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Author: Vicente Huidobro
Publisher: New Directions Publishing
ISBN: 9780811208048
Category : Literary Criticism
Languages : es
Pages : 272
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Book Description
"He is the invisible oxygen of our poetry."--Octavio Paz
Author: Vicente Huidobro
Publisher: New Directions Publishing
ISBN: 9780811208048
Category : Literary Criticism
Languages : es
Pages : 272
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Book Description
"He is the invisible oxygen of our poetry."--Octavio Paz
Author: Vicente Huidobro
Publisher: Saint Paul, Minn. : Graywolf Press
ISBN: 9781555971069
Category : Poetry
Languages : en
Pages : 167
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Book Description
Revised edition of a Latin American classic in a tour-de-force translation.
Author: Vicente Huidobro
Publisher: Wesleyan University Press
ISBN: 9780819566782
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
Revised edition of a Latin American classic in a tour-de-force translation.
Author: Martin Puchner
Publisher: Princeton University Press
ISBN: 9780691122601
Category : Art
Languages : en
Pages : 340
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Book Description
Martin Puchner tells the story of political and artistic upheavals through the political manifestos of the 19th and 20th centuries. He argues that the manifesto was the genre through which modern culture articulated its revolutionary ambitions and desires.
Author: René de Costa
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : es
Pages : 232
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Book Description
Author: Jesús Sepúlveda
Publisher: BrownWalker Press
ISBN: 1627345760
Category : Poetry
Languages : en
Pages : 201
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Book Description
Poets on the Edge critically explores the relationship between poetry and its context through the work of four Latin American poets: Chilean Vicente Huidobro (1898-1948), Peruvian César Vallejo (1893-1938), Chilean Juan Luis Martínez (1943-1993), and Argentine Néstor Perlongher (1949-1992). While Huidobro and Vallejo establish their poetics on the edge in the context of worldwide conflagrations and the emergence of the historical avant-garde during the first half of the twentieth century, Martínez and Perlongher produce their work in the context of the Chilean and Argentine dictatorships respectively, developing different strategies to overcome the panoptic societies of control installed throughout the 1970s and 1980s. Martínez recreates the avant-garde tradition in a playful manner to avoid censorship and also proposes a philosophical poetics to stage a utopian project oriented toward redesigning the house of civilization that has fallen apart. Perlongher unfolds his peculiar Neobaroque sensitivity in order to reshape the complex Latin American identities, culminating his poetic project with two collections written under the influence of ayahuasca-based ceremonies. Poets on the Edge offers the reader a new understanding of the hybrid and edgy nature of Latin American poetics and subjectivity as well as of the evolution of poetry written in Spanish during the twentieth century.
Author: Luis Camnitzer
Publisher: University of Texas Press
ISBN: 9780292716292
Category : Art
Languages : en
Pages : 368
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Book Description
Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Símon Rodríguez, Símon Bolívar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucumán arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is known as "political art."
Author: Cecilia Vicuña
Publisher:
ISBN: 0195124545
Category : Literary Collections
Languages : en
Pages : 603
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Book Description
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Author: David Spooner
Publisher: University Press of America
ISBN: 9780761818786
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
This book is an extension of Dr. Spooner's previous work on the interplay of insect processes and human culture as discussed in The Metaphysics of Insect Life (ISP, 1995). It continues the application of the literary, philosophical, and scientific methods employed there to the main currents in the evolution of modern Hispanic literature.
Author: Greg Dawes
Publisher: Bucknell University Press
ISBN: 9780838756430
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Verses Against the Darkness: offers a new assessment of Pablo Neruda's poetry by looking at the intersection of his aesthetic method and political radicalism from 1925 to 1954. It challenges the canonical view that Neruda was a gifted verse maker who, in 1936, let himself be carried away by the excesses of communist politics. Instead, by focusing primarily on Tercera residencia (1935-1945), Greg Dawes argues for an uneven yet steady evolution and continuity in Neruda's work, politics, and morality. Dawes relies on historical accounts, biographies, literary history, and criticism - and on Neruda's political and aesthetic theory - to prove that his poetry became, contrary to received critical opinion, more sophisticated literarily and politically as he became more radicalized during the Spanish Civil War and World War II and as he developed his dialectical realism or guided spontaneity. Greg Dawes is Associate Professor of Latin American and World Literatures at North Carolina State University and is the editor of the on-line journal A contracorriente.
