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Author: Monica Latham
Publisher: Routledge
ISBN: 1000388476
Category : Drama
Languages : en
Pages : 183
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Book Description
This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century
Author: Monica Latham
Publisher: Routledge
ISBN: 1000388476
Category : Drama
Languages : en
Pages : 183
Get Book Here
Book Description
This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century
Author: Monica Latham
Publisher:
ISBN: 9780367550738
Category : Biography as a literary form
Languages : en
Pages :
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Book Description
Inhaltsverzeichnsi: Introduction: 'I have been dead and yet am now alive again' : catching the phantom -- Bioplay(giarism)s -- Detecting Woolf -- Virginia's daughters -- Vanessa and Virginia -- Polarity, pairs, peers and parallelisms -- Biofictive mirrors : Clarissa Woolf - Virginia Dalloway -- Bloomsberries reimagined -- Posthumous lives : 'I am made and remade continually'.
Author: Hilary Newman
Publisher: Lexington Books
ISBN: 1666940232
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
In her feminist polemic, ‘A Room of One’s Own’, Virginia Woolf famously wrote of the (comparatively recent) literary tradition of female writers: ‘we think back through our mothers if we are women.’ Woolf’s major literary mothers were those women novelists writing during the Victorian period and earlier. Virginia Woolf and the Lives, Works, and Afterlives of the Brontës examines all of Woolf’s writings on the Brontës, across a wide range of genres: juvenilia, novels, literary essays, feminist polemics, diaries and letters. This proves particularly fruitful as Woolf herself was both a creative artist and a literary critic. As a woman, she was ambivalent towards the Victorian world in which she spent her youth: emotionally she remained in thrall to it; but intellectually she developed the modernist novel. After Woolf ceased to write publicly about the Brontës, she continued to engage with them through the Hogarth Press, which she had founded in 1917 with her husband Leonard. She then chose to publish books on the Brontës whose approaches to them she supported. Newman approaches her subject in a Woolfian way: that is, she avoids dogmatism and aims to open up discussion of the lives, works and afterlives of the Brontës as mediated by Woolf, rather than closing it down to one particular interpretation.
Author: Sybil Oldfield
Publisher: Rutgers University Press
ISBN: 9780813535609
Category : Novelists, English
Languages : en
Pages : 272
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Book Description
Just when it may seem that nothing else could be said about Virginia Woolf and the ambiguous details of her suicide, "Afterwords" provides an entirely fresh perspective. It makes available to a wide readership for the first time letters sent to Leonard Woolf and Vanessa Bell (Virginia Woolf's sister) in the aftermath of the event. This unique volume brings together over two hundred letters from T. S. Eliot, H. G. Wells, May Sarton, Vita Sackville-West, Edith Sitwell, E. M. Forster, Radclyffe Hall, and many others, including political figures and religious leaders. In addition, informative annotations reveal the identities of many unexpected condolence-letter writers from among the general public.
Author: Anne E. Fernald
Publisher: Oxford University Press
ISBN: 0192539639
Category : Literary Criticism
Languages : en
Pages : 689
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Book Description
With thirty-nine original chapters from internationally prominent scholars, The Oxford Handbook of Virginia Woolf is designed for scholars and graduate students. Feminist to the core, each chapter examines an aspect of Woolf's achievement and legacy. Each contribution offers an overview that is at once fresh and thoroughly grounded in prior scholarship. Six sections focus on Woolf's life, her texts, her experiments, her life as a professional, her contexts, and her afterlife. Opening chapters on Woolf's life address the powerful influences of family, friends, and home. The section on her works moves chronologically, emphasizing Woolf's practice of writing essays and reviews alongside her fiction. Chapters on Woolf's experimentalism pay special attention to the literariness of Woolf's writing, with opportunity to trace its distinctive watermark while 'Professions of Writing', invites readers to consider how Woolf worked in cultural fields including and extending beyond the Hogarth Press and the TLS. The 'Contexts' section moves beyond writing to depict her engagement with the natural world as well as the political, artistic, and popular culture of her time. The final section on afterlives demonstrates the many ways Woolf's reputation continues to grow, across the globe, and across media, in ideas and in artistic expression. Of particular note, chapters explore three distinct Woolfian traditions in fiction: the novel of manners, magical realism, and the feminist novel.
Author: Bryony Randall
Publisher: Cambridge University Press
ISBN: 110700361X
Category : Literary Criticism
Languages : en
Pages : 521
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Book Description
Covering a wide range of historical, theoretical, critical and cultural contexts, this collection studies key issues in contemporary Woolf studies.
Author: Alexandra Harris
Publisher: Thames & Hudson
ISBN: 0500770972
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
An ideal introduction to the life and work of Virginia Woolf by an award-winning author: the story of a life lived with intensity from moment to moment and shaped into the lasting patterns of art. In 1907, when she was twenty-five and not yet a published novelist, Virginia Stephen had everything still to prove. She felt herself to be at a crossroads: “I shall be miserable, or happy; a wordy sentimental creature, or a writer of such English as shall one day burn the pages.” Today her prose is still blazing; perhaps it burns brighter than ever. This is the story of how a determined young woman with a notebook became one of the greatest writers of all time. It is a story that sparkles with wit and friendship, language and love, wicked jokes and passionate appreciation of ordinary things. In this illuminating new account, Alexandra Harris uses vivid flashes of detail to evoke Woolf’s changing backgrounds and preoccupations. We move from the close-packed rhythms of a Victorian childhood to the experiments of Bloomsbury and Woolf’s trial-and-error answers to the pressing question of how to live. We see her tackling challenging forms of writing, trying out different voices, following flights of fancy, and returning to earth. Above all, we see her making conscious decisions about what to do next. The book considers each of the novels in context, gives due prominence to a range of Woolf’s dazzlingly inventive essays, traces the contentious course of her “afterlife,” and shows why, seventy years after her death, Virginia Woolf continues to haunt and inspire us.
Author: Martin Hägglund
Publisher: Harvard University Press
ISBN: 0674067843
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Novels by Proust, Woolf, and Nabokov have been read as expressions of a desire to transcend time. Hägglund gives them another reading entirely: fear of time and death is generated by investment in temporal life. Engaging with Freud and Lacan, he opens a new way of reading the dramas of desire as they are staged in both philosophy and literature.
Author: Bethany Layne
Publisher: Cambridge Scholars Publishing
ISBN: 1527555364
Category : Fiction
Languages : en
Pages : 184
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Book Description
The twelve essays collected in this work explore the afterlives of nineteenth- and twentieth-century writers in biographical fiction, or biofiction, and its sister genre, the biopic. The essays situate these genres in relation to their generic, cultural, and ideological contexts, and are organised into four groups. The first locates the origins of biofiction in the historical novel, and in Modernist experiments in life writing, while the second consists of case studies of biofiction about writers from the long nineteenth century: Charlotte Brontë, Henry James, Constance Fenimore Woolson, and Rupert Brooke. A guest essay by novelist Maggie Gee opens the third group, which analyses the fertile sub-genre of biographical novels about Woolf, while the fourth and final part of the book concerns the related genre of the biopic. The volume is comprised entirely of original commissions, whose authors include postgraduate students, practitioners and specialists in biographical writing. It will appeal to undergraduates and postgraduates on life writing and contemporary literature modules, as well as fans of the featured biographical novelists and their subjects.
Author: Rachel Eisendrath
Publisher: New York Review of Books
ISBN: 1681375435
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
A personal and critical work that celebrates the pleasure of books and reading. Largely unknown to readers today, Sir Philip Sidney’s sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, the Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at sail, my mother. These clouds stay still only as long as I look at them, and then they change.” Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. Eisendrath holds out her manuscript—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces linked through metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African American head librarian in the Chicago public library system; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Walter Benjamin’s “scholarly romance,” The Arcades Project. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and abounding grace.
