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Author: Paul Goldman
Publisher: David R Godine Pub
ISBN: 9781567920147
Category : Art
Languages : en
Pages : 144
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Book Description
For many book collectors, the Victorian period has always held a special fascination. These books were frequently illustrated by artists of immense talent, cased in exquisite bindings, and printed directly from wood blocks engraved by master craftsmen. One of this century's greatest collection of such books, formed by Robin de Beaumont, was recently donated to the British Museum. Victorian Illustrated Books is one of the few volumes devoted exclusively to this fascinating period. Containing a checklist of all 366 books and one hundred illustrations, drawings, and preliminary sketches, it presents a fully illustrated commentary on a collection of books that is outstanding for both its condition and the range of materials it holds. Here are children's books, secular and religious texts, novels, and gift books. The list of artists whose work is represented reads like a "Who's Who" of Victorian art: Edward Burne-Jones, Frederic Leighton, Dante Gabriel Rossetti, John Everett Millais, and Arthur Boyd Houghton, as well as some of the finer later artists, such as Whistler, Sandys, and Shields. In addition, eight splendid bindings have been reproduced in full color. As the book demonstrates, the de Beaumont is arguably the most distinguished collection of such books ever assembled. And in this comprehensive and beautifully designed catalogue, collectors and institutions will finally have a reference work that is equal to the indisputable quality of the materials it so authoritatively discusses.
Author: Paul Goldman
Publisher: David R Godine Pub
ISBN: 9781567920147
Category : Art
Languages : en
Pages : 144
Get Book Here
Book Description
For many book collectors, the Victorian period has always held a special fascination. These books were frequently illustrated by artists of immense talent, cased in exquisite bindings, and printed directly from wood blocks engraved by master craftsmen. One of this century's greatest collection of such books, formed by Robin de Beaumont, was recently donated to the British Museum. Victorian Illustrated Books is one of the few volumes devoted exclusively to this fascinating period. Containing a checklist of all 366 books and one hundred illustrations, drawings, and preliminary sketches, it presents a fully illustrated commentary on a collection of books that is outstanding for both its condition and the range of materials it holds. Here are children's books, secular and religious texts, novels, and gift books. The list of artists whose work is represented reads like a "Who's Who" of Victorian art: Edward Burne-Jones, Frederic Leighton, Dante Gabriel Rossetti, John Everett Millais, and Arthur Boyd Houghton, as well as some of the finer later artists, such as Whistler, Sandys, and Shields. In addition, eight splendid bindings have been reproduced in full color. As the book demonstrates, the de Beaumont is arguably the most distinguished collection of such books ever assembled. And in this comprehensive and beautifully designed catalogue, collectors and institutions will finally have a reference work that is equal to the indisputable quality of the materials it so authoritatively discusses.
Author: Paul Goldman
Publisher: London : Published for the Trustees of the British Museum by British Museum Press
ISBN:
Category : Illustrated books
Languages : en
Pages : 156
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Book Description
Author: Richard Maxwell
Publisher: University of Virginia Press
ISBN: 9780813920979
Category : Art
Languages : en
Pages : 484
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Book Description
US scholars of literature explore how illustrated books became a cultural form of great importance in England and Scotland from the 1830s and 1840s to the end of the century. Some of them consider particular authors or editions, but others look at general themes such as illustrations of time, maps and metaphors, literal illustration, and city scenes. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Paul Goldman
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 420
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Book Description
"This book aims to provide the reader with a reasoned and a comprehensive corpus of a substantial proportion of the wood-engraved book and magazine illustrations of ... 'The Sixties' ... [although] the period covered is roughly 1855-80"--Preface.
Author: Paul Goldman
Publisher: Routledge
ISBN: 131707095X
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
In a reevaluation of that period in Victorian illustration known as 'The Sixties,' a distinguished group of international scholars consider the impact of illustration on the act of reading; its capacity to reflect, construct, critique and challenge its audience's values; its response to older graphic traditions; and its assimilation of foreign influences. While focused on the years 1855 to 1875, the essays take up issues related to the earlier part of the nineteenth century and look forward to subsequent developments in illustration. The contributors examine significant figures such as Ford Madox Brown, Frederick Sandys, John Everett Millais, George John Pinwell, and Hablot Knight Browne in connection with the illustrated magazine, the mid-Victorian gift book, and changing visual responses to the novels of Dickens. Engaging with a number of theories and critical debates, the collection offers a detailed and provocative analysis of the nature of illustration: its production, consumption, and place within the broader contexts of mid-Victorian culture.
Author: Alexis Weedon
Publisher: Routledge
ISBN: 1351875868
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.
Author: Stella Margetson
Publisher: Holmes & Meier Publishers
ISBN:
Category : History
Languages : en
Pages : 224
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Book Description
Author: Katherine Haskins
Publisher: Routledge
ISBN: 1351546287
Category : Art
Languages : en
Pages : 226
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Book Description
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Author: Rosemary Mitchell
Publisher: OUP Oxford
ISBN: 0191543225
Category : History
Languages : en
Pages : 330
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Book Description
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
Author: Sheila Murnaghan
Publisher: Oxford University Press
ISBN: 0191091952
Category : Fiction
Languages : en
Pages : 441
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Book Description
The dissemination of classical material to children has long been a major form of popularization with far-reaching effects, although until very recently it has received almost no attention within the growing field of classical reception studies. This volume explores the ways in which children encountered the world of ancient Greece and Rome in Britain and the United States over a century-long period beginning in the 1850s, as well as adults' literary responses to their own childhood encounters with antiquity. Rather than discussing the role of classics in education, it focuses on books read for enjoyment, and on two genres of children's literature in particular: the myth collection and the historical novel. The tradition of myths retold as children's stories is traced in the work of writers and illustrators from Nathaniel Hawthorne and Charles Kingsley to Roger Lancelyn Green and Ingri and Edgar Parin D'Aulaire, while the discussion of historical fiction focuses particularly on the roles of nationality and gender in the construction of an ancient world for modern children. The book concludes with an investigation of the connections between childhood and antiquity made by writers for adults, including James Joyce, Virginia Woolf, and H.D. Recognition of the fundamental role in children's literature of adults' ideas about what children want or need is balanced throughout by attention to the ways in which child readers have made such works their own. The formative experiences of antiquity discussed throughout help to explain why despite growing uncertainty about the appeal of antiquity to modern children, the classical past remains perennially interesting and inspiring.
