Leonardo on Painting PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Leonardo on Painting PDF full book. Access full book title Leonardo on Painting by Leonardo. Download full books in PDF and EPUB format.
Author: Leonardo
Publisher: Yale University Press
ISBN: 9780300090956
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.
Author: Leonardo
Publisher: Yale University Press
ISBN: 9780300090956
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.
Author: Walter Isaacson
Publisher: Simon and Schuster
ISBN: 1501139177
Category : Biography & Autobiography
Languages : en
Pages : 624
Get Book Here
Book Description
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and life” (The New Yorker). Based on thousands of pages from Leonardo da Vinci’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson “deftly reveals an intimate Leonardo” (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. In the “luminous” (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci “comes to life in all his remarkable brilliance and oddity in Walter Isaacson’s ambitious new biography…a vigorous, insightful portrait” (The Washington Post).
Author: Matt Landrus
Publisher: Springer Science & Business Media
ISBN: 3540689184
Category : Technology & Engineering
Languages : en
Pages : 187
Get Book Here
Book Description
Although Leonardo’s Giant Crossbow is one of his most popular drawings, it has been one of the least understood. "Leonardo’s Giant Crossbow" offers the first in-depth account of this drawing’s likely purpose and its highly resolved design. This fascinating book has a wealth of technical information about the Giant Crossbow drawing, as it’s a complete study of this project, though this is as accessible to the general audience as much as it is also informative with new discoveries for the professors of engineering, technology and art. The book explores the context of Leonardo’s invention with an examination of the extensive documentary evidence, a short history of the great crossbow and ballista, the first accurate translation of the text and the technical specifications, and a detailed analysis of Leonardo’s design process for the crossbow, from start to finish. Dozens of preparatory drawings, along with the recent discovery of nearly invisible metal stylus preparatory incisions under the ink of the Giant Crossbow drawing, are evidence of Leonardo’s intent to offer engineers and other viewers a thorough design of the massive machine. The book proposes these new discoveries with the help of a strategy that had been at the core of Leonardo’s working philosophy: the proportional method. As proven with an analysis of the Giant Crossbow project, he used a consistent approach to 1/3rd proportions throughout the design and drawing process and employed this kind of proportional strategy at the start of almost every important project. Thanks to this proof of his knowledge of geometry, evidence of his studies of impetus and force, and thanks to the highly polished and complex nature of the Giant Crossbow design, a later date for the drawing is proposed in the present book, associating the drawing with his drafting capabilities around 1490-93.
Author: Dave DeWitt
Publisher: Sunbelt Editions
ISBN: 9780983251538
Category :
Languages : en
Pages : 224
Get Book Here
Book Description
With wars among the city-states raging in early Renaissance Italy, the enigmatic genius Leonardo da Vinci was producing some of the most lavish theatrical productions and banquets Europe has ever seen in the Sforza Court in Milan, while personally living a nearly monastic life, eating the most basic vegetarian foods. Leonardo's food history is just a part of the fascinating and little known story of the origins of Italian cuisine. The tale begins in the early Renaissance with the first superstar chefs, Maestro Martino and Platina, whose cookbooks literally set the stage for the evolution of the cooking of Italy. Both of these cooks moved away from the use of imported spices in favor of local aromatic herbs. The introduction of new crops into Italy soon transformed the cuisine of the regions. Rice became risotto, durum wheat became pasta, and sugarcane became sugar and replaced honey, forever changing the nature of Italian sweets and desserts. Despite near starvation for the poor, the wealthy courts of the city states indulged themselves with fantastic feasts and elaborate spectacles. Leonardo produced The Masque of the Planets, a multimedia entertainment that made him famous all over Italy. After Columbus's first voyage, a second wave of new foods arrived in Italy. Maize (corn) became polenta, tomatoes changed the way pasta was eaten, and peppers eventually spiced up Italy's regional cuisines. The complete development and transformation of Italian cuisine is revealed in Da Vinci's Kitchen, including fascinating sidebars, Renaissance frustrations, original recipes from the masters of early Italian cooking, and some modern adaptations of these recipes, including Leonardo's own salad dressing. Part history, part biography, and part cookbook, this fascinating exploration of an as-yet unexamined facet of Leonardo da Vinci's life focuses on what and how he ate. Da Vinci lived to be 67-nearly twice the average life span at the time-and his longevity may well have been due to his diet, which is reconstructed here complete with his notes on ingredients, portions, cooking, drinking, and kitchen inventions. The great artist, scientist, and inventor was no slouch in the kitchen, having worked as a kind of theatrical caterer, producing feasts with extravagant menus for royalty. This book unlocks his cooking code and the food history of his day, bringing 30 recipes up to date, including an exotic saffron risotto with duck and mushrooms fit for a Medici.
Author: Harvey Rachlin
Publisher: Penguin
ISBN: 9780143038351
Category : Art
Languages : en
Pages : 370
Get Book Here
Book Description
The secret histories of the world’s most famous masterpieces Caravaggios, Rembrandts, Monets—the works of immortal artists such as these are indelibly imprinted in the public mind; they are priceless masterpieces whose beauty, artistry, and emotional impact have inspired admiration, awe, and envy through the centuries. Yet behind many of these brilliant paintings and sculptures are fascinating, unique histories. In Scandals, Vandals, and da Vincis, award-winning writer Harvey Rachlin relates in exciting detail how nearly thirty of these works came to be created and how they survived burglary, forgery, revolutions, ransoms, vandals, scandals, religious sects, and shipwrecks to eventually come to their current resting places
Author: Robin Stevens Payes
Publisher:
ISBN: 9781937650933
Category : Young Adult Fiction
Languages : en
Pages : 168
Get Book Here
Book Description
In this second book of the Edge of Yesterday series, Charley Morton, girl inventor extraordinaire, is determined to hack time. When her model for a time machine accidentally ignites, Charley's sent whirling back 500 years, coming face-to-face with her Renaissance idol, Leonardo da Vinci. It's a perfect scenario for the Renaissance-girl wannabe. Until the news: Her mother is gravely ill. Charley must get home! Can she reverse-engineer time travel . . . and what future will she encounter if she succeeds?
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Get Book Here
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Anneke Andersen
Publisher: Xlibris Corporation
ISBN: 1543470637
Category : Fiction
Languages : en
Pages : 234
Get Book Here
Book Description
Eva and Delilah da Vinci think their lives are normal, until war comes to Turin, Italy, and they are forced to evacuate the country. On their journey, they find out they aren't quite as normal as they thought, and neither is the war, which turns out to be a battle between good and evil, man against a dark force. Together, the da Vinci girls team up with wizards and a British agent to defeat this dark force. Join the da Vinci girls as they battle giants, wizards, dragons, and other magical creatures on their quest to find the crystals of Shemrah and save the world.
Author: David Hawcock
Publisher: Courier Dover Publications
ISBN: 0486836479
Category : Juvenile Nonfiction
Languages : en
Pages : 49
Get Book Here
Book Description
Painter, architect, scientist, inventor—Leonardo da Vinci ranks as history's consummate innovator. Consumed with a boundless desire for knowledge, he investigated technical challenges that were hundreds of years ahead of his time. The power of flight was a particular source of fascination for him, and his close studies of bird anatomy and movement informed his development of the ornithopter — a winged, human-powered aircraft. With Leonardo's da Vinci's Flying Machine, you can create a fully working model of the inventor's amazing creation. This self-contained model kit features a 48-page book with details from Leonardo's notebooks plus full-color, easily joined components. Once assembled, the wings flap by turning a crank. Like the prototype, your model won't actually fly, but you'll have an amazing replica of one of the Renaissance genius's most famous futuristic inventions.
Author: Toby Lester
Publisher: Simon and Schuster
ISBN: 1439189250
Category : History
Languages : en
Pages : 312
Get Book Here
Book Description
In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
