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Author: James de Jongh
Publisher: Cambridge University Press
ISBN: 0521326206
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
This book concentrates on the aesthetic and cultural force of Harlem, which inspired writers from Sherwood Anderson to Tom Wolfe.
Author: James de Jongh
Publisher: Cambridge University Press
ISBN: 0521326206
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
This book concentrates on the aesthetic and cultural force of Harlem, which inspired writers from Sherwood Anderson to Tom Wolfe.
Author: Edward Michael Pavlić
Publisher: U of Minnesota Press
ISBN: 9780816638925
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
"Crossroads Modernism provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African American modernist creative process. Whereas much has been said about the (generally racist) use of blackness in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of blackness in African American aesthetics". --Publisher.
Author: Heather Hathaway
Publisher: Oxford University Press
ISBN: 0195352629
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering works by writers ranging from B.A. Botkin, T.S. Eliot, Waldo Frank, and Jean Toomer to Pedro Pietri and Allen Ginsberg, these essays examine the disputed relationships between modernity, modernism, and American cultural diversity. In so doing, the collection as a whole adds an important new dimension to our understanding of twentieth-century literature.
Author: P. Caughie
Publisher: Springer
ISBN: 0230274293
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.
Author: Sieglinde Lemke
Publisher: Oxford University Press
ISBN: 0195344545
Category : History
Languages : en
Pages : 192
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Book Description
This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.
Author: Michael H. Whitworth
Publisher: John Wiley & Sons
ISBN: 0470779896
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This guide helps readers to engage with the major critical debates surrounding literary modernism. A judicious selection of key critical works on literary modernism Presents a critical history from the earliest reviews to the most recent theoretical assessments Shows how modernist writers understood and constructed modernism. Shows how succeeding generations have developed those constructions and brought new interpretations to bear on the subject Discusses how modernism relates to modernity and odernization, and to other literary and cultural movements Texts have been selected for their relevance to the questions surrounding modernism, and for their accessibility to readers with a limited knowledge of the modernist canon Includes a glossary and an annotated bibliography.
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 0521841321
Category : History
Languages : en
Pages : 469
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Book Description
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Author: Susan Stanford Friedman
Publisher: Columbia University Press
ISBN: 0231539479
Category : Literary Criticism
Languages : en
Pages : 466
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Book Description
Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study. Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.
Author: Darryl Dickson-Carr
Publisher: Univ of South Carolina Press
ISBN: 1611174937
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
An examination of satirical texts from the first major African American literary movement Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York-based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody. The Harlem Renaissance was simultaneously the first major African American literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. Schuyler, writer-editor-poet Wallace Thurman, physician Rudolph Fisher, and artist Richard Bruce Nugent found satire an attractive means to criticize not only American racism, but also the trials of American culture careening toward modernity. Frequently, they directed their satiric barbs toward each other, lampooning the painful processes through which African American artists struggled with modernity, often defined by fads and superficial understandings of culture. Dickson-Carr argues that these satirists provided the Harlem Renaissance with much of its most incisive cultural criticism. The book opens by analyzing the historical, political, and cultural circumstances that allowed for the "New Negro" in general and African American satire in particular to flourish in the 1920s. Each subsequent chapter then introduces the major satirists within the larger movement by placing each author's career in a broader cultural context, including those authors who shared similar views. Spoofing the Modern concludes with an overview that demonstrates how Harlem Renaissance authors influenced later cultural and literary movements.
Author: Matthew Hofer
Publisher: University of Alabama Press
ISBN: 0817360611
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
"A study of modernist poets who, finding both support and stimulation in popular political theory, were committed to transforming their art in and through attempts to engage the evolving concept of the public sphere"--
