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Author: Scott McGill
Publisher: Oxford University Press
ISBN: 0190291885
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The Virgilian centos anticipate the avant-garde and smash the image of a staid, sober, and centered classical world. This book examines the twelve mythological and secular Virgilian centos that survive from antiquity. The centos, in which authors take non-consecutive lines or segments of lines from the Eclogues, Georgics, and Aeneid and reconnect them to produce new poems, have received limited attention. No other book-length study exists of all the centos, which date from ca. 200 to ca. 530. The centos are literary games, and they have a playful shock value that feels very modern. Yet the texts also demand to be taken seriously for what they disclose about late antique literary culture, Virgil's reception, and several important topics in Latin literature and literary studies generally. As radically intertextual works, the centos are particularly valuable sites for pursuing inquiry into allusion. Scrutinizing the peculiarities of the texts' allusive engagements with Virgil requires clarification of the roles of the author and the reader in allusion, the criteria for determining what constitutes an allusion, and the different functions allusion can have. By investigating the centos from these different perspectives and asking what they reveal about a wide range of weighty subjects, this book comes into dialogue with major topics and studies in Latin literature.
Author: Scott McGill
Publisher: Oxford University Press
ISBN: 0190291885
Category : Literary Criticism
Languages : en
Pages : 260
Get Book
Book Description
The Virgilian centos anticipate the avant-garde and smash the image of a staid, sober, and centered classical world. This book examines the twelve mythological and secular Virgilian centos that survive from antiquity. The centos, in which authors take non-consecutive lines or segments of lines from the Eclogues, Georgics, and Aeneid and reconnect them to produce new poems, have received limited attention. No other book-length study exists of all the centos, which date from ca. 200 to ca. 530. The centos are literary games, and they have a playful shock value that feels very modern. Yet the texts also demand to be taken seriously for what they disclose about late antique literary culture, Virgil's reception, and several important topics in Latin literature and literary studies generally. As radically intertextual works, the centos are particularly valuable sites for pursuing inquiry into allusion. Scrutinizing the peculiarities of the texts' allusive engagements with Virgil requires clarification of the roles of the author and the reader in allusion, the criteria for determining what constitutes an allusion, and the different functions allusion can have. By investigating the centos from these different perspectives and asking what they reveal about a wide range of weighty subjects, this book comes into dialogue with major topics and studies in Latin literature.
Author: Karl Olav Sandnes
Publisher: BRILL
ISBN: 9004187189
Category : Religion
Languages : en
Pages : 293
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Book Description
This study investigates the phenomenon of Christian centos, i.e. attempts at rewriting the Gospel stories in both the style and vocabulary of either Homer (Greek) or Virgil (Latin). Out of the classical epics an entirely new text emerged.
Author: Scott McGill
Publisher: Oxford University Press on Demand
ISBN: 0195175646
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
This is the first book to present a comprehensive study of the mythological and secular Virgilian centos.
Author: R. Alden Smith
Publisher: John Wiley & Sons
ISBN: 1444351540
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
VIRGIL “A truly useful introduction to Vergil and his poetry. Smith combines up-to-date information on the issues with an intelligent and well-written assessment. Highly recommended.” Karl Galinsky, University of Texas at Austin “For the newcomer to Virgil, this book will be a welcome introduction to the poet’s works and their reception by critics, artists, and scholars through the centuries.” Peter E. Knox, University of Colorado, Boulder Incorporating the most up-to-date classical scholarship, Virgilian scholar R. Alden Smith presents a comprehensive introduction to Virgil’s literary works and narrative technique. In addition to exploring the historical milieu, this book considers the reception of Virgil’s works, citing examples from painting, sculpture, and drama. After analyzing Virgil’s three major works – the Eclogues, Georgics, and the great national epic of Rome, the Aeneid – Smith addresses other key topics, including the manuscript tradition and various problems associated with establishment of the text. Virgil’s legacy, including his influence on subsequent Latin poetry and later literary figures (e.g., Dante, Camões, Milton) is also a feature of this study. Combining scholarly rigor and an accessible writing style, Smith offers an insightful introduction to Virgil and the world in which he lived.
Author: Alison Keith
Publisher: Bloomsbury Publishing
ISBN: 1350114359
Category : Literary Collections
Languages : en
Pages : 224
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Book Description
The works of Virgil (70–19 BCE) define the 'golden age' of Latin poetry and have inspired a long tradition of interpretation and adaptation that starts in his own time and extends to important modern authors. His ascent from the lesser genre of pastoral (the Bucolics) through a more ambitious didactic mode (the Georgics) to the soaring heights of epic (the incomparable Aeneid) shaped the canonical writings of other authors, from his younger contemporary Ovid through the medieval writers Dante and Petrarch to the early modern poets Spenser and Milton and well beyond. Virgil, as Alison Keith shows, has never gone out of critical or popular fashion. This wide-ranging introduction appraises a figure of central importance in the history of Western music, art and literature. Offering close readings of the Bucolics, Georgics and Aeneid, Keith places Virgil and his poetry in historical context before tracing their impact at key moments in the culture of the West. Emphasis is placed on Virgil's reception of the classical literary and philosophical traditions, and on how his poetry has attracted modern interest from writers as diverse as T. S. Eliot and Ursula K. Le Guin.
Author: Craig Kallendorf
Publisher: Classical Presences
ISBN: 0198727801
Category : History
Languages : en
Pages : 220
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Book Description
Taking Virgil's poetry as a case study, 'The Protean Virgil' argues that when we try to understand different readers' varying responses to the same text over time, we should take into account the physical form in which they read the text (e.g. manuscripts, books, or computerized files) as well as the text itself.
Author: Craig Kallendorf
Publisher: BRILL
ISBN: 9004421351
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance, transforming his work into poetry that was both classical and postclassical.
Author: Fiachra Mac Góráin
Publisher: Cambridge University Press
ISBN: 1107170184
Category : History
Languages : en
Pages : 573
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Book Description
Presents stimulating chapters on Virgil and his reception, offering an authoritative overview of the current state of Virgilian studies.
Author: Lee M. Fratantuono
Publisher: BRILL
ISBN: 9004367381
Category : Literary Criticism
Languages : en
Pages : 811
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Book Description
Virgil, Aeneid 8 provides the first full-scale commentary on one of the most important and popular books of the great epic of imperial Rome. The commentary is accompanied by a new critical text and a prose translation.
Author: S. J. Harrison
Publisher: OUP Oxford
ISBN: 0191615900
Category : Literary Collections
Languages : en
Pages : 273
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Book Description
S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literary subject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can be detected in the Latin poetry of the first century BC.
