversations in and around affect studies. Capacious endeavours to promote diverse bloom-spaces for affect’s study over the dulling hum of any specific orthodoxy. Dedication (for Lauren Berlant) by Ann Cvetkovich. Introduction by E Cram and afterword by Kay Gordon and Neekse Alexander. Essays by Kathryn J. Strom, Freya Johnson, Alice Butler, Shanee Barraclough, and Randal Rogers. Interstices (short visual and textual interventions) by Eric Jenkins, Joey Orr, Margaryta Golovchenko, Mack Hagood & Marie Thompson (introduced by Jonathan Sterne), Jason Read, and Randall Johnson. Book reviews by Max Johnson Dugan, Sean Grattan, Megan Schoettler, Benjamin Schultz-Figueroa, and James Arnett.
Author: Mary Morton
Publisher: Getty Publications
ISBN: 0892368896
Category : Art
Languages : en
Pages : 175
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Book Description
In the 1720s and 1730s, Jean-Baptiste Oudry established himself as the preeminent painter in France of hunts, animals, still lifes, and landscapes. Oudry’s Painted Menagerie focuses on a suite of eleven life-size portraits of exotic animals from the royal menagerie at Versailles, painted by Oudry between 1739 and 1752. These paintings eventually found their way into the ducal collection in Schwerin, Germany. Among them is the magnificent portrait of Clara, an Indian rhinoceros who became a celebrity in mid-eighteenth-century Europe. Her portrait has been out of public view for more than a century, and it is presented here in its newly conserved state.
Author: Jayne Gackenbach
Publisher: Academic Press
ISBN: 0128041749
Category : Computers
Languages : en
Pages : 360
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Book Description
As technology continues to rapidly advance, individuals and society are profoundly changed. So too are the tools used to measure this universe and, therefore, our understanding of reality improves. Boundaries of Self and Reality Online examines the idea that technological advances associated with the Internet are moving us in multiple domains toward various "edges." These edges range from self, to society, to relationships, and even to the very nature of reality. Boundaries are dissolving and we are redefining the elements of identity. The book begins with explorations of the digitally constructed self and the relationship between the individual and technological reality. Then, the focus shifts to society at large and includes a contribution from Chinese researchers about the isolated Chinese Internet. The later chapters of the book explore digital reality at large, including discussions on virtual reality, Web consciousness, and digital physics. - Cyberpsychology architecture - Video games as a tool for self-understanding - Avatars and the meaning behind them - Game transfer phenomena - A Jungian perspective on technology - Politics of social media - The history and science of video game play - Transcendent virtual reality experiences - The theophoric quality of video games
Author: Leigh Claire La Berge
Publisher: Duke University Press
ISBN: 1478023880
Category : Philosophy
Languages : en
Pages : 237
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Book Description
At the outset of Marx for Cats, Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism’s feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration.
