Olivier Messiaen - "Vingt Regards Sur L' Enfant-Jesus" PDF Download
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Author: Laureen Gail Di Bisceglie
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
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Book Description
Author: Laureen Gail Di Bisceglie
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
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Book Description
Author: Yejin Lee (Pianist)
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 86
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Author: Shane Dewayne Anderson
Publisher:
ISBN:
Category :
Languages : en
Pages : 234
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Author: Philip Carty
Publisher:
ISBN:
Category : Music Theses
Languages : en
Pages : 182
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Author: Caroline Helen Atherton
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Eun Young Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Author: Hyeweon Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Author: Cole Philip Burger
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
This document offers performers, scholars, and enthusiasts of Olivier Messiaen's Vingt Regards sur l'enfant-Jésus a summary of recent research on both the composer and the composition, while probing new directions for future Messiaen and Vingt Regards research. After an opening chapter which contains a brief biography of the composer, Chapter two draws from Messiaen's two theoretical treatises, the Technique de mon Langage Musicale and the Traité de Rythme, de Couleur, et d'Ornithologie to consider analytical issues surrounding the work. These two documents reveal a wealth of rhythmic and harmonic innovations, as well as a unique connection between sound and color. A particularly significant contribution here is the discussion of Traité in the context of the Vingt Regards. In addition to relevant context from before and after the Vingt Regards, Chapter three discusses religious considerations surrounding the work, including Biblical references, cyclical themes, other formal and symbolic considerations, and the influence of Dom Columba Marmion's Christ dans ses mystères. The cogent summary of the Marmion is this chapter's most notable contribution. Chapter four discusses literary considerations relating to the Vingt Regards, including the influences of Messiaen's family, his personal readings and writings, and Maurice Toesca's Les Douze Regards, cited in the preface to the music. The chapter also examines the important connection between the Vingt Regards and L'Âme en bourgeon (The Soul in Bud), a set of poems Messiaen's mother wrote while pregnant with him. The links between the Vingt Regards and L'Âme en bourgeon, deeply analyzed for what is believed to be the first time, are not only thematic, with their similar subjects of birth and infancy, but also include ties to Messiaen's musical forms, a somewhat overlooked and perhaps somewhat criticized element of his musical language. References to "le 'Cas' Messiaen" are part of the document's efforts to show how the analytical, religious, and literary considerations are all deeply interwoven in both the life of the composer and in this monumental work written at such a challenging historical hour.
Author: Hyeweon Lee
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 136
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Book Description
Author: Cagdas Soylar
Publisher: Wipf and Stock Publishers
ISBN: 1532664184
Category : Biography & Autobiography
Languages : en
Pages : 45
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Book Description
Olivier Messiaen was a prominent twentieth-century French composer. His musical language includes highly complicated concepts derived from a variety of sources. Hindu rhythms, Greek rhythms, and bird calls influenced him deeply; his Catholic faith, however, had the greatest impact on his compositions. I provide a detailed analysis of two religiously motivated pieces from his Vingt Regards sur l'Enfant-Jesus (Twenty Gazes upon the Infant Jesus), one of the most remarkable solo piano works of the twentieth-century, to explore how he integrates the Christian theology into his musical language. Je dors, mais mon cœur veille (I sleep but my heart waketh) is a dialogue that represents Messiaen's mystic love of God, whereas Regard des Anges (Gaze of the Angels) is a celebration symbolizing the angels beholding the birth of Jesus Christ. I explain how the entirely different subjects of the two pieces are articulated in the change of pitch collections and rhythmic structures, as well as how the changes of musical language through the use of the different pitch collections generate the formal structure that is related to the biblical source.
