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Author: Brian Delford Andrews
Publisher: Culicidae Architectural Press
ISBN: 9781683150251
Category :
Languages : en
Pages : 0
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Book Description
The drawing has always been our most essential method of communication. Drawings have offered us both a glimpse into the past and a view to the future. As a vehicle of transferring ideas, it is without equal. As the computer gains ground in our society, the drawing and the ability to execute it are diminishing. Many architectural educators continue to extol the virtues of the drawing and the sketch; however, students seem to not comprehend the value and the didactic nature of this fundamental act. The availability of paper during the Renaissance, ushered in a power, recognition and acceptability of the drawing. Suddenly an architect or artist could sketch an idea and the concept could be communicated to others far afield. This phenomenon has remained unchanged for hundreds of years. It lingers today; however, it increasingly is seldomly used. Sketches today are seen more as trophies of the past. Designers often create the sketches after the design is finished, as a nod to the past and as proof of their all too false process. Over the last thirty-five years, Andrews has discovered some interesting and disturbing things about the act of drawing. One should understand the nuances of the both the process and the product. It is a tremendously time-consuming action that offers no easy answers. One should both comprehend and value the end product. One should take possession of the project through the medium of the drawing and know it intimately by constructing it through that process. There are times when the act is accompanied by a sensation that is almost audible. This perception is brought on only by this particular type of toil. The drawing must become part of you.
Author: Brian Delford Andrews
Publisher: Culicidae Architectural Press
ISBN: 9781683150251
Category :
Languages : en
Pages : 0
Get Book
Book Description
The drawing has always been our most essential method of communication. Drawings have offered us both a glimpse into the past and a view to the future. As a vehicle of transferring ideas, it is without equal. As the computer gains ground in our society, the drawing and the ability to execute it are diminishing. Many architectural educators continue to extol the virtues of the drawing and the sketch; however, students seem to not comprehend the value and the didactic nature of this fundamental act. The availability of paper during the Renaissance, ushered in a power, recognition and acceptability of the drawing. Suddenly an architect or artist could sketch an idea and the concept could be communicated to others far afield. This phenomenon has remained unchanged for hundreds of years. It lingers today; however, it increasingly is seldomly used. Sketches today are seen more as trophies of the past. Designers often create the sketches after the design is finished, as a nod to the past and as proof of their all too false process. Over the last thirty-five years, Andrews has discovered some interesting and disturbing things about the act of drawing. One should understand the nuances of the both the process and the product. It is a tremendously time-consuming action that offers no easy answers. One should both comprehend and value the end product. One should take possession of the project through the medium of the drawing and know it intimately by constructing it through that process. There are times when the act is accompanied by a sensation that is almost audible. This perception is brought on only by this particular type of toil. The drawing must become part of you.
Author: Brian Andrews
Publisher: Culicidae Architectural Press
ISBN: 9781683150305
Category :
Languages : en
Pages : 540
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Book Description
The drawing has always been our most essential method of communication. Drawings have offered us both a glimpse into the past and a view to the future. As a vehicle of transferring ideas, it is without equal. As the computer gains ground in our society, the drawing and the ability to execute it are diminishing. Many architectural educators continue to extol the virtues of the drawing and the sketch; however, students seem to not comprehend the value and the didactic nature of this fundamental act.As one renders an architectural drawing, one must consider all aspects of the scene; the material, the details, the sun, the space. The immediacy of the decisions cannot be overstated.Many consider Michelangelo the first to execute both the 'presentation' drawing as well as the 'working' drawing. Michelangelo completed a number of drawings representing the niches in the Laurentian Library, which he apparently gifted to friends. These drawings mark the beginnings of the drawing as an object, something that could be saved and gazed upon. The architectural drawing was no longer merely a communication device, it had become an artifact itself. Michelangelo is also responsible during the construction of Saint Peter's Basilica, for the first use of drawings as elements that were used on the site as references for construction.Over the last thirty-five years, Andrews has discovered some interesting and disturbing things about the act of drawing. One should understand the nuances of the both the process and the product. It is a tremendously time-consuming action that offers no easy answers. One should both comprehend and value the end product. One should take possession of the project through the medium of the drawing and know it intimately by constructing it through that process. There are times when the act is accompanied by a sensation that is almost audible. This perception is brought on only by this particular type of toil. The drawing must become part of you.
Author: Brian Delford Andrews
Publisher: Culicidae Architectural Press
ISBN: 9781683150169
Category : Architecture
Languages : en
Pages : 132
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Book Description
From the Introduction Como's Asilo D'Infanzia Sant'Elia occupies a unique position in the oeuvre of Giuseppe Terragni. Executed between his two most celebrated works, the Casa del Fascio of 1932, and the Casa Giuliani Frigerio of 1939, Terragni was possibly at the apex of his architectural prowess, via imagination and creativity, at its execution. The building itself is a physical manifestation encompassing Terrangni's seminal ideas and theories on architecture and urbanism. [...] The Asilo, a public nursery school, was a relatively modest project, situated in a working class quarter of Como, just south of the city walls. Its humble location alone rendered the project a departure from the conspicuously public site of the Casa del Fascio, located directly behind the Duomo in the center of town. [...] It is one of the few projects that utilize all of Terragni's architectural canons. It remains the only built project that is neither a casa del fascio, nor a tomb or residential project. The Asilo remains a building largely ignored by both the academy and the architecture profession. However, this humble yet monumental building holds within it a culmination of the lessons and ideas of one of the modern architectural masters of the twentieth century. Careful analysis of this building reveals moments where architecture and meaning come together with both subtlety and consequence. [...] This building represents an unadulterated intellectual exercise where construction, technique, and art are held in careful balance. Marcello Piacentini, the most powerful and influential of all the Italian Fascist architects, known best for the Palazzo di Giustizia in Milan and La Sapienza University of Rome, proposed dividing the built environment into one of two types. The first type is clothed in 'underwear', referring to its need for rationalism and structure, and the other clothed in 'evening dress', based on primarily the use of sumptuous materiality. Terragni's Asilo maintains its own category, clothed in a simple white pinafore, a child's smock, similar to those once worn by the very students who have occupied its halls. This nursery school still appears as decidedly modern and relevant as the day it was completed. What Others Say About the Book: In Rationalism and Poetry we finally get an update to the voluminous Schumacher works [from the early 1990s] and, this time, rendered from an architect's perspective. Where Schumacher conducted a historian's reconstruction, Andrews draws for us an architect's analysis. He minutely examines, and often diagrams, the corpus of each building-not in relationship to history but relative to the bodies of other buildings both historic and contemporary. In this concise volume, each chapter becomes a frame for considering one aspect of Terragni's enigmatic design. Robert Miller, Tucson As pointed out by Igor Stravinsky, in the first page of his book Poetics of Music, "poetic" is a word related to the concept of "making", of "doing". Brian Andrews [...] uses the tool of drawing to dissect the Asilo Sant'Elia, unveiling the compositional principles, the design strategies and the hidden geometries, recognizing the parts and elements, exposing the mechanisms of this particular "machine for teaching and learning". At the same time the author's reflections on the urban issues [...], Terragni's proximity to the world of art (Radice, of course, and the other members of the "Astrattismo Comasco" movement, with a fertile cross-pollination between painting and architecture), the reference to the Italian architectural tradition (Michelangelo, the reinterpretation of classical architectural themes), complete Andrews' lively and affectionate portrait of Terragni, an architect who preferred to make architecture (with a strong and personal poetic), instead of being a theoretician. Patrizio M. Martinelli, Oxford, Ohio
Author: Marian Mathews Clark
Publisher:
ISBN: 9781683150220
Category :
Languages : en
Pages : 216
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Book Description
'These Doors' presents Timber (Pop. 50), sequestered in the Oregon woods from which few emigrate and fewer want to. In the style of a novel where plot threads unfold chronologically from 1959 to 1983, characters appear and reappear. They remember blackout curtains and their neighbor killed in Pearl Harbor, haggle over spotted owls and clear cutting, mourn fellow loggers killed in the woods, voice curiosity about Chet who shows up from eastern Oregon to extract his son from white man's land, and are suspicious of the hippies on the old Marshall place who log with mules. They disagree about whether or not the preacher who claims he saw God is crazy and if the ex-con who returns from prison with a new wife killed his old one. But they agree that the Portland transplant who pushes her petitions 'for the good of Timber' is a pain in the ass and that the poem over the entry of the Timber Valley Store that says "The best people in the world pass through these doors," is mostly true.
Author: Lassi A. Liikkanen
Publisher: Culicidae Architectural Press
ISBN: 9781683150619
Category :
Languages : en
Pages : 0
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Book Description
A Handbook for Experience-Driven Sauna DesignFor Builders of Rustic Sauna Cabins and Designers of Contemporary Apartment SaunasAre you planning a new sauna, renovating an old one, or just dreaming? Do yourself a favor. Save your sauna project and read this wonderfully illustrated book about the design of authentic Finnish saunas!New research has identified Finnish sauna bathing as a source of numerous health benefits. To enjoy these effects, one needs a proper Finnish sauna. This book presents the collective wisdom accumulated by Finnish sauna builders, designers, and researchers across centuries, enabling anyone, anywhere, to design a pleasant bath house for family and friend to enjoy. This book provides answers to three major questions:What is a Finnish sauna?What you should require from its design?How to design a Finnish sauna in detail? The book covers all aspects needed to design a functional, healthy, and delightful sauna, from heating and air quality to interior design. It instructs the reader how to master both tangible and intangible, visible and invisible elements of a sauna. The book puts a special emphasis on the sauna experience, living up to the belief that short-term satisfaction is the first step towards long-term health benefits. It features examples of contemporary Finnish sauna design and outlines why a true sauna experience is so much more than merely 'a hot room'.Author Dr. Lassi A Liikkanen (Aalto University) is a designer and scholar. The book is based on five years of intensive research and interviews of key Finnish sauna experts. For his sauna-focused website at Saunologia.fi, he has authored over two hundred articles. His academic accomplishments include nearly one hundred peer-reviewed papers, the latest of those around sauna bathing!"Lassi Liikkanen knows good sauna design. He also knows how critical good design is to enjoying the authentic Finnish bathing experience. I enthusiastically support this effort to share his special knowledge and sauna wisdom with the world."Mikkel Aaland, author of Sweat, and host of the documentary series, Perfect Sweat.
Author: C. Arthur Croyle
Publisher: Culicidae Architectural Press
ISBN: 9781683150145
Category :
Languages : en
Pages : 350
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Book Description
A biography about the graphic designer Max Hertwig who worked at the beginning of the 20th century with and for such masters of design as Peter Behrens, Walter Gropius, and Ludwig Mies van der Rohe. Chamelion- and Zelig-like he happened to be in the right places at the right time without getting much attention for his substantial contributions to the discipline and profession of graphic design. This book, by Hertwig's grandson C. Arthur Croyle¿a well-known illustrator and painter¿provides a comprehensive and exhaustive study of Hertwig's amazing, yet almost forgotten work. Croyle¿s story of Hertwig serves as a vehicle to chronicle the events, movements, and people who impacted art and design during the culturally and politically dynamic era in the early part of the 20th century. Hertwig¿s professional activities intersect with Peter Behrens, Walter Gropius, and Mies van der Rohe, among other bright stars of architecture, graphic design, and art, and includes participation in landmark design work for such companies as AEG (General Electric Company of Germany) and the Fagus Factory, design initiatives that preceded and shaped the foundation for the Bauhaus philosophy.
Author: Harry Merritt
Publisher: Lulu.com
ISBN: 0615186963
Category : Reference
Languages : en
Pages : 62
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Book Description
A book that teaches hands-on perspective drawing using the projected image method developed by architect and former University of Florida architecture professor Harry Merritt. The book includes detailed instructions on how to generate one-, two- and three-point perspectives. With many illustrations and a Preface by Culicidae Architectural Press editor Mikesch Muecke.
Author: Ben Jacks
Publisher: Culicidae Architectural Press
ISBN: 9781941892022
Category :
Languages : en
Pages : 172
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Book Description
If you want to be a good designer, set aside the glossy magazines, turn off your computer, and seek out first-hand encounters with good design. When it comes to cities, buildings, and art, actual experience is almost always better than the virtual kind. No image can replicate Le Corbusier's Ronchamp when the light is just right, or capture the silent speech one hears on a stroll through Ian Hamilton Finlay's Little Sparta, or explain hours dissolving in Peter Zumthor's baths at Vals. That is the reason for this book: to encourage you to actively pursue direct aesthetic experience in the built environment, and to reflect upon the best reasons and ways to be a dedicated design traveler. Traveling to learn is an integral part of the education of student architects and designers. It is vital for designers to know how to be effective design travelers, to know how to seek out and encounter places, buildings, and objects, and to develop a capacity for looking, drawing, and, above all, discerning. But to be a student is only to be "one who is studying," which means all of us who, if we are truly alive, delight in the application of the mind to the acquisition of knowledge.
Author: David A. Dutton
Publisher: Lulu.com
ISBN: 1941892337
Category :
Languages : en
Pages : 210
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Book Description
Paid in Sunsets: A Park Ranger's Story is a humorous memoir of David A. Dutton's life as a Federal Park Ranger. Park Rangers are called upon to do many dangerous things, like rappel down cliff faces to rescue stranded climbers, or cut fire lines in advance of raging forest infernos. Dutton didn't do those things. He spent thirty-one years sharing the natural world with others. This memoir retells the best of those experiences'bawdy encounters along the muddy Rio Grande, ghosts in a remote Southwest canyon, swimming with Great White sharks, tweezing pernicious Kentucky ticks off his body, carrying diarrhea out of the longest cave in the world, and getting pissed on by an indignant raccoon in a Mississippi backwater, to name a few. The memoir is about birth, life, and sometimes, death. It's about a journey'from being a greenhorn Park Ranger in New Mexico to becoming an ordained Senior Park Ranger in Mississippi, twenty years later.Paid in Sunsets: A Park Ranger's Story pays homage to rangers as an emblem of ruggedness, individualism, and courage. But more importantly, the memoir shows that Park Rangers are ordinary people, too'men and women who put on uniforms and hats everyday, step into the crowd, and commit themselves to the idea of protecting America's treasures for the benefit of future generations.
Author: Gail Peter Borden
Publisher: Prentice Hall
ISBN: 9780131579651
Category : Architectural design
Languages : en
Pages : 0
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Book Description
For courses in design studios and introductory history/theory courses that examine the fundamental principles of architecture. Architecture Principia : Architectural Principles of Material Form provides a comprehensive look at the foundational themes of architecture. Simultaneously fundamental and advanced, the text employs comparative precedents, case studies from across the history of architecture, consistent and clear graphic language, and a parallel visual and textual presentation of each architectural principle. Written by designers, for designers, the text is intended to serve as an analytical handbook of the concepts behind these diverse, formal principles as viewed through the history of architecture.
