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Author: Maurice Basil McNamee
Publisher: Peeters Publishers
ISBN: 9789042900073
Category : Art
Languages : en
Pages : 408
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Book Description
Mc Namee's detailed and well illustrated new study is about eucharistic symbolism in Early Netherlandish painting. It focuses on the pervading presence of the vested angel in this school of painting and its eucharistic significance. These angels, dressed in every possible variation of the vestements of the subministers of the traditional Solemn High Mass, are represented as serving the Christ in each episode of His life. The history of the vested angel is traced through numerous paintings representing scenes from the life of Christ' from the Annunciation through the Last Judgement. The theological basis of this study is offered in a discussion of Maurice de la Taille's Mysterium Fidei, a theory of Mass that best parallels the concept of Eucharistic symbolism in Early Netherlandish painting. Colour illustrations and over a hundred photographs of the original paintings help the reader to follow this fascinating analysis.
Author: Maurice Basil McNamee
Publisher: Peeters Publishers
ISBN: 9789042900073
Category : Art
Languages : en
Pages : 408
Get Book
Book Description
Mc Namee's detailed and well illustrated new study is about eucharistic symbolism in Early Netherlandish painting. It focuses on the pervading presence of the vested angel in this school of painting and its eucharistic significance. These angels, dressed in every possible variation of the vestements of the subministers of the traditional Solemn High Mass, are represented as serving the Christ in each episode of His life. The history of the vested angel is traced through numerous paintings representing scenes from the life of Christ' from the Annunciation through the Last Judgement. The theological basis of this study is offered in a discussion of Maurice de la Taille's Mysterium Fidei, a theory of Mass that best parallels the concept of Eucharistic symbolism in Early Netherlandish painting. Colour illustrations and over a hundred photographs of the original paintings help the reader to follow this fascinating analysis.
Author: Carolyn Marino Malone
Publisher: BRILL
ISBN: 9047405315
Category : History
Languages : en
Pages : 326
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Book Description
This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century Church liturgy and politics. The façade promoted the aims of the church of Wells, the Fourth Lateran Council, and the English Church and State following Magna Carta.
Author: Dylan David Potter
Publisher: BoD – Books on Demand
ISBN: 0227176316
Category : Religion
Languages : en
Pages : 228
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Book Description
Angels have fascinated people for millennia because they point to an invisible dimension that parallels our own. This book examines the different ways that angels have been portrayed at certain key points in biblical and theological history. By tracing patterns in the appearance of higher-order beings from their ancient Near Eastern origins, the Hebrew Scriptures, the writings of Pseudo-Dionysius, Thomas Aquinas, Karl Barth, and even modern New Age writers, Angelology demonstrates that angels allow various authors to emphasise divine transcendence, immanence, and creativity. Identifying the theological purpose underlying the depiction of angels at certain key points in the history of their use raises new questions about how angels are to be understood by people today.
Author: Margaret Barker
Publisher: A&C Black
ISBN: 0567600580
Category : Religion
Languages : en
Pages : 438
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Book Description
Margaret Barker has been researching and writing about the Jerusalem temple for over twenty years. Many of her studies have remained unpublished. Here for the first time her work on the roots of Christian liturgy has been brought together.Whereas most scholarship has concentrated upon the synagogue, Margaret Barker's work on the Jerusalem temple contributes significantly to our understanding of the meaning and importance of many elements of Christian liturgy which have hitherto remained obscure. This book opens up a new field of research.The many subjects addressed include the roots of the Eucharist in various temple rituals and offerings other than Passover, the meaning of the holy of holies and the Christian sanctuary, the cosmology of temple and church, the significance of the Veil of the Temple for understanding priesthood and Incarnation, the Holy Wisdom and the Mother of God, angels and priesthood, the concept of unity, the high priestly tradition in the early church and evidence that Christianity was a conscious continuation of the temple.All scholars and students whose interest encompasses the origins of Christian (and Orthodox) liturgy, the Old Testament, early Christianity, Jewish Christian relations, Platonism and the origins of Islam will find this book a hugely rewarding source of information and new ideas.
Author: Barbara von Barghahn
Publisher: Pindar Press
ISBN: 1915837049
Category : Art
Languages : en
Pages : 887
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Book Description
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henry the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in the light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy. Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders. In 1993, she was conferred O Grao Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.
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Languages : en
Pages : 884
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Languages : en
Pages : 406
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Languages : en
Pages : 602
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Author: Judith H. Oliver
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
A prized possession of the Cistercian convent of Marienbrunn in Rulle near Osnabruck in northern Germany was its richly illuminated gradual dating to c. 1300, which is of great significance in the history of medieval art for several reasons. With 52 historiated initials iconographically complex in their literary quotations from the liturgy, the manuscript ranks as one of the most lavishly decorated books of its type to survive. Painted in an elegant courtly Gothic style, it is ascribed in a prefatory inscription to the nun Gisela von Kerssenbrock, who wrote, notated, and decorated the manuscript "with golden letters and beautiful images." Such an encyclopedic listing of a scribe-artist's labors is unparalleled in medieval scribal colophons. The high quality of the miniatures ranks her among the most gifted women artists of the Middle Ages. Gisela is depicted in two self-portraits within the manuscript, in one of which she is leading the nuns of Rulle in singing the Christmas hymn, visual evidence that she was the choirmistress at this convent. The manuscript's images reflect the intellectual ambience of encloistered nuns who were steeped in the annual liturgical cycle of feasts with its associated bible readings, theological commentary, sermons, music, dramatic ritual, and artistic decoration. As it was used in the nuns' daily celebration of the mass, the book is an eloquent witness of the communal religious life of medieval women rather than their private meditations or mystical experiences.This study explores the imagery and texts associated with major feasts of the liturgical year and the novel ways in which music and text are woven into the artistic program of Gisela's manuscript. In particular, her book shows the seminal importance of the Easter celebration for convent life, as well over half of its illustrations are clustered in the Easter season; and the manuscript repeatedly gives artistic expression to the nuns' hopes of heaven.
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Publisher: BRILL
ISBN: 9004401792
Category : History
Languages : en
Pages : 351
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Book Description
This book focuses on polemical religious texts of Iberia’s long fifteenth century, a period characterized by both social violence and cultural exchange. It highlights how polemical texts often reveal the interconnected nature of social and cultural intimacy, promoting dialogue and cultural transfer.